NBC #1 Monday in the U.S. ITV #1 in the UK. Seven #1 in AU. UNI #1 HDN. TBS #1 Cable Net. Caracol #1 in CO. El Trece #1 in AR. AméricaTV in PE. Las Estrellas in MX.


Music, Documentary/Soap and Reality dominated viewing on television throughout the world on Monday.
The Daily Diary Of Screens #dailydiaryofscreens 🇺🇸🇬🇧🇦🇺💻📱📺🎬🌎🗺️🇮🇳. For Monday, April 16, 2018. This is your North America, Central America, South America, India, UK and Australian Daily Television Ratings Platform.
In the U.S., NBC #1 broadcast network as ‘The Voice‘ was the top program.
In the U.S., UNI #1 Hispanic network as ‘El Rico y Lázaro‘ was the top Hispanic program.
In the U.S., TBS #1 cable network as USA’s ‘WWE Entertainment’ #1 cable program with 3.754 million viewers.
In the UK, ITV #1 broadcast network as ‘The Queen’s Green Planet‘ was the top non-soap program as ‘Coronation Street‘ was the #1 program/soap.
In Australia, Seven #1 broadcast network as ‘My Kitchen Rules‘ was the top broadcast program and ‘Seven News‘ #1 newscast.
Rampage‘ was the #1 film at the domestic box office this weekend. See Below.
Rampage‘ was the #1 film at the international box office this weekend. See Below.
In Canada, CTV Total #1 network week of 19-25 March 2018 as ‘The Good Doctor‘ with 3.168 million viewers was the #1 program in Canada.
In Canada, TVA #1 network week of 19-25 March 2018 as ‘La Voix‘ with 2,200 million viewers was the #1 program in Québec
In Argentina, El Trece #1 broadcast network as ‘Simona‘ was the top program 16 April 2018.
In Chile, MEGA #1 broadcast network as ‘PNP‘ premiere was the top program 3 April 2018.
In Perú, ‘AméricaTV‘ #1 broadcast network as ‘Ojitos hechiceros‘ debut series premiere top program 16 April 2018 with 1.1 million viewers.
In Colombia, Caracol #1 broadcast network as ‘La voz kids‘ top program 16 April 2018.
In México, Las Estrellas #1 broadcast network as ‘La Rosa de Guadalupe‘ was the top Méxican program 16 April 2018 with 3.0 million viewers.
In India, Zee Anmol #1 Hindi broadcast network as ZEE TV’s ‘Kumkum Bhagya‘ was the top program week and ‘Comedy Central‘ was the #1 English broadcast network during week #12 on 17 March 2018.
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Rampage‘ #1 at the U.S. box office weekend 13-15 April 2018. Complete box office Top Ten this weekend listed below.

Rampage #1 at the International box office weekend 13-15 April 2018. Complete box office Top Ten this weekend listed below.

This Weekend in 1943, ‘Hangmen Also Die‘ directed by the Austrian director Fritz Lang and written by John Wexley from a story by Bertolt Brecht (credited as Bert Brecht) and Lang. The film stars Brian Donlevy, Walter Brennan, Hans Heinrich von Twardowski, Alexander Granach and Anna Lee, and features Gene Lockhart and Dennis O’Keefe. Hangmen Also Die! was Bertolt Brecht’s only script for a Hollywood film. Hangmen Also Die was nominated for two Academy Awards, for Hanns Eisler for “Best Music, Scoring of a Dramatic or Comedy Picture”, and for Jack Whitney of Sound Services Inc. for “Best Sound, Recording”.

This weekend in 1943, ‘‘I’ve Heard That Song Before’‘ Harry James and His Orchestra with Helen Forrest was the #1 record. This was the seventh of 12 straight weeks at #1 on Billboard.


The latest social media stats include this: Americans spend 25% of their time on social media.YouTube has viewers now watch 1 billion hours of video each day. 85% of digital video viewers will be YouTube viewers as daily usage of YouTube, is estimated the video-sharing platform will reach 185.9 million monthly US users in 2017. YouTube overall, and even YouTube on mobile alone, reaches more 18-34 and 18-49 year-olds than any cable network in the U.S. Facebook having 2.047 billion monthly active users watching 8 billion videos each day. 100 million hours of video content are watched on Facebook daily. In addition, 81% of all shares come from Facebook. 41% of Millennials use Facebook every day. And, there are now 5 million active advertisers on its platform, up from 4 million in September 2016 and 2 million in February 2015. Instagram has 700 million users of which 250 million are daily users. 51% of Instagram users access the platform daily and 35% say they look at the platform several times per day. Most Instagram users are between 18-29 years old. 88% of Twitter users are on mobile. An average of 500 million tweets are sent every day with 330 million active users. Twitter had 9 million new members sign up in Q1 2017. 81% of millennials check Twitter at least once per day. The Google+1 button is hit 5 billion times per day. 80% of Internet users on Pinterest are female. Eighty-one percent of US consumers use Facebook regularly, compared with Google (79%), Twitter (43%) and Instagram (40%), System1 Research reported.

Pinterest has 110 million monthly active users. 93% of Pinterest users use the platform to plan or make purchases. Pinterest drives 25% of all retail website referral traffic. LinkedIn has 450 million registered members with 100 million active users who spend 17 minutes per month on the site. Tumblr has 555 million users and Weibo has 100 million daily users. Skype has 300 milllion active users and there are 1.000 billion users on Whatsapp. With 900 million active users on Facebook Messenger, 60 billion messages are sent via Facebook Messenger and WhatsApp every day, each with over 1 billion daily users. Netflix now has 75 million streaming subscribers. QQ has 853 million active users. WeChat has 697 million active users while QZone has 640 million. Baidu Tieba has 300 million active users while Viber has 249 million. Sina Weibo has 222 million active users while Line has 215 million. Snapchat has 200 million users and 150 million users are active each day, watching 10 billion videos each day. Over 400 million snaps are shared on Snapchat per day, and almost 9,000 photos are shared every second. YY has 122 million active users; VKontakte has 100 million active users as does BBM and Telegram. Of note, Almost 80% of time spent on social media platforms happens on mobile.

62% of B2B Marketers See Video As Priority Format. In an article in The Drum by John McCarthy (041618) he noted ‘Two thirds (62%) of B2B marketers polled by LinkedIn believe that video should be the primary platform of any creators. Two Hundred and Two B2B digital marketers were polled in the UK and Ireland between February and March 2018 by Microsoft’s professional social network. 62% saw video as the most important content format. This was followed by email, social media creative, and infographics. More than a quarter (26%) said they are planning to spend more than £300k on video advertising this year, despite the research underlining that cost was indeed often a barrier to entry in the video space. The vast majority of respondents (93%) agreed that video allows B2B brands to embrace creative storytelling opportunities. 62% said it helps build brand awareness and half said they invest in video to promote their goods or services. Many respondents said they believe that their B2B video was effective in generating leads. 77% said they were getting more leads, and 78% said they were of higher quality. It found that the most popular video formats were product videos, how-to videos and explainer videos. 68% of LinkedIn Members, in a separate study form the network, said they would be more likely to watch a B2B video on the site if it was relevant to their job title. To this end, three quarters of respondents put out a call for publishers and platforms to make their video targeting capabilities more effective. Tom Pepper, head of LinkedIn Marketing Solutions UK, said: “Video has become one of the most powerful tools in a B2B marketer’s arsenal as they turn to even more creative formats to engage professional audiences. B2B video has come a long way from the talking head. “But even the perfect video could be rendered useless if it’s not shared with the right audience, in the right place and at the right time. With marketers investing heavily in video this year, it’s time they work seamlessly with publishers to overcome these issues and ensure video continues to deliver growth for brands.” https://cnasophis.wistia.com/medias/hqlzux9on2


Remember, social media marketing isn’t always the tech. It’s the people.

Today, traditional TV still accounts for the lion’s share of video viewing, but online and mobile are where the growth is. When managed together, TV/digital/mobile hold the potential to drive real impact for advertisers—enabling them to maximize the customers they reach and/or reinforce key messaging across screens. After all, ‘It’s all about screens’.

The Home Of #dailydiaryofscreens

For Monday, April 16, 2018 (Posted on April 17, 2018)
According to Nielsen’s National Television Household Universe Estimates, there are 119.6 million TV homes in the U.S. for the 2017-18 TV season.

NBC #1 broadcast network Monday as ‘The Voice’ top program.


NBC
The Peacock Network finished #1 Monday in prime time.

8P ‘The Voice‘ finished #1 program Monday in prime time with an average 9.447 million viewers and a 6.0/6.1 HH rating.

9P ‘The Voice‘ finished #1 in the time slot with an average 9.017 million viewers and a 5.7/5.4 HH rating.
10P ‘Good Girls‘ finished with an average 4.453 million viewers and a 2.9/2.6 HH rating.

ABC
The Alphabet Network on the strength of ‘Idol’ pushes network to #2 on Mondays.

8P ‘American Idol‘ finished with an average 6.918 million viewers and a 5.2/4.8 HH rating.

9P ‘American Idol‘ finished with an average 6.718 million viewers and a 4.7/4.7 HH rating.
10P ‘The Crossing‘ finished with an average 4.170 million viewers and a 2.9/2.6 HH rating.

CBS
The Tiffany Network

8P ‘Kevin Can Wait‘ finished with an average 5.288 million viewers and a 3.6 HH rating.
830P ‘Man With A Plan‘ finished with an average 5.085 million viewers and a 3.5 HH rating.
9P ‘Superior Donuts‘ finished with an average 4.520 million viewers and a 3.2 HH rating.
930P ‘Living Biblically‘ finished with an average 3.540 million viewers and a 2.6 HH rating.
10P ‘Scorpion‘ season finale finished #1 in the time slot with an average 5.119 million viewers and a 3.7/3.7 HH rating.

FOX
The Animal Network of Broadcast

8P ‘Lucifer‘ finished with an average 3.173 million viewers and a 2.4/22 HH rating.
9P ‘The Resident‘ finished with an average 4.292 million viewers and a 3.1/3.2 HH rating.

The CW
The Little Network That Couldn’t …

8P ‘Supergirl‘ finished with an average 1.900 million viewers and a 1.5/1.4 HH rating.
9P ‘iZombie‘ finished with an average 854,000 viewers and a 0.6/0.6.

For The Record

NBC finished #1 broadcast network Monday in prime time with an average 6.739 million viewers.
ABC finished with an average 5.935 million viewers.
CBS finished with an average 4.779 million viewers.
TBS finished with an average 3.826 million viewers.
USA finished with an average 3.622 million viewers.
FOX finished with an average 3.733 million viewers.
FNC finished with an average 3.204 million viewers.
MSNBC finished with an average 2.972 million viewers.
UNI finished with an average 1.519 million viewers.
The CW finished with an average 1.377 million viewers.
CNN finished with an average 1.265 million viewers.
TEL finished with an average 1.207 million viewers.

Broadcast (Big Five) Networks finished with an estimated 23.463 million viewers, DOWN -2.431 million viewers (-9.4%) vs 25.894 million viewers SD 2017.

Today In Communication History

On this date in 1967, ‘The Joey Bishop Show’ debuted on ABC-TV.

Quote Of The Day

‘It’s time for Joey.’
Regis Philbin

Television News

Morning News Program TV Ratings Week of 9 April 2018

Total Viewers:
ABC ‘Good Morning America’ 4.185 million viewers
NBC ‘The Today Show’ 3.964 million viewers
CBS ‘CBS This Morning’ 3.317 million viewers

Evening Broadcast Network Newscast TV Ratings Week of 9 April 2018

Total Viewers:
ABC ‘World News Tonight’ 8,192,000 viewers
NBC ‘NBC Nightly News with Lester Holt’ 7,754,000 viewers
CBS ‘CBS Evening News with Jeff Glor’ 5,922,000 viewers.

Communication News

2018 Pulitzer Prize Winners

For Journalism

Public Service: jointly awarded to The New York Times, for reporting led by Jodi Kantor and Megan Twohey, and The New Yorker, for reporting by Ronan Farrow.
“For explosive, impactful journalism that exposed powerful and wealthy sexual predators — including allegations against one of Hollywood’s most influential producers — bringing them to account for long-suppressed claims of coercion, brutality and victim-silencing, thus spurring a worldwide reckoning about sexual abuse of women.”

Breaking News Reporting: The staff of the Santa Rosa Press Democrat.
“For lucid and tenacious coverage of historic wildfires that ravaged the city of Santa Rosa and Sonoma County, and for expertly utilizing an array of tools, including photography, video and social media platforms to bring clarity to its readers in real-time and in subsequent in-depth reporting for investigative reporting.”

Investigative Reporting: The staff of The Washington Post.
“For purposeful and relentless reporting that changed the course of a Senate race in Alabama, revealing a candidate’s alleged past sexual harassment of teenage girls and subsequent efforts to undermine the journalism that exposed it.”

Explanatory Reporting: Jointly awarded to the staffs of the Arizona Republic and the USA Today Network.
“For vivid and timely reporting that masterfully combined text, video, podcasts and virtual reality to examine from multiple perspectives the difficulties and unintended consequences of fulfilling President Trump’s pledge to construct a wall along the U.S. border with Mexico.”

Local Reporting: The staff of the Cincinnati Enquirer.
“For a riveting and insightful narrative and video documenting seven days of greater Cincinnati’s heroin epidemic revealing how the deadly addiction has ravaged families and communities.”

National Reporting: Jointly awarded to the staffs of The New York Times and The Washington Post.
“For deeply sourced, relentlessly reported coverage in the public interest that dramatically furthered the nation’s understanding of Russian interference in the 2016 election and its connections to the Trump campaign. The president-elect’s transition team and his eventual administration.”

International Reporting: Claire Baldwin, Andrew R.C. Marshall and Manuel Mogato of Reuters.
“For relentless reporting that exposed the brutal killing campaign behind Philippine President Rodrigo Duterte’s war on drugs.”

Feature Writing: Rachel Kaadzi Ghansah for GQ.
“For an unforgettable portrait of murderer Dylann Roof, using a unique and powerful mix of reportage, first-person reflection and analysis of historical and cultural forces behind his killing of nine people inside Emanuel AME Church in Charleston, S.C.”

Commentary: John Archibald of the Alabama Media Group.
“For lyrical and courageous commentary that is rooted in Alabama but has a national resonance, in scrutinizing corrupt politicians, championing the rights of women and calling out hypocrisy for criticism.”

Criticism: Jerry Saltz of New York Magazine.
“For a robust body of work that conveyed a canny and often daring perspective on visual arts in America, encompassing the personal, the political, the pure and the profane.”

Editorial Writing: Andie Dominick of The Des Moines Register.
“For examining in a clear, indignant voice free of cliché or sentimentality, the damaging consequences for poor Iowa residents for privatizing the state’s administration of Medicaid.”

Editorial Cartooning: Jake Halpern and Michael Sloan for The New York Times.
“For an emotionally powerful series told in graphic narrative form that chronicled the daily struggles of a real-life family of refugees and its fear of deportation.”

Breaking News Photography: Ryan Kelly of The Daily Progress in Charlottesville, Va.
“For a chilling image that reflected the photographer’s reflexes and concentration, in capturing the moment of impact of a car during a racially charged protests in Charlottesville, Va.”

Feature Photography: The photography staff of Reuters.
“For shocking photos that expose the world to the violence Rohingya refugees face in fleeing Myanmar.”

For Letters, Drama & Music

Fiction: Less, Andrew Sean Greer.
“For a generous book, musical in its prose and expansive in its structure and range, about growing older and the essential nature of love.”

Drama: Cost of Living, by Martyna Majok.
“An honest, original work that invites audiences to examine diverse perspectives of privilege and human connection through two pairs of mismatched individuals: a former trucker and his recently paralyzed ex-wife, and an arrogant young man with cerebral palsy and his new caregiver.”

History: The Gulf: The Making of An American Sea, by Jack E. Davis.
“An important environmental history of the Gulf of Mexico that brings critical attention to the Earth’s 10th largest body of water and one of the planet’s most diverse and productive marine ecosystems.”

Biography: Prairie Fires: The American Dreams of Laura Ingalls Wilder, by Caroline Fraser.
“A deeply resourced and elegantly written portrait of Laura Ingalls Wilder, author of The Little House on the Prairie series, that describes how Wilder transfers transformed her family’s story of poverty, failure and struggle into an uplifting tale of self-reliance, familial love and perseverance.”

Poetry: Half-light, by Frank Bidart.
“A volume of unyielding ambition and remarkable scope that mixes long, dramatic poems with short, elliptical lyrics, building on classical mythology and reinventing forms of desire that defy societal norms.”

General Nonfiction: Locking Up Our Own: Crime and Punishment in Black America, by James Forman Jr.
“An examination of the historical roots of contemporary criminal justice in the United States, based on vast experience and deep knowledge of the legal system and its often devastating consequences for citizens and communities of color.”

Music: DAMN., by Kendrick Lamar.
“A virtuosic song collection unified by its vernacular authenticity and rhythmic dynamism that offers affecting vignettes capturing the complexity of modern African-American life.”

Cinema News

Box Office Weekend 13-15 April 2018 Domestic

#1 ‘Rampage’ $ 34,500,000 in 4,101 theaters
#2 ‘A Quiet Place’ $ 32,600,000 in 3,508 theaters
#3 ‘Truth Or Dare’ $ 19,000,000 in 3,029 theaters
#4 ‘Ready Player One’ $ 11,200,000 in 3,661 theaters
#5 ‘Blockers’ $ 10,295,000 in 3,418 theaters
#6 ‘Black Panther’ $ 5,300,000 in 2,180 theaters
#7 ‘Isle Of Dogs’ $ 5,000,000 in 1,939 theaters
#8 ‘I Can Only Imagine’ $ 3,800,000 in 2,563 theaters
#9 ‘Acrimony’ $ 3,700,000 in 1,332 theaters
#10’Chappaquiddick’ $ 3,025,000 in 1,645 theaters

Box Office Weekend 13-15 April 2018 (International)

#1 ‘Rampage’ $114.100,000 in 61 markets
#2 ‘Ready Player One’ $ 33,800,000 in 65 markets
#3 ‘A Quiet Place’ $ 22.300,000 in 56 markets
#4 ‘Peter Rabbit’ $ 12,700,000 in 59 markets
#5 ‘Pacific Rim Uprising’ $ 6,100,000 in 66 markets

Coming Soon….

From one of the longest living Fibromyalgia patients tells her story. ‘This Is Patient Zero’ now available at Amazon and Barnes & Noble:http://bit.ly/ThisIsPatientZero 🆕📚

small-world-279x300

Welcome to new viewers in all 50 States of the U.S., all of the Provinces in Canada, all of the States in Mexico, the UK, Iceland, Ireland, Isle of Man, Guernsey, Jersey, France, Belgium, the Netherlands, Denmark, Norway, Sweden, Finland, Estonia, Lithuania, Latvia, Estonia, the Russian Federation, Belarus, Ukraine, Republic of Moldova, Poland, Germany, Austria, Czech Republic, Switzerland, Luxembourg, Portugal, Gibraltar, Spain, Monaco, Malta, Italy, Slovenia, Slovakia, Hungary, Romania, Bulgaria, Moldova, Croatia, Bosnia and Herzegovina, Serbia, Macedonia the former Yugoslave Republic, Albania, Montenegro, Greece, Cyprus, Georgia, Turkey, Uzbekistan, Armenia, Azerbaijan, State of Palestine, Jordan, Lebanon, Israel, Saudi Arabia, Oman, Bahrain, United Arab Emirates, Qatar, Kuwait, Iraq, Uzbekistan, Pakistan, India, Myanmar (Burma), Sri Lanka, Bhutan, Nepal, Bangladesh, Kazakhstan, Mongolia, China, Hong Kong SAR China, Macao, Taiwan, Japan, Republic of Korea, the Philippines, Vietnam, Cambodia, Laos, Malaysia, Brunei Darussalam, Fiji, Solomon Islands, New Zealand, Australia, Indonesia, Singapore, Thailand, Mauritius, Zambia, United Republic of Tanzania, Ethiopia, Kenya, Rwanda, Ethiopia, Egypt, Malta, Tunisia, Algeria, Libya, Morocco, Republic of Côte d’Ivoire, Mali, Burkina Faso, Gabon, Senegal, Benin, Nigeria, Cameroon, Ghana, Mozambique, Uganda, Namibia, Zimbabwe, Angola, Botswana, South Africa, Argentina, Chile, Paraguay, Uruguay, Brazil, Bolivia, Peru, Ecuador, Colombia, Venezuela, Guyana, Suriname, Panama, Costa Rica, Nicaraqua, Guatemala, Honduras, El Salvadore, Belize, Curaçao, Aruba, St. Lucia, Grenada, Guadeloupe, Jamaica, Trinidad and Tobago, Dominica, Barbados, Haiti, the Dominican Republic, Martinique, U.S. Virgin Islands, British Virgin Islands, Bahamas, Cuba, Puerto Rico and Bermuda (163). We are thankful to all of you with more than 80,000+ views. Top areas in the world viewing overtheshouldermedia today came from the United States, Italy, Canada, the United Kingdom, Ireland, Netherlands, Australia, Croatia, South Korea, Brazil, Spain, France, Portugal, Belgium, Luxembourg, Denmark, Norway, Sweden, Finland, Russia, Germany, Austria, Albania, Serbia, Moldova, Greece, Turkey, Israel, Saudi Arabia, United Arab Emirates, Pakistan, India, Bangladesh, Sri Lanka, Myanmar (Burma), Thailand, Indonesia, Singapore, Hong Kong SAR China, Japan, Vietnam, New Zealand, Egypt, Ethiopia, Morocco, South Africa, Peru, Ecuador, Colombia, Mexico, Guatemala, Dominican Republic and U.S. Virgin Islands. Top viewers this month are marked in bold.


In the UK, Peak time is defined as Early Peak is 17:30 to 20:00 and Late Peak is 20:00 to 23:00.

Across The Pond

ITV #1 broadcast network in the UK Monday as ‘The Queen’s Green Planet’ was the top non-soap program as ‘Corrie’ #1 program/soap.


ITV
The Independent One

7P ‘Emmerdale‘ finished with an average 6.0 million viewers.
730P ‘Coronation Street‘ finished as the #1 program/soap in the UK Monday evening with an average 6.9 million viewers.
8P ‘Give It A Year‘ finished with an average 2.8 million viewers.
830P ‘Coronation Street‘ finished with an average 6.4 million viewers.
9P ‘The Queen’s Green Planet‘ finished as the #1 non-soap program in the UK Monday evening with an average 5.2 million viewers.

BBC One
The Big One

7P ‘The One Show
730P ‘Nightmare Pets SOS
8P ‘EastEnders‘ finished with an average 5.7 million viewers.
830P ‘Panorama
9P ‘DIY SOS‘ finished with an average 2.3 million viewers.

BBC Two
The Little Two

7P ‘The Secret Helpers
8P ‘Only Connect‘ finished with an average 2.1 million viewers.
830P ‘University Challenge‘ finished with an average 2.1 million viewers.
9P ‘Secret Agent Selection: WW2

Channel 4
The Big Four

8P ‘Dispatches
830P ‘Travel Man:48 Hours In Madeira‘ finished with an average 1.5 million viewers.
9P ‘The Island with Bear Grylls’ finished with an average 1.5 million viewers.

Channel 5
The Viacom Five

7P ‘Aviva Premiership Rugby Highlights
8P ‘Police Interceptores
9P ‘Inside The Railway‘ (‘Paddington Station’)


DOWN UNDER
NOTE: While Australian considers Prime Time 6P-Midnight, we use the US prime time system to measure television effectiveness in Australia. Thus 7P-10P is the standard from which this rating is based. Newscasts are considered only as newscasts and not television programs inside or outside of this period except in special periods. The % share is based on the Australian Prime Time 6P-Midnight period.

Seven #1 broadcast network in Australia Sunday as ‘MKR’ top program.


Seven
The Second Commercial Network in Australia finished with a 33.6% share.

7P ‘Home and Away‘ finished with an average 784,000 viewers.
730P ‘My Kitchen Rules‘ finished with an average 1.253 million viewers.
9P ‘The Good Doctor‘ finished with an average 855,000 viewers.

Nine
The First Commercial Network in Australia finished with a 25.5% share.

7P ‘A Current Affair‘ finished with an average 859,000 viewers.
731P ‘The Voice‘ finished with an average 930,000 viewers.
902P ‘Lip Sync Battle‘ finished with an average 502,000 viewers.

Ten
The CBS Commercial Network in Australia finished with a 16.3% share.

7P ‘The Project‘ finished with an average 570,000 viewers.
730P ‘Bachelor In Paradise‘ finished with an average 676,000 viewers.
9P ‘Father of the Bride‘ did not finish in the top 20 programs.

ABC
The Alphabet Network in Australia finished with a 17.3% share.

730P ‘7.30 Report‘ finished with an average 634,000 viewers.
801P ‘Australian Story‘ finished with an average 594,000 viewers.
832P ‘Four Corners‘ finished with an average 583,000 viewers.
932P ‘Media Watch‘ finished with an average 594,000 viewers.
940P ‘Q&A‘ did not finish in the top 20 programs.

SBS
The Special Broadcast Service in Australia finished with a 7.3% share.

735P ‘Elizabeth‘ did not finish in the top 20 programs.
830P ‘Michael Mosley: Trust Me, I’m A Doctor‘ did not finish in the top 20 programs.
930P ‘24 Hours In Emergency‘ did not finish in the top 20 programs.

Top Newscasts In Australia

#1 SEVEN NEWS Seven 1,130,000 viewers #1 in Adelaide & Perth, 1T in Brisbane

#2 SEVEN NEWS/TT Seven 1,093,000 viewers #1T in Brisbane

#3 NINE NEWS 6:30 Nine 992,000 viewers #1 in Sydney

#4 NINE NEWS Nine 987,000 viewers #1 in Melbourne

#5 ABC NEWS-EV ABC 766,000 viewers Melbourne top market
#6 EYEWITNESS NEWS Ten 486,000 viewers Melbourne top market

TUESDAY AUSTRALIAN OVERNIGHT TV RATINGS
Tuesday Australian Overnight TV Ratings
TUESDAY AUSTRALIAN OVERNIGHT TV RATINGS

DOWN UNDER
NOTE: While Australian considers Prime Time 6P-Midnight, we use the US prime time system to measure television effectiveness in Australia. Thus 7P-10P is the standard from which this rating is based. Newscasts are considered only as newscasts and not television programs inside or outside of this period except in special periods. The % share is based on the Australian Prime Time 6P-Midnight period.

Seven #1 broadcast network in Australia Tuesday as ‘MKR’ top program.


Seven
The Second Commercial Network in Australia finished with a 32.4% share.

7P ‘Home and Away‘ finished with an average 746,000 viewers.
730P ‘My Kitchen Rules‘ finished #1 program in Australia Tuesday evening with an average 1.317 million viewers.
9P ‘Interview‘ finished with an average 478,000 viewers.

Nine
The First Commercial Network in Australia finished with a 26.9% share.

7P ‘A Current Affair‘ finished with an average 839,000 viewers.
731P ‘The Voice‘ finished with an average 822,000 viewers.
906P ‘Date Night‘ did not finish in the top 20 programs.

Ten
The CBS Commercial Network in Australia finished with a 18.0% share.

7P ‘The Project‘ finished with an average 560,000 viewers.
730P ‘Bachelor In Paradise‘ finished with an average 660,000 viewers.
840P ‘Hughesy, We Have A Problem‘ finished with an average 459,000 viewers.
930P ‘NCIS:Los Angeles‘ (‘The Monster’) did not finish in the top 20 programs.

ABC
The Alphabet Network in Australia finished with a 14.9% share.

730P ‘7.30 Report‘ finished with an average 492,000 viewers.
801P ‘The Checkout‘ finished with an average 387,000 viewers.
832P ‘Employable Me‘ finished with an average 434,000 viewers.
933P ‘Louis Theroux:Drinking To Oblivion‘ did not finish in the top 20 programs.

SBS
The Special Broadcast Service in Australia finished with a 7.8% share.

730P ‘Who Do You Think You Are? Noni Hazlehurst‘ finished with an average 430,000 viewers.
830P ‘Insight‘ did not finish in the top 20 programs.
930P ‘Dateline‘ did not finish in the top 20 programs.

Top Newscasts In Australia

#1 SEVEN NEWS Seven 1,031,000 viewers #1 in Adelaide & Perth

#2 SEVEN NEWS/TT Seven 1,002,000 viewers Melbourne top market

#3 NINE NEWS 6:30 Nine 948,000 viewers #1 in Sydney & Melbourne

#4 NINE NEWS Nine 940,000 viewers #1 in Brisbane

#5 ABC NEWS-EV ABC 725,000 viewers Melbourne top market
#6 EYEWITNESS NEWS Ten 450,000 viewers Melbourne top market

For continual updates on all things ‘screens’, go to: https://www.facebook.com/pages/Dailydiaryofscreens


In this week’s Media Notes Canonical, In-Store Shoppers Like Initial Mobile Alerts http://bit.ly/InStoreShoppersLikeInitialMobileAlerts New Study Explores Customer Expectations 🆕💡🛍 It’s FREE.

Today’s featured ‘Music To Read overtheshouldermedia By’ down at the bottom of the page

Brad Hatfield ‘The Point of No Return’

This entry was posted in #dailydiaryofscreens., 75 Years Ago Today In Communications, Audience Analysis, Audience Behavior, Audience Management, Broadcast TV Ratings in Australia, Broadcast TV Ratings in the UK, Broadcast TV Ratings in US, Cable TV Ratings, Cinema, Daily Australian TV Ratings, Daily Broadcast Ratings, Daily Hispanic TV Ratings, Daily TV Cable Ratings, Daily TV Ratings in Argentina, Daily TV Ratings in Colombia, Daily TV Ratings in Mexico, Daily TV Ratings in Peru, Daily UK TV Ratings, Data, Digital, Direct, Hispanic TV Ratings, Late Night TV Ratings, Media, Media Analysis, Media Management, Mobile, Monday Night TV Ratings, Music To Read By, Music To Read overtheshouldermedia by, Social Media Note Of The Day, Television Program Renewals, Television Ratings, Today In TV History, Uncategorized, Weekend Box Office, Weekly TV Ratings in Canada and tagged , , , , , , , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

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