NBC #1 Saturday in the U.S. BBC One #1 in the UK. ABC #1 in AU.

Sports and Drama programming topped television viewing Saturday throughout the English Language World.
The Daily Diary Of Screens #dailydiaryofscreens 🇺🇸🇬🇧🇦🇺💻📱📺🎬. For Saturday, July 1, 2017. This is your North America, Central America, South America, India, UK and Australian Daily Television Ratings Platform.
In the U.S., NBC #1 broadcast network as ‘NASCAR Coke Zero 400‘ was the top program in the English Language World.
CableRatings will be available Wednesday morning due to the Independence Day holiday.
In the UK, BBC One #1 broadcast network as ‘Casual+y‘ was the top program.
In Australia, ‘ABC‘ was the #1 broadcast network as ‘Father Brown‘ was the #1 program as ‘Seven News‘ was the top newscast.
In Canada, City Total #1 network week of 12-18 June 2017 as ‘America’s Got Talent‘ was the #1 program in Canada.
In Argentina, El Trece #1 broadcast network as ‘‘Showmatch’‘ was the top program.
In Chile, MEGA #1 broadcast network as ‘Perdona Nuestros Pecados‘ was the top program in Chile.
In Perú, ‘América TV‘ #1 broadcast network as ‘De vuelta al barrio‘ top program in Perú Monday.
In Colombia, Caracol #1 braadcast network as ‘Dinastia’ (Los Morales)’‘ top Colombian program.
In México, Las Estrellas #1 broadcast network as ‘Mi marido tiene familia‘ was the top Méxican program.
In India, Colors #1 broadcast network as ‘Naggin‘ season premiere was the top program week of 7-14 May 2017.

Cars 3‘ #1 at the U.S. box office weekend 16-18 June 2017. Complete box office Top Ten this weekend listed below.

The Mummy‘ #1 at the International box office weekend 16-18 June 2017. Complete box office this weekend listed below.

This Weekend in 1942, ‘Sons Of The Pioneers‘ was directed by Joseph Kane, and starring Roy Rogers, George ‘Gabby’ Hayes, Bob Nolan, Forest Tucker and Chester Conklin. The film was part of the long-running series of Roy Rogers films produced by the Hollywood studio Republic Pictures.

This weekend in 1942, ‘Sleepy Lagoon‘ Harry James and His Orchestra. The James recording was released by Columbia Records as catalog number 36549. It first reached the Billboard Best Seller chart on 17 April 1942 and lasted 18 weeks on the chart, peaking at number 1.

The latest social media stats include this: Americans spend 25% of their time on social media.YouTube has viewers now watch 1 billion hours of video each day. 85% of digital video viewers will be YouTube viewers as daily usage of YouTube, is estimated the video-sharing platform will reach 185.9 million monthly US users in 2017 Facebook having 1.79 billion monthly users watching 8 billion videos each day. In addition, 81% of all shares come from Facebook. 41% of Millennials use Facebook every day. And, there are now 5 million active advertisers on its platform, up from 4 million in September 2016 and 2 million in February 2015. Instagram has 500 million users. 88% of Twitter users are on mobile. An average of 500 million tweets are sent every day with 320 million active users. Twitter had 9 million new members sign up in Q1 2017. The Google+1 button is hit 5 billion times per day. 80% of Internet users on Pinterest are female.

Pinterest has 110 million monthly active users. LinkedIn has 347 million registered members with 100 million active users. Tumblr has 555 million users and Weibo has 100 million daily users. Skype has 300 milllion active users and there are 1.000 billion users on Whatsapp. With 900 million active users on Facebook Messenger, 60 billion messages are sent via Facebook Messenger and WhatsApp every day. Netflix now has 75 million streaming subscribers. QQ has 853 million active users. WeChat has 697 million active users while QZone has 640 million. Baidu Tieba has 300 million active users while Viber has 249 million. Sina Weibo has 222 million active users while Line has 215 million. Snapchat has 200 million users and 150 million users are active each day, watching 10 billion videos each day. YY has 122 million active users; VKontakte has 100 million active users as does BBM and Telegram.

An astounding 65% of Facebook users log on daily. Facebook will be revealing new transparency features each month, with the first batch including helping advertisers understand how ads drive site traffic by tracking how many consumers click or tap on ads and then visit the corresponding landing pages. The release also includes three new metrics for Pages, plus a metric that shows whether a user who clicks or taps on an ad has previously interacted with the brand.

Remember, social media marketing isn’t always the tech. It’s the people.

Today, traditional TV still accounts for the lion’s share of video viewing, but online and mobile are where the growth is. When managed together, TV/digital/mobile hold the potential to drive real impact for advertisers—enabling them to maximize the customers they reach and/or reinforce key messaging across screens. After all, ‘It’s all about screens’.

The Home Of #dailydiaryofscreens

For Saturday, July 1, 2017 (Posted on July 2, 2017)

NBC #1 broadcast network Saturday as ‘NASCAR Coke Zero 400’ was the top program, more than double the closest competition.

The Peacock Network

8P ‘NASCAR Coke Zero 400‘ finished with an average 5.114 million viewers.
9P ‘NASCAR Coke Zero 400‘ finished with an average 4.769 million viewers.
10P ‘NASCAR Coke Zero 400‘ finished #1 Saturday in prime time with an average 5.133 million viewers.

The Animal Network of Broadcast

8P ‘MLB‘ featuring the New York Yankees v Houston Astros finished with an average 2.329 million viewers.
9P ‘MLB‘ featuring the New York Yankees v Houston Astros finished with an average 2.643 million viewers.

The Alphabet Network

8P ‘Battle of the Network Stars‘ rerun finished with an average 1.838 million viewers.
9P ‘20/20: In An Instant‘ (‘Match Made in Hell’) finished with an average 2.215 million viewers.
10P ‘20/20: In An Instant‘ finished with an average 2.879 million viewers.

The Tiffany Network

8P ‘Doubt‘ (‘Poison Prize’) finished with an average 1.731 million viewers. The program was cancelled after only two episodes and this estimated audience level gives an indication that cancellation was the correct choice. It was the lowest rated program on one of the lowest rated nights of the year.
9P ‘48 Hours‘ (‘The Secret Life of Paige Birgfeld’) finished with an average 2.169 million viewers.
10P ‘48 Hours‘ finished with an average 2.668 million viewers.

For The Record

NBC finished #1 Saturday in prime time with an average 5.005 million viewers.
FOX finished with an average 2.486 million viewers.
ABC finished with an average 2.311 million viewers.
CBS finished with an average 2.189 million viewers.

Broadcast (English Language) Networks finished with an estimated 11.991 million viewers.

Today In Communication History

On this date 1955, ABC Television premiered ‘The Lawrence Welk Show’.

Quote Of The Day

‘If you put all your strength and faith and vigor into a job and try to do the best you can, the money will come.’
Lawrence Welk

Social Media Research

Brands Are Using Links In Instagram Stories To Boost Web Traffic
Companies have seen Instagram become a legitimate traffic driver but are wary of slowing viewership and a mutable algorithm. Tom Peterson writing in MarketingLand (062917), Near the end of May, Outside magazine’s website risked falling short of its internal traffic goal for the month. Typically, when publishers are looking to ratchet up their numbers, they’ll boost their links on Facebook or Twitter. But Outside did something different, something that would have seemed completely ridiculous a year ago. It turned to Instagram. “We went really hard on Instagram Stories at the end [of the month], and that’s what got us there,” said Outside’s online editor Scott Rosenfield.

Eight months ago, Instagram was a walled garden for brands and publishers. Other than buying ads that can carry links or using the “link in bio” loophole, companies struggled to migrate their Instagram audience to their own sites. Then, in November 2016, the Facebook-owned photo-and-video-sharing app added an option for verified profiles to attach links to slides in Instagram Stories.

Within a month, some brands and publishers were seeing 15 to 25 percent of the people who saw a link in an Instagram Story swipe up on it to visit the company’s site. In follow-up interviews with those same brands and publishers this week, while Instagram Stories’ swipe-through rates and even viewership counts appear to have leveled off, Instagram has risen to become a legitimate social referral source.

For underwear brand MeUndies, Instagram Stories links’ swipe-through rates still range between 15 and 20 percent. But combining Instagram Stories links and links in the brand’s Instagram bio, “Instagram traffic has definitely leapfrogged Facebook and Twitter in terms of organic posts,” said Bob Wolfley, who handles social media and influencer marketing for MeUndies.

Instagram has become Outside’s third-largest traffic driver among social networks, said Rosenfeld. It has overtaken Pinterest despite the publication employing similar strategies on both platforms, he said. Facebook still sends Outside the most visitors of any social platform, but at a 4 percent click-through rate, the dominant social network lags the 15 percent swipe-through rate that the publication averages on Instagram.

Instagram’s referral ranking may be on the rise, but it is still seen as more of a bonus than a bona fide strategy. “Instagram has never been a traffic driver. We’ve seen an uptick with Instagram Stories, but it hasn’t been significant,” said Mercedes Kraus, engagement editor at Vox Media’s Curbed, whose Instagram Story links’ swipe-through rates average between 5 and 10 percent. “We have solid social referrals from other places. Instagram has not gone to rival those quite yet, but it’s not nothing.” Curbed is “not putting a ton of emphasis on clickthroughs and Story links,” said Kraus. That’s because if the Story itself isn’t good, then why would someone swipe up on a link to content that’s an offshoot of a subpar Story?

Anonymous social platform Whisper has learned how important a Story’s quality is to a link’s performance. When it started adding links to Story slides in November, those slides were static images teasing all types of posts from Whisper’s site. At first those Stories performed well enough, averaging a 15% swipe-through rate. But as more people and companies started posting more Stories to Instagram, and particularly Stories that skewed toward video over photos, Whisper’s Stories stood out, but not in a good way. “We saw performance dip across the board,” said Whisper’s director of marketing and business development, Jay Rockman. Whisper revised its strategy to taking the most-clicked links from its Facebook page and producing videos specifically to tease them through Instagram Stories. At this point, Whisper posts roughly six slides with links to Instagram Stories a day, and its swipe-through rate has returned to 15%.

While companies have seen success in driving traffic to their sites from Instagram, they remain wary of becoming over-reliant on the Facebook-owned app. For one thing, it’s unclear whether traffic from Instagram Stories may soon level off in the same way that per-Story viewership appears to have done, despite the number of overall Instagram users viewing Stories daily ballooning to 250 million. “Story growth overall seems to have slowed quite a bit. Even if you’re gaining followers at a fast clip or a slow clip, it seems like there’s some sort of plateau,” said Kraus, who has seen the trend at Curbed and heard similar stories from others working on businesses’ Instagram accounts inside and outside Vox Media.

Outside’s Rosenfield said the publication’s per-Story viewership has stayed the same since December, and MeUndies’ Wolfley said, “We haven’t seen a plateau in viewership, but it definitely does fluctuate by between 10 and 20 percent.” Whisper saw a dip but has rebounded, with monthly Stories views going from 1.25 million in November 2016 to “several million views” in June 2017, Rockman said.

Any hesitance to count on Instagram as a long-term source of free traffic shouldn’t surprise anyone who’s witnessed the erosion of organic reach for companies on Facebook. And as with Facebook’s news feed, Instagram’s Stories feed is governed by an algorithm, lines of code that can be changed to reward or penalize whatever type of content Instagram and its parent company think people would prefer. “From what we’ve seen, adding links or not adding links does not seem to have a correlation to Story performance,” said Kraus. Instagram’s algorithm does not consider whether a Story has a link when ranking people’s feeds, according to an Instagram spokesperson. Among the signals the algorithm does use, the algorithm factors in how likely someone is to be interested in the Story’s content, how timely a Story is and a person’s relationship to the account posting the Story, the spokesperson said.

While the presence of links does not affect a Story’s algorithmic ranking, companies are cognizant of not overusing links, fouling up the Stories experience and running afoul of Instagram to the point that Instagram decides it doesn’t want so many of its users being sent outside of the app (even if only to a site within its in-app browser) or if Instagram sees companies abusing the feature and turning the app into a click farm.

“My sense is that they really don’t want people optimizing for [clicks]. I do think there will be a tragedy of the commons if everybody is aiming for that to be the main goal where then there’s a change and nobody gets traffic from Instagram. We don’t need to contribute to that issue,” said Rosenfield.

Whisper posts more link-carrying Stories than the other companies interviewed for this article, and it has learned that Instagram users aren’t willing to tolerate certain types of links. Whisper has experimented with links to install its app from the app store, to watch a video on its YouTube channel or to check out its Facebook page, but it has seen that these links receive lower rates of engagement because they send people outside of Instagram, said Rockman. Conversely, viewers favor links to Whisper’s site that open within Instagram’s in-app browser and don’t remove them from Instagram. “Asking people to swipe up, which is a behavior they’re used to on Instagram now, is a much more native experience for them than to go download the app — which immediately is connected with an advertising experience which is less native than just a consumption experience — or to consume content off-platform,” said Rockman.

MeUndies saves its links for Stories showcasing a new product design and skips the less salesy Stories that go behind the scenes of its photo shoots or document its office culture. The brand launches about four new designs a month through Instagram Stories and adds links to one or two of those that lead to a mobile-optimized product page with a white background that mirrors Instagram’s own motif, said Greg Fass, who handles partnerships and influencer marketing at MeUndies. Outside typically posts three Stories to Instagram per week and adds links to every one of them. “But we still have it so that all of them are enjoyable without the link,” said Rosenfield.

Canadian TV Ratings Week of 12-18 June 2017 (English Language Only)

#1 ‘America’s Got Talent’ City Total 1.840 million viewers
#2 ‘World of Dance’ CTV Total 1.360 million viewers
#3 ‘MasterChef’ CTV Total 1.244 million viewers
#4 ‘CTV Evening News’ CTV Total 1.183 million viewers
#5 ‘The Big Bang Theory’ CTV Total 1.098 million viewers

México TV Ratings Thursday 29 June 2017                                                                

#1  ‘Mi marido tiene familia’ Las Estrellas 2.600 million viewers, #1 Hispanic program in North, Central and/or South America                                          
#2 ‘La Piloto’ Las Estrallas 2.500 million viewers
#3 ‘La Rosa de Guadalupe’ Las Estrallas 2.300 million viewers
#4 ‘En Punto’ Las Estrallas 2.200 million viewers
#5 ‘dragon ball Z’ Canal 5 1.200 million viewers

Colombia TV Ratings Thursday 29 June 2017

#1 ‘Dinastia’ (Los Morales) Caracol 10,8R 31,9S
#2 ‘Desafio super humanos’ Caracol 10,6R 33,1S
#3 ‘La Nocturna’ Caracol 7,5R 26,5S
#4 ‘No olvidaras mi nombre’ RCN 5,7R 17S
#5 ‘Soldados 1.0’ RCN 5,2R 16,2S
#6 ‘Venganza’ RCN 4,5R 16,1S

Argentina TV Ratings Thursday 29 June 2017

#1 ‘Showmatch’ El Trece 18,18R 51,70S
#2 ‘Las Estrellas’ El Trece 16,27R 43,94S
#3 ‘Telenoche 13’ El Trece 13,15R 41,68S
#4 ‘El Sultan’ Telefe 12,77R 36,21S
#5 ‘Josue y la terra p.’ Telefe 12,04R 30,72S

Chile TV Ratings Thursday 29 May 2017

#1 ‘Perdona Nuestros Pecados’ Mega 28,4R 41,8S
#2 ‘Ahora noticias’ Mega 18R 26,4S
#3 ‘Tranquilo papa’ Mega 17,9R 29,5S
#4 ‘Icerde’ Mega 17,7R 29,9S
#5 ‘Vertigo’ Canal 13 16,7R 30,4S
#6 ‘Teletrece’ Canal 13 13,5R 19,8S
#7 ‘CVH noticias central’ CVH 12,2R 17,9S
#8 ’24 horas Central’ TVN 9,3R 13,6S

Perú TV Ratings Peru Monday 19 June 2017

#1 ‘De vuelta al barrio’ América TV 1.000 million viewers

India Top Hindi Television Programs Week 19 2017 7-14 May, 2017-

#1 ‘Naggin’ Colors 6.789 million impressions
#2 ‘Kumkum Bhagya’ Zee TV 6.679 million impressions
#3 ‘Yeh Rishta Kya Kehlata Hai’ StarPlus 6.155 million impressions
#4 ‘Amul Sa Re GaMaPa LittleChamps’ Zee TV 5.666 million impressions
#5 ‘Shakti Astivta Ke Ehsaas Ki’ Colors 4.886 million impressions

Cinema News

Box Office Weekend 16-18 June 2017 (Domestic)
#1 ‘Cars 3’ $ 53,688,680 in 4,256 theaters
#2 ‘Wonder Woman’ $ 41,268,850 in 4,018 theaters
#3 ‘All Eyes One Me’ $ 26,435,354 in 2,471 theaters
#4 ‘The Mummy’ $ 14,520,960 in 4,034 theaters
#5 ’47 Meters Down’ $ 11,205,561 in 2,270 theaters
#6 ‘Pirates of Caribbean’ $ 8,964,039 in 2,759 theaters
#7 ‘Rough Night’ $ 8,004,283 in 3,162 theaters
#8 ‘Captain Underpants’ $ 7,181,541 in 2,968 theaters
#9 ‘Guardians-Galaxy2′ $ 5,071,732 in 1,813 theaters
#10’It Comes At Night’ $ 2,601,468 in 2,450 theaters

Box Office Weekend 16-18 June 2017 (International)

#1 ‘The Mummy’ $ 50,000,000 in 68 markets
#2 ‘Wonder Woman’ $ 39,500,000 in 62 markets
#3 ‘Alien Covenant’ $ 30,500,000 in 43 markets
#4 ‘Cars 3’ $ 21,100,000 in 23 markets
#5 ‘Pirates of Caribbean’ $ 19,200,000 in 54 markets
#6 ‘Baywatch’ $ 13,200,000 in 50 markets
#7 ‘Despicable Me 3’ $ 9,800,000
#8 ‘Beauty and the Beast’ $ 2,200,000 in 10 markets
#9 ‘King Arthur:Legend’ $ 1,800,000 in 47 markets
#10’Guardians Of Galaxy’ $ 1,400,000 in 30 markets


Welcome to new viewers in all 50 States of the U.S., all of the Provinces in Canada, all of the States in Mexico, the UK, Iceland, Ireland, Isle of Man, Guernsey, Jersey, France, Belgium, the Netherlands, Denmark, Norway, Sweden, Finland, Estonia, Lithuania, Latvia, Estonia, the Russian Federation, Belarus, Ukraine, Republic of Moldova, Poland, Germany, Austria, Czech Republic, Switzerland, Luxembourg, Portugal, Gibraltar, Spain, Monaco, Malta, Italy, Slovenia, Slovakia, Hungary, Romania, Bulgaria, Moldova, Croatia, Bosnia and Herzegovina, Serbia, Macedonia the former Yugoslave Republic, Albania, Montenegro, Greece, Cyprus, Georgia, Turkey, Uzbekistan, Armenia, Azerbaijan, State of Palestine, Jordan, Lebanon, Israel, Saudi Arabia, Oman, Bahrain, United Arab Emirates, Qatar, Kuwait, Iraq, Uzbekistan, Pakistan, India, Sri Lanka, Bhutan, Nepal, Bangladesh, Kazakhstan, Mongolia, China, Hong Kong SAR China, Macao, Taiwan, Japan, Republic of Korea, the Philippines, Vietnam, Cambodia, Laos, Malaysia, Brunei Darussalam, Fiji, Solomon Islands, New Zealand, Australia, Indonesia, Singapore, Thailand, Mauritius, Zambia, United Republic of Tanzania, Ethiopia, Kenya, Rwanda, Ethiopia, Egypt, Malta, Tunisia, Algeria, Libya, Morocco, Republic of Côte d’Ivoire, Mali, Burkina Faso, Gabon, Senegal, Benin, Nigeria, Cameroon, Ghana, Mozambique, Uganda, Namibia, Zimbabwe, Angola, Botswana, South Africa, Argentina, Chile, Paraguay, Uruguay, Brazil, Bolivia, Peru, Ecuador, Colombia, Venezuela, Guyana, Suriname, Panama, Costa Rica, Nicaraqua, Guatemala, Honduras, El Salvadore, Belize, Curaçao, Aruba, St. Lucia, Grenada, Guadeloupe, Jamaica, Trinidad and Tobago, Dominica, Barbados, Haiti, the Dominican Republic, Martinique, U.S. Virgin Islands, British Virgin Islands, Bahamas, Cuba, Puerto Rico and Bermuda (162). We are thankful to all of you with more than 68,506 views. Top areas in the world viewing overtheshouldermedia on this weekend came from the United States, the United Kingdom, Australia, Canada, Ireland, The Netherlands, Norway, Switzerland, Germany, Czech Republic, Austria, Estonia, Hungary, Bulgaria, Lithuania, Russia, Ukraine, Poland, Romania, Armenia, Portugal, Spain, Italy, Greece, Cyprus, Israel, Kazakhstan, United Arab Emirates, India, Bangladesh, Malaysia, Singapore, Indonesia, Thailand, Hong Kong SAR China, Japan, South Korea, the Philippines, New Zealand, Ethiopia, Nigeria, South Africa, Brazil, Chile, Venezuela, Mexico, Martinique, Trinidad & Tabago.

In the UK, Peak time is defined as Early Peak is 17:30 to 20:00 and Late Peak is 20:00 to 23:00.
Across The Pond

The Big One
630P ‘Doctor Who‘ (‘The Doctor Falls’) series finale finished with an average 3.8 million viewers.
730P ‘Pitch Battle‘ finished with an average 1.7 million viewers.
9P ‘Casual+y‘ (‘War of the Roses’) finished #1 in the UK Saturday evening with an average 4.1 million viewers.

The Little Two

7P ‘Natural World
8P ‘Manchester International
830P ‘Dad’s Army‘ (‘No Spring For Frazer’)
9P ‘Melvyn Bragg on TV: The Box that Changed the World

The Independent One

645P ‘Catchphrase‘ finished with an average 3.4 million viewers.
730P ‘The Voice Kids‘ finished with an average 3.9 million viewers.
9P ‘Quantum of Solace

The Indy Too

9P ‘Love Island:The Weekly Hot List

Channel 4
The Big Four

7P ‘The Autistic Gardener
8P ‘Life of Pi

Channel 5
The Viacom Five

7P ‘Blind Date‘ finished with an average 1.2 million viewers.
8P ‘Greatest Celebrity Wind-Ups Ever!
9P ‘Big Brother UK‘ finished with an average 800,000 viewers.

NOTE: While Australian considers Prime Time 6P-Midnight, we use the US prime time system to measure television effectiveness in Australia. Thus 7P-10P is the standard from which this rating is based. Newscasts are considered only as newscasts and not television programs inside or outside of this period except in special periods. The % share is based on the Australian Prime Time 6P-Midnight period.

ABC #1 broadcast network in Australia Saturday evening as ‘Father Brown’ was the top program by a substantial margin.

The Alphabet Network in Australia finished with a 19.8% share.

730P ‘Father Brown‘ (‘The Hand Of Lucia’) finished #1 Saturday evening with an average 715,000 viewers.
817P ‘The Good Karma Hospital‘ finished with an average 605,000 viewers.
905P ‘Agtha Raisin‘ (‘Walkers Of Dembley’) rerun finished with an average 347,000 viewers.

The First Commercial Network in Australia finished with an estimated average 398,000 and a 27.7% share.

7P ‘True Story With Hamish & Andy‘ finished with an average 398,000 viewers.
730P ‘San Andreas‘ finished with an average 398,000 viewers.
950P ‘The Shooter’ finished with an average 282,000 viewers.

The Second Commercial Network in Australia finished with a 31.2% share.

630P ‘The Kick‘ did not finish in the top 20 programs.
730P ‘AFL Live‘ featuring Rnd 15: Gws V Geelong finished with an average 323,000 viewers.

The Third Commercial Network in Australia finished with a 12.5% share.

7P ‘Bondi Vet‘ did not finish in the top 20 programs.
730P ‘David Attenborough’s Planet Earth‘ (‘Shallow Seas’) finished with an average 237,000 viewers.
830P ‘Law & Order:SVU‘ (‘Broken Rhymes’) did not finish in the top 20 programs.
930P ‘Law & Order:SVU‘ (‘Next Chapter’) did not finish in the top 20 programs.

The Special Broadcast Service in Australia finished with a 8.8% share.

730P ‘Digging For Britain’s Secrets‘ (‘The Tudors’) did not finish in the top 20 programs.
830P ‘Rockwiz Salutes The Legends‘ did not finish in the top 20 programs.
930P ‘The Island with Bear Grylls‘ did not finish in the top 20 programs.

Top Newscasts In Australia

#1 SEVEN NEWS – SAT Seven 868,000 viewers #1 in Brisbane, Adelaide & Perth
#2 ABC NEWS-SA ABC 767,000 viewers
#3 NINE NEWS SATURDAY Nine 739,000 viewers #1 in Sydney & Melbourne

Sunday Australian Overnight TV Ratings

NOTE: While Australian considers Prime Time 6P-Midnight, we use the US prime time system to measure television effectiveness in Australia. Thus 7P-10P is the standard from which this rating is based. Newscasts are considered only as newscasts and not television programs inside or outside of this period except in special periods. The % share is based on the Australian Prime Time 6P-Midnight period.

Nine #1 in Australia Sunday as ‘The Voice Australia’ is the #1 program.

The First Commercial Network in Australia finished #1 Sunday in Australia with a 35.1% share.

7P ‘The Voice AU‘ Grand Finale finished with an average 1.182 million viewers.
8P ‘The Voice AU‘ Grand Finale Final 2 finished with an average 1.282 million viewers.
9P ‘The Voice AU‘ Grand Finale Winner Announced finished as the #1 program in Australia Sunday with an average 1.306 million viewers.
930P ‘60 Minutes‘ finished with an average 786,000 viewers.

The Second Commercial Network in Australia finished with a 26.7% share.
7P ‘House Rules‘ finished with an average 1.009 million viewers.
810P ‘Sunday Night‘ finished with an average 634,000 viewers.
910P ‘Captain Phillips‘ did not finish in the top 20 programs.

The Third Commercial Network in Australia finished with a 17.2% share.

7P ‘Modern Family‘ finished with an average 436,000 viewers.
730P ‘MasterChef Australia‘ finished with an average 780,000 viewers.
910P ‘Bull‘ finished with an average 347,000 viewers.

The Alphabet Network in Australia finished with a 13.5% share.

741P ‘Doctor Who‘ (‘The Doctor Falls’) series finale finished with an average 461,000 viewers.
843P ‘Poldark‘ finished with an average 414,000 viewers.
941P ‘Death In Paradise‘ did not finish in the top 20 programs.

The Special Broadcast Service in Australia finished with a 7.5% share.

730P ‘The Headless Gladiators Of York’
830P ‘ Live Tour De France 2017 Stage 2’

Top Newscasts In Australia Sunday

#1 SEVEN NEWS – SUN Seven 1,291,000 viewers #1 in Melbourne, Adelaide & Perth
#2 NINE NEWS SUNDAY Nine 1,215,000 viewers #1 in Sydney & Brisbane

For continual updates on all things ‘screens’, go to: https://www.facebook.com/pages/Dailydiaryofscreens

In this week’s Media Notes Canonical, go to:No One Note Samba:http://mailchi.mp/sophis1234/no-one-note-samba In the world of integrated marketing, its a whole new ballgame…err…score 🆕💡💭🌎💬 It’s FREE.

Also, ‘Millennials On Millennials:A Look At Behavior, Distractions & Social Media Stars’ http://bit.ly/MillennialsOnMillennials 🆕💡

Media Notes Briefs: eMail Is Not Dead!:http://mailchi.mp/sophis1234/no-one-note-samba-1391933 🆕💡💭🌎💬 Its free.

New This Week: Do Consumers Really Know What They Want? 💬 – http://sophis1234.tumblr.com

Weekly Retail Media Notes. This week: ‘How Shoppers Think About Brick & Mortar’ http://bit.ly/HowShoppersThinkAboutBrickandMortar 🆕💡💭🌎💬

Why Don’t You Use Mobile Now? http://goo.gl/wlnJ8o

Today’s featured ‘Music To Read overtheshouldermedia By’ down at the bottom of the page

Charlie Parker and Coleman Hawkins

This entry was posted in #dailydiaryofscreens., 75 Years Ago Today In Communications, Audience Analysis, Audience Behavior, Audience Management, Broadcast TV Ratings in Australia, Broadcast TV Ratings in the UK, Broadcast TV Ratings in US, Cable TV Ratings, Cinema, Daily Australian TV Ratings, Daily Broadcast Ratings, Daily Hispanic TV Ratings, Daily TV Cable Ratings, Daily TV Ratings in Argentina, Daily TV Ratings in Colombia, Daily TV Ratings in Mexico, Daily TV Ratings in Peru, Daily UK TV Ratings, Data, Digital, Direct, Hispanic TV Ratings, Late Night TV Ratings, Media, Media Analysis, Media Management, Mobile, Music To Read By, Music To Read overtheshouldermedia by, Saturday Night TV Ratings, Television Premiere Dates 2017, Television Program Renewals, Television Ratings, Today In TV History, Uncategorized, Weekend Box Office, Weekly TV Ratings in Canada and tagged , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

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