CBS #1 Thursday in the U.S. BBC One #1 in the UK. Ten #1 in AU.

Brands Are Using Links In Instagram Stories To Boost Web Traffic. See full story below

Comedy and Reality programming topped television viewing Thursday throughout the English Language World.
The Daily Diary Of Screens #dailydiaryofscreens 🇺🇸🇬🇧🇦🇺💻📱📺🎬. For Thursday, June 29, 2017. This is your North America, Central America, South America, India, UK and Australian Daily Television Ratings Platform.
In the U.S., CBS #1 broadcast network as ‘The Big Bang Theory‘ was the top program in the English Language World.
In the UK, BBC One #1 broadcast network as ‘DIY SOS‘ was the top program as ‘EastEnders’ was the #1 soap.
In Australia, ‘Ten‘ was the #1 broadcast network as ‘MasterChef Australia‘ was the #1 program as ‘Seven News‘ was the top newscast.
In Canada, CBC Total #1 network week of 5-11 June 2017 as ‘NHL Stanley Cup Finals‘ was the #1 program in Canada.
In Argentina, El Trece #1 broadcast network as Telefe’s ‘El Sultan‘ was the top program.
In Chile, MEGA #1 broadcast network as ‘Perdona Nuestros Pecados‘ was the top program in Chile Monday.
In Perú, ‘América TV‘ #1 broadcast network as ‘De vuelta al barrio‘ top program in Perú Monday.
In Colombia, Caracol #1 braadcast network as ‘Los Morales’‘ top Colombian program Wednesday.
In México, Las Estrellas #1 broadcast network as ‘Mi marido tiene familia‘ were the top Méxican programs Monday.
In India, Colors #1 broadcast network as ‘Naggin‘ season premiere was the top program week of 7-14 May 2017.

Cars 3‘ #1 at the U.S. box office weekend 16-18 June 2017. Complete box office Top Ten this weekend listed below.

The Mummy‘ #1 at the International box office weekend 16-18 June 2017. Complete box office this weekend listed below.

This Weekend in 1942, ‘There’s One Born Every Minute‘ was directed by Harold Young, and starring Hugh Herbert and Peggy Moran and introducing Elizabeth Taylor. The film was also known as ‘Man or Mouse’.

This weekend in 1942, ‘Tangerine‘ Jimmy Dorsey and His Orchestra with Bob Eberly and Helen O’Connell. The music was written by Victor Schertzinger, the lyrics by Johnny Mercer. The song was published in 1941 and soon became a jazz standard. The recording was released by Decca Records as catalog number 4123. The record first reached the Billboard charts on April 10, 1942, and lasted 15 weeks on the chart, including six weeks at #1. This marked the 4th week at #1 in 1942. The lyrics in this version differ slightly from those in the movie. On the record, Eberly sings “And I’ve seen toasts to Tangerine / Raised in every bar across the Argentine,” the lyric that became standard. In the movie at that point, the line is “And I’ve seen times when Tangerine / Had the bourgeoisie believing she were queen.”
75 years ago (1942): Ben Hogan won what some consider to be his first U.S. Open, except that it wasn’t a U.S. Open. War interrupted the U.S. Open for the second time, this one lasting four years. The USGA, PGA of America and Chicago District Golf Association put on the “Hale America Open” as a substitute and to raise money for the USO and Navy Relief Society. Hogan, the winner by three shots over Jimmy Demaret, won a gold medal and $1,200 in war bonds. Just like the U.S. Open, there was local and sectional qualifying across the country.

The latest social media stats include this: Americans spend 25% of their time on social media.YouTube has viewers now watch 1 billion hours of video each day. 85% of digital video viewers will be YouTube viewers as daily usage of YouTube, is estimated the video-sharing platform will reach 185.9 million monthly US users in 2017 Facebook having 1.79 billion monthly users watching 8 billion videos each day. In addition, 81% of all shares come from Facebook. 41% of Millennials use Facebook every day. And, there are now 5 million active advertisers on its platform, up from 4 million in September 2016 and 2 million in February 2015. Instagram has 500 million users. 88% of Twitter users are on mobile. An average of 500 million tweets are sent every day with 320 million active users. Twitter had 9 million new members sign up in Q1 2017. The Google+1 button is hit 5 billion times per day. 80% of Internet users on Pinterest are female.

Pinterest has 110 million monthly active users. LinkedIn has 347 million registered members with 100 million active users. Tumblr has 555 million users and Weibo has 100 million daily users. Skype has 300 milllion active users and there are 1.000 billion users on Whatsapp. With 900 million active users on Facebook Messenger, 60 billion messages are sent via Facebook Messenger and WhatsApp every day. Netflix now has 75 million streaming subscribers. QQ has 853 million active users. WeChat has 697 million active users while QZone has 640 million. Baidu Tieba has 300 million active users while Viber has 249 million. Sina Weibo has 222 million active users while Line has 215 million. Snapchat has 200 million users and 150 million users are active each day, watching 10 billion videos each day. YY has 122 million active users; VKontakte has 100 million active users as does BBM and Telegram.

An astounding 65% of Facebook users log on daily. Facebook will be revealing new transparency features each month, with the first batch including helping advertisers understand how ads drive site traffic by tracking how many consumers click or tap on ads and then visit the corresponding landing pages. The release also includes three new metrics for Pages, plus a metric that shows whether a user who clicks or taps on an ad has previously interacted with the brand.

Remember, social media marketing isn’t always the tech. It’s the people.

Today, traditional TV still accounts for the lion’s share of video viewing, but online and mobile are where the growth is. When managed together, TV/digital/mobile hold the potential to drive real impact for advertisers—enabling them to maximize the customers they reach and/or reinforce key messaging across screens. After all, ‘It’s all about screens’.

The Home Of #dailydiaryofscreens

For Thursday, June 29, 2017 (Posted on June 30, 2017)

CBS #1 broadcast network Thursday as ‘The Big Bang Theory’ top program in the English Language World on Thursday.

The Tiffany Network

8P ‘The Big Bang Theory‘ rerun (‘The Collaboration Fluctuation’) finished with an average 6.583 million viewers.
830P ‘Life In Pieces‘ rerun finished with an average 4.689 million viewers.
9P ‘Big Brother‘ finished with an average 5.305 million viewers.
10P ‘Zoo‘ finished with an average 3.067 million viewers.

The Alphabet Network

8P ‘Boy Band‘ finished with an average 2.709 million viewers.
9P ‘Battle of the Network Stars‘ finished with an average 4.029 million viewers.
10P ‘The Gong show‘ finished with an average 3.471 million viewers.

The Peacock Network

8P ‘Hollywood Game Night‘ finished with an average 3.899 million viewers.
9P ‘The Wall‘ finished with an average 4.652 million viewers.
10P ‘Night Shift‘ finished with an average 4.200 million viewers.

The Animal Network of Broadcast

8P ‘Beat Shazam‘ finished with an average 3.128 million viewers.
9P ‘Love Connection‘ finished with an average 2.437 million viewers.

The CW
The Little Network That Couldn’t …

8P ‘Supernatural‘ rerun finished with an average 1.058 million viewers.
9P ‘Supernatural‘ rerun finished with an average 965,000 viewers.

For The Record

CBS finished #1 in prime time Thursday with an average 4.669 million viewers.
NBC finished with an average 4.250 million viewers.
ABC finished with an average 3.403 million viewers.
FOX finished with an average 2.783 million viewers.
The CW finished with an average 1.012 million viewers.

Broadcast (English Language) Networks finished with an estimated 15.207 million viewers.

Today In Communication History

On this date 1952, CBS-TV debuted ‘The Guiding Light‘.

Quote Of The Day

‘Whenever I look into your sister’s eyes ….. those big beautiful eyes ….. I waited a lifetime to get into them ….. OH, HELL ……’

Social Media Research

Brands Are Using Links In Instagram Stories To Boost Web Traffic
Companies have seen Instagram become a legitimate traffic driver but are wary of slowing viewership and a mutable algorithm. Tom Peterson writing in MarketingLand (062917), Near the end of May, Outside magazine’s website risked falling short of its internal traffic goal for the month. Typically, when publishers are looking to ratchet up their numbers, they’ll boost their links on Facebook or Twitter. But Outside did something different, something that would have seemed completely ridiculous a year ago. It turned to Instagram. “We went really hard on Instagram Stories at the end [of the month], and that’s what got us there,” said Outside’s online editor Scott Rosenfield.

Eight months ago, Instagram was a walled garden for brands and publishers. Other than buying ads that can carry links or using the “link in bio” loophole, companies struggled to migrate their Instagram audience to their own sites. Then, in November 2016, the Facebook-owned photo-and-video-sharing app added an option for verified profiles to attach links to slides in Instagram Stories.

Within a month, some brands and publishers were seeing 15 to 25 percent of the people who saw a link in an Instagram Story swipe up on it to visit the company’s site. In follow-up interviews with those same brands and publishers this week, while Instagram Stories’ swipe-through rates and even viewership counts appear to have leveled off, Instagram has risen to become a legitimate social referral source.

For underwear brand MeUndies, Instagram Stories links’ swipe-through rates still range between 15 and 20 percent. But combining Instagram Stories links and links in the brand’s Instagram bio, “Instagram traffic has definitely leapfrogged Facebook and Twitter in terms of organic posts,” said Bob Wolfley, who handles social media and influencer marketing for MeUndies.

Instagram has become Outside’s third-largest traffic driver among social networks, said Rosenfeld. It has overtaken Pinterest despite the publication employing similar strategies on both platforms, he said. Facebook still sends Outside the most visitors of any social platform, but at a 4 percent click-through rate, the dominant social network lags the 15 percent swipe-through rate that the publication averages on Instagram.

Instagram’s referral ranking may be on the rise, but it is still seen as more of a bonus than a bona fide strategy. “Instagram has never been a traffic driver. We’ve seen an uptick with Instagram Stories, but it hasn’t been significant,” said Mercedes Kraus, engagement editor at Vox Media’s Curbed, whose Instagram Story links’ swipe-through rates average between 5 and 10 percent. “We have solid social referrals from other places. Instagram has not gone to rival those quite yet, but it’s not nothing.” Curbed is “not putting a ton of emphasis on clickthroughs and Story links,” said Kraus. That’s because if the Story itself isn’t good, then why would someone swipe up on a link to content that’s an offshoot of a subpar Story?

Anonymous social platform Whisper has learned how important a Story’s quality is to a link’s performance. When it started adding links to Story slides in November, those slides were static images teasing all types of posts from Whisper’s site. At first those Stories performed well enough, averaging a 15% swipe-through rate. But as more people and companies started posting more Stories to Instagram, and particularly Stories that skewed toward video over photos, Whisper’s Stories stood out, but not in a good way. “We saw performance dip across the board,” said Whisper’s director of marketing and business development, Jay Rockman. Whisper revised its strategy to taking the most-clicked links from its Facebook page and producing videos specifically to tease them through Instagram Stories. At this point, Whisper posts roughly six slides with links to Instagram Stories a day, and its swipe-through rate has returned to 15%.

While companies have seen success in driving traffic to their sites from Instagram, they remain wary of becoming over-reliant on the Facebook-owned app. For one thing, it’s unclear whether traffic from Instagram Stories may soon level off in the same way that per-Story viewership appears to have done, despite the number of overall Instagram users viewing Stories daily ballooning to 250 million. “Story growth overall seems to have slowed quite a bit. Even if you’re gaining followers at a fast clip or a slow clip, it seems like there’s some sort of plateau,” said Kraus, who has seen the trend at Curbed and heard similar stories from others working on businesses’ Instagram accounts inside and outside Vox Media.

Outside’s Rosenfield said the publication’s per-Story viewership has stayed the same since December, and MeUndies’ Wolfley said, “We haven’t seen a plateau in viewership, but it definitely does fluctuate by between 10 and 20 percent.” Whisper saw a dip but has rebounded, with monthly Stories views going from 1.25 million in November 2016 to “several million views” in June 2017, Rockman said.

Any hesitance to count on Instagram as a long-term source of free traffic shouldn’t surprise anyone who’s witnessed the erosion of organic reach for companies on Facebook. And as with Facebook’s news feed, Instagram’s Stories feed is governed by an algorithm, lines of code that can be changed to reward or penalize whatever type of content Instagram and its parent company think people would prefer. “From what we’ve seen, adding links or not adding links does not seem to have a correlation to Story performance,” said Kraus. Instagram’s algorithm does not consider whether a Story has a link when ranking people’s feeds, according to an Instagram spokesperson. Among the signals the algorithm does use, the algorithm factors in how likely someone is to be interested in the Story’s content, how timely a Story is and a person’s relationship to the account posting the Story, the spokesperson said.

While the presence of links does not affect a Story’s algorithmic ranking, companies are cognizant of not overusing links, fouling up the Stories experience and running afoul of Instagram to the point that Instagram decides it doesn’t want so many of its users being sent outside of the app (even if only to a site within its in-app browser) or if Instagram sees companies abusing the feature and turning the app into a click farm.

“My sense is that they really don’t want people optimizing for [clicks]. I do think there will be a tragedy of the commons if everybody is aiming for that to be the main goal where then there’s a change and nobody gets traffic from Instagram. We don’t need to contribute to that issue,” said Rosenfield.

Whisper posts more link-carrying Stories than the other companies interviewed for this article, and it has learned that Instagram users aren’t willing to tolerate certain types of links. Whisper has experimented with links to install its app from the app store, to watch a video on its YouTube channel or to check out its Facebook page, but it has seen that these links receive lower rates of engagement because they send people outside of Instagram, said Rockman. Conversely, viewers favor links to Whisper’s site that open within Instagram’s in-app browser and don’t remove them from Instagram. “Asking people to swipe up, which is a behavior they’re used to on Instagram now, is a much more native experience for them than to go download the app — which immediately is connected with an advertising experience which is less native than just a consumption experience — or to consume content off-platform,” said Rockman.

MeUndies saves its links for Stories showcasing a new product design and skips the less salesy Stories that go behind the scenes of its photo shoots or document its office culture. The brand launches about four new designs a month through Instagram Stories and adds links to one or two of those that lead to a mobile-optimized product page with a white background that mirrors Instagram’s own motif, said Greg Fass, who handles partnerships and influencer marketing at MeUndies. Outside typically posts three Stories to Instagram per week and adds links to every one of them. “But we still have it so that all of them are enjoyable without the link,” said Rosenfield.

Canadian TV Ratings Week of 5-11 June 2017 (English Language Only)

#1 ‘NHL Stanley Cup Finals’ CBC Total 1.911 million viewers
#2 ‘America’s Got Talent’ City Total 1.787 million viewers
#3 ‘World of Dance’ CTV Total 1.391 million viewers
#4 ‘CTV Evening News’ CTV Total 1.138 million viewers
#5 ‘The Big Bang Theory’ CTV Total 1.137 million viewers

México TV Ratings Monday 19 June 2017                                                                
#1  ‘Mi marido tiene familia’ Las Estrellas 2.400 million viewers, #1 Hispanic program in North, Central and/or South America                                          

Colombia TV Ratings Monday 22 May 2017

#1 ‘Yo Me Llamo’ Caracol 17,9R 47,7S
#2 ‘Los Morales’ premiere Caracol 12,8R 34,5S
#3 ‘La ley del Corazon’ RCN 10R 26,9S
#4 ‘Alias JJ’ Caracol 9R 32,8S
#5 ‘Francisco el matematico RCN 7,2R 19,2S
#6 ‘Venganza’ RCN 6,2R 22,4S

Argentina TV Ratings Monday 22 May 2017

#1 ‘El Sultan’ Telefe 13,91R 43,60S
#2 ‘Las Estrellas’ El Trece 15,03R 41,08S
#3 ‘Telenoche 13’ El Trece 11,79R 39,75S
#4 ‘La Fragilidad de los c’ El Trece 11,78R 35,37S
#5 ‘Josue y la terra p.’ Telefe 11,17R 31S

Chile TV Ratings Monday 22 May 2017

#1 ‘Perdona Nuestros Pecados’ Mega 27,7R 41,4
#2 ‘Tranquilo papa’ Mega 20R 29,8S
#3 ‘Ahora noticias’ Mega 18,2R 26,5S
#4 ‘Doble tentación’ Mega 17,5R 35,3S
#5 ‘CVH noticias central’ CVH 14,1R 20,6S
#6 ‘Teletrece’ Canal 13 12,7R 18,5S
#7 ‘Caso Cerrado’ CHV 11,7R 18S
#8 ‘Noches de humor’ CHV 10,5R 16.8S
#9 ’24 horas Central’ TVN 9,8R 14,3S
#10 ‘La colombiana’ TVN 9R 13,3S

Perú TV Ratings Peru Monday 19 June 2017

#1 ‘De vuelta al barrio’ América TV 1.000 million viewers

India Top Hindi Television Programs Week 19 2017 7-14 May, 2017-

#1 ‘Naggin’ Colors 6.789 million impressions
#2 ‘Kumkum Bhagya’ Zee TV 6.679 million impressions
#3 ‘Yeh Rishta Kya Kehlata Hai’ StarPlus 6.155 million impressions
#4 ‘Amul Sa Re GaMaPa LittleChamps’ Zee TV 5.666 million impressions
#5 ‘Shakti Astivta Ke Ehsaas Ki’ Colors 4.886 million impressions

Cinema News

Box Office Weekend 16-18 June 2017 (Domestic)
#1 ‘Cars 3’ $ 53,688,680 in 4,256 theaters
#2 ‘Wonder Woman’ $ 41,268,850 in 4,018 theaters
#3 ‘All Eyes One Me’ $ 26,435,354 in 2,471 theaters
#4 ‘The Mummy’ $ 14,520,960 in 4,034 theaters
#5 ’47 Meters Down’ $ 11,205,561 in 2,270 theaters
#6 ‘Pirates of Caribbean’ $ 8,964,039 in 2,759 theaters
#7 ‘Rough Night’ $ 8,004,283 in 3,162 theaters
#8 ‘Captain Underpants’ $ 7,181,541 in 2,968 theaters
#9 ‘Guardians-Galaxy2′ $ 5,071,732 in 1,813 theaters
#10’It Comes At Night’ $ 2,601,468 in 2,450 theaters

Box Office Weekend 16-18 June 2017 (International)

#1 ‘The Mummy’ $ 50,000,000 in 68 markets
#2 ‘Wonder Woman’ $ 39,500,000 in 62 markets
#3 ‘Alien Covenant’ $ 30,500,000 in 43 markets
#4 ‘Cars 3’ $ 21,100,000 in 23 markets
#5 ‘Pirates of Caribbean’ $ 19,200,000 in 54 markets
#6 ‘Baywatch’ $ 13,200,000 in 50 markets
#7 ‘Despicable Me 3’ $ 9,800,000
#8 ‘Beauty and the Beast’ $ 2,200,000 in 10 markets
#9 ‘King Arthur:Legend’ $ 1,800,000 in 47 markets
#10’Guardians Of Galaxy’ $ 1,400,000 in 30 markets


Welcome to new viewers in all 50 States of the U.S., all of the Provinces in Canada, all of the States in Mexico, the UK, Iceland, Ireland, Isle of Man, Guernsey, Jersey, France, Belgium, the Netherlands, Denmark, Norway, Sweden, Finland, Estonia, Lithuania, Latvia, Estonia, the Russian Federation, Belarus, Ukraine, Republic of Moldova, Poland, Germany, Austria, Czech Republic, Switzerland, Luxembourg, Portugal, Gibraltar, Spain, Monaco, Malta, Italy, Slovenia, Slovakia, Hungary, Romania, Bulgaria, Moldova, Croatia, Bosnia and Herzegovina, Serbia, Macedonia the former Yugoslave Republic, Albania, Montenegro, Greece, Cyprus, Georgia, Turkey, Uzbekistan, Armenia, Azerbaijan, State of Palestine, Jordan, Lebanon, Israel, Saudi Arabia, Oman, Bahrain, United Arab Emirates, Qatar, Kuwait, Iraq, Uzbekistan, Pakistan, India, Sri Lanka, Bhutan, Nepal, Bangladesh, Kazakhstan, Mongolia, China, Hong Kong SAR China, Macao, Taiwan, Japan, Republic of Korea, the Philippines, Vietnam, Cambodia, Laos, Malaysia, Brunei Darussalam, Fiji, Solomon Islands, New Zealand, Australia, Indonesia, Singapore, Thailand, Mauritius, Zambia, United Republic of Tanzania, Ethiopia, Kenya, Rwanda, Ethiopia, Egypt, Malta, Tunisia, Algeria, Libya, Morocco, Republic of Côte d’Ivoire, Mali, Burkina Faso, Gabon, Senegal, Benin, Nigeria, Cameroon, Ghana, Mozambique, Uganda, Namibia, Zimbabwe, Angola, Botswana, South Africa, Argentina, Chile, Paraguay, Uruguay, Brazil, Bolivia, Peru, Ecuador, Colombia, Venezuela, Guyana, Suriname, Panama, Costa Rica, Nicaraqua, Guatemala, Honduras, El Salvadore, Belize, Curaçao, Aruba, St. Lucia, Grenada, Guadeloupe, Jamaica, Trinidad and Tobago, Dominica, Barbados, Haiti, the Dominican Republic, Martinique, U.S. Virgin Islands, British Virgin Islands, Bahamas, Cuba, Puerto Rico and Bermuda (162). We are thankful to all of you with more than 68,506 views. Top areas in the world viewing overtheshouldermedia on Friday came from the United States, the United Kingdom, Australia, Canada, Ireland, The Netherlands, Norway, Switzerland, Germany, Czech Republic, Austria, Estonia, Hungary, Bulgaria, Lithuania, Russia, Ukraine, Poland, Romania, Armenia, Portugal, Spain, Italy, Greece, Cyprus, Israel, Kazakhstan, United Arab Emirates, India, Bangladesh, Malaysia, Singapore, Indonesia, Thailand, Hong Kong SAR China, Japan, South Korea, the Philippines, New Zealand, Ethiopia, Nigeria, South Africa, Brazil, Chile, Venezuela, Mexico, Martinique, Trinidad & Tabago.

In the UK, Peak time is defined as Early Peak is 17:30 to 20:00 and Late Peak is 20:00 to 23:00.
Across The Pond

BBC One #1 broadcast network Thursday in the UK as ‘DIY SOS’ top program with 4.4 million viewers.

The Big One

8P ‘The Sheriffs Are Coming‘ finished with an average 3.1 million viewers.
9P ‘DIY SOS‘ finished with an average 4.4 million viewers.

The Little Two

8P ‘Great British Menu
9P ‘Horizon

The Independent One

630P ‘Live 2017 FIFA Confederations Cup‘ featuring Mexico v Germany finished with an average 2.0 million viewers.
915P ‘Killer Women With Piers Morgan‘ finished with an average 1.8 million viewers.

The Indy Too

9P ‘Love Island’ finished with a series record, an average 1.8 million viewers.

Channel 4
The Big Four

8P ‘Supervet
9P ‘8 Out Of 10 Cats Does Countdown

Channel 5
The Viacom Five

8P ‘On Benefits
9P ‘Big Brother UK‘ finished with an average 900,000 viewers.

NOTE: While Australian considers Prime Time 6P-Midnight, we use the US prime time system to measure television effectiveness in Australia. Thus 7P-10P is the standard from which this rating is based. Newscasts are considered only as newscasts and not television programs inside or outside of this period except in special periods. The % share is based on the Australian Prime Time 6P-Midnight period.

Ten #1 broadcast network in Australia Thursday as ‘MasterChef Australia’ was the top program. And you had better like chocolate.

The Third Commercial Network in Australia finished #1 Wednesday evening with an estimated average 603,833 viewers and a 21.9% share.

7P ‘The Project‘ finished with an average 538,000 viewers.
730P ‘MasterChef Australia‘ finished #1 Wednesday evening in Australia with an average 899,000 viewers.
840P ‘Law & Order:SVU‘ (‘Heightened Emotions’) finished with an average 377,000 viewers.
940P ‘Law & Order:SVU‘ (‘Rape Interrupted’) did not finish in the top 20 programs.

The Second Commercial Network in Australia finished with an estimated average 512,500 viewers and a 25.3% share.

7P ‘Home and Away‘ finished with an average 675,000 viewers.
830P ‘The Front Bar-Live‘ did not finish in the top 20 programs.
930P ‘The World’s Most Luxurious Ship‘ did not finish in the top 20 programs.

The Alphabet Network in Australia finished with an estimated average 482,299 viewers and a 16.5% share.

732P ‘7.30‘ finished with an average 549,000 viewers.
801P ‘The Checkout‘ finished with an average 558,000 viewers.
833P ‘Janet King‘ finished with an average 477,000 viewers.
931P ‘Cleverman‘ finished with an average viewers.

The First Commercial Network in Australia finished with an estimated average 420,833 viewers and a 26.1% share.

7P ‘A Current Affair‘ finished with an average 775,000 viewers.
729P ‘RBT‘ did not finish in the top 20 programs.
830P ‘The Footy Show‘ did not finish in the top 20 programs.

Nine’s Sporting Network finished with an estimated average 370,000 viewers.

7P ‘As Time Goes By‘ did not finish in the top 20 programs.
730P ‘Nine’s Live Thursday Night Football‘ featuring Parramatta Eels V Canterbury Bulldogs finished with an average 374,000 viewers.

The Special Broadcast Service in Australia finished with a 10.1% share.

730P ‘Great British Railway Journeys‘ did not finish in the top 20 programs.
805P ‘Rachel Khoo’s Kitchen Notebook Melbourne‘ did not finish in the top 20 programs.
830P ‘Filthy Rich And Homeless‘ did not finish in the top 20 programs.
930P ‘Filthy Rich And Homeless Live‘ did not finish in the top 20 programs.

Top Newscasts In Australia Thursday

#1 SEVEN NEWS Seven 1,032,000 viewers #1 in Adelaide & Perth
#2 SEVEN News/TodayTonight Seven 982,000 viewers Melbourne top market

NOTE: While Australian considers Prime Time 6P-Midnight, we use the US prime time system to measure television effectiveness in Australia. Thus 7P-10P is the standard from which this rating is based. Newscasts are considered only as newscasts and not television programs inside or outside of this period except in special periods. The % share is based on the Australian Prime Time 6P-Midnight period.

Seven #1 broadcast network Friday in Australia but Nine’s ‘A Current Affair’ top program.

The Second Commercial Network in Australia finished with an estimated average 448,333 viewers and a 33.8% share.

7P ‘Better Homes & Gardens‘ finished with an average 595,000 viewers.
730P ‘AFL Live‘ featuring Rnd 15: Melbourne V Sydney finished with an average 419,000 viewers.

The Alphabet Network in Australia finished with an estimated average 398,400 viewers and a 15.5% share.

732P ‘The Link‘ finished with an average 366,000 viewers.
801P ‘Building Australia‘ finished with an average 335,000 viewers.
831P ‘Unforgotten‘ finished with an average 488,000 viewers.
919P ‘Line Of Duty‘ finished with an average 315,000 viewers.

Nine’s Sporting Network finished with an estimated average 390,883 viewers.

7P ‘As Time Goes By‘ did not finish in the top 20 programs. 300
730P ‘Nine’s Live Friday Night Football‘ featuring Brisbane Broncos V Melbourne Storm finished with an average 409,000 viewers.

The Third Commercial Network in Australia finished with an estimated average 380,333 viewers and a 17.3% share.

7P ‘The Project‘ finished with an average 386,000 viewers.
730P ‘The Living Room‘ finished with an average 447,000 viewers.
830P ‘The Graham Norton Show‘ finished with an average 351,000 viewers.
930P ‘Have You Been Paying Attention‘ rerun did not finish in the top 20 programs. 300

The First Commercial Network in Australia finished with an estimated average 353,833 viewers and a 26.7% share.

7P ‘A Current Affair‘ finished #1 Friday evening in Australia with an average 623,000 viewers.
730P ‘Vet On The Hill‘ did not finish in the top 20 programs.
837P ‘U.S. Marshalls‘ did not finish in the top 20 programs.

The Special Broadcast Service in Australia finished with a 6.8% share.

730P ‘The Great British Railway Journey‘ did not finish in the top 29 programs.
835P ‘The Family Law‘ did not finish in the top 20 programs.
905P ‘The Family Law‘ did not finish in the top 20 programs.
935P ‘The Family Law‘ did not finish in the top 20 programs.

Top Newscasts In Australia

#1 SEVEN NEWS Seven 942,000 viewers #1 in Brisbane, Adelaide & Perth
#2 NINE NEWS Nine 874,000 viewers #1 in Sydney & Melbourne

For continual updates on all things ‘screens’, go to:

In this week’s Media Notes Canonical, go to:No One Note Samba: In the world of integrated marketing, its a whole new ballgame…err…score 🆕💡💭🌎💬 It’s FREE.

Also, ‘Millennials On Millennials:A Look At Behavior, Distractions & Social Media Stars’ 🆕💡

Media Notes Briefs: eMail Is Not Dead!: 🆕💡💭🌎💬 Its free.

New This Week: Do Consumers Really Know What They Want? 💬 –

Weekly Retail Media Notes. This week: ‘How Shoppers Think About Brick & Mortar’ 🆕💡💭🌎💬

Why Don’t You Use Mobile Now?

Today’s featured ‘Music To Read overtheshouldermedia By’ down at the bottom of the page

Esperanza Spalding

This entry was posted in #dailydiaryofscreens., 75 Years Ago Today In Communications, Audience Analysis, Audience Behavior, Audience Management, Broadcast TV Ratings in Australia, Broadcast TV Ratings in the UK, Broadcast TV Ratings in US, Cable TV Ratings, Cinema, Daily Australian TV Ratings, Daily Broadcast Ratings, Daily Hispanic TV Ratings, Daily TV Cable Ratings, Daily TV Ratings in Argentina, Daily TV Ratings in Colombia, Daily TV Ratings in Mexico, Daily TV Ratings in Peru, Daily UK TV Ratings, Data, Digital, Direct, Hispanic TV Ratings, Late Night TV Ratings, Media, Media Analysis, Media Management, Mobile, Music To Read By, Music To Read overtheshouldermedia by, Television Premiere Dates 2017, Television Program Renewals, Television Ratings, Thursday Night TV Ratings, Today In TV History, Uncategorized, Weekend Box Office, Weekly TV Ratings in Canada and tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s