Drama, mystery and reality topped television viewing in the English Language world on Tuesday evening.
Telenovelas and variety topped Hispanic viewing in the North America, Central America & South America Tuesday evening.
The Daily Diary Of Screens #dailydiaryofscreens 🇺🇸🇬🇧🇦🇺💻📱📺🎬. For Tuesday, February 14, 2016, the 12th Day of the February Sweeps.
CBS #1 broadcast network as ‘NCIS‘ was the top broadcast program.
UNI #1 Hispanic network on Tuesday as ‘El Color de la Pasion’ #1 Hispanic program.
FNC #1 Cable network on Tuesday as ‘The O’Reilly Factor‘ was the top cable program.
In the UK, BBC One #1 broadcast network as ‘The Moorside‘ was the top program.
In Australia, Nine #1 broadcast network as ‘Married At First Sight‘ was #1 program as ‘Seven News‘ top newscast.
In Argentina, Telefe #1 network as ‘Josué y la Tierra Prometida’ #1 program.
In Peru, América TV #1 network as ‘Esto es Guerra‘ #1 program.
In Colombia, Caracol #1 network as ‘Yo me Llamo‘ #1 program.
In Mexico, Las Estrellas #1 network as ‘La doble vida‘ was the top program on Tuesday.
‘The Lego Batman Movie‘ #1 at the U.S. box office weekend 10-12 February 2017.
‘Fifty Shades Darker’‘ #1 at the International box office weekend 10-12 February 2017.
This Weekend in 1942, ‘King’s Row‘ was directed by Sam Wood, starring Ann Sheridan, Robert Cummings, and Ronald Reagan and was #1 for the second straight week. The film grossed $2,350,000 in the US in its first theatrical run in 1942.
This weekend in 1942, ‘“Blues in the Night (My Mama Done Tol’ Me)”‘ with Woody Herman and His Orchestra with Woody Herman. ‘Blues in the Night’ is a popular blues song which has become a pop standard and is generally considered to be part of the Great American Songbook. The music was written by Harold Arlen, the lyrics by Johnny Mercer, for a 1941 film begun with the working title ‘Hot Nocturne‘, but finally released as ‘Blues in the Night‘. The song is sung in the film by William Gillespie. The Woody Herman recording was released by Decca Records as catalog number 4030. The record first reached the Billboard magazine charts on January 2, 1942 and lasted 11 weeks on the chart, peaking at #1 this week, 75 years ago this week.
Movie ticket prices fell 2.5% in Q3 2016. Sales of movie theater ads jumped 13.4% in 2015 as it reached $716 million in advertising sales. There are 3.734 Billion Unique Mobile 68% Social Ad Clicks Are Now Mobile. Users as of this quarter, account for a 51% worldwide penetration. Direct uploads of user videos to Facebook now exceed YouTube.
The latest social media stats include this: Americans spend 25% of their time on social media. Facebook having 1.79 billion monthly users watching 8 billion videos each day. In addition, 81% of all shares come from Facebook. 41% of Millennials use Facebook every day. Instagram has 500 million users. 88% of Twitter users are on mobile. An average of 500 million tweets are sent every day with 320 million active users. The Google+1 button is hit 5 billion times per day. 80% of Internet users on Pinterest are female.
Pinterest has 110 million monthly active users. LinkedIn has 347 million registered members with 100 million active users. Tumblr has 555 million users and Weibo has 100 million daily users. Skype has 300 milllion active users and there are 1.000 billion users on Whatsapp. With 900 million active users on Facebook Messenger, 60 billion messages are sent via Facebook Messenger and WhatsApp every day. Netflix now has 75 million streaming subscribers. QQ has 853 million active users. WeChat has 697 million active users while QZone has 640 million. Baidu Tieba has 300 million active users while Viber has 249 million. Sina Weibo has 222 million active users while Line has 215 million. Snapchat has 200 million users and 150 million users are active each day, watching 10 billion videos each day. YY has 122 million active users; VKontakte has 100 million active users as does BBM and Telegram.
Remember, social media marketing isn’t always the tech. It’s the people.
WEDNESDAY AUSTRALIAN OVERNIGHT TV RATINGS (*SEE BELOW)
Today, traditional TV still accounts for the lion’s share of video viewing, but online and mobile are where the growth is. When managed together, TV/digital/mobile hold the potential to drive real impact for advertisers—enabling them to maximize the customers they reach and/or reinforce key messaging across screens. After all, ‘It’s all about screens’.
The Home Of #dailydiaryofscreens
For Tuesday, February 14, 2016 (Posted on February 15, 2016)
CBS #1 Tuesday as ‘NCIS’ was the #1 program in the English Language world with over 15 million viewers.
CBS
The Tiffany Network won again Tuesday with the world’s most watched drama #1.
8P ‘NCIS‘ (‘Pandora’s Box, Part I’) finished #1 in the world Tuesday in prime time with an average 15.051 million viewers and a 9.2/16.
9P ‘Bull‘ (‘It’s Classified’) finished #1 in its time slot with an average 10.574 million viewers and a 6.7/11.
10P ‘NCIS:New Orleans‘ (‘Pandora’s Box, Part II’) finished #1 in its time slot with an average 10.222 million viewers and a 6.6/12.
NBC
The Peacock Network
8P ‘The Wall‘ finished with an average 5.725 million viewers and a 3.5/6.
9P ‘This Is Us‘ (‘Jack Pearson’s Son’) finished with an average 8.969 million viewers and a 6.6/11.
10P ‘Chicago Fire‘ (‘Trading in Scuttlebutt’) finished with an average 6.709 million viewers and a 4.3/8.
ABC
The Alphabet Network
8P ‘The Middle‘ finished with an average 6.249 million viewers and a 3.9/7.
830P ‘American Housewife‘ finished with an average 5.273 million viewers and a 3.4/6.
9P ‘Fresh Off The Boat‘ finished with an average 3.637 million viewers and a 2.3/4.
930P ‘The Real O’Neal’s‘ finished with an average 2.893 million viewers and a 1.8/3.
10P ‘Marvel’s Agents of Shield‘ (‘The Man Behind the Shield’) finished with an average 2.174 million viewers and a 1.5/3.
FOX
The Animal Network of Broadcast
8P ‘New Girl‘ finished with an average 2.135 million viewers and a 1.6/3.
830P ‘The Mick‘ finished with an average 2.473 million viewers and a 1.7/3.
9P ‘Bones‘ (‘The Final Chapter: The Scare in the Score’) finished with an average 2.975 million viewers and a 1.9/3.
UNI
The #1 Hispanic Network in America
8P ‘Pequeños Gigantes’ finished with an average 1.993 million viewers and a 1.0/2.
9P ‘Vino el Amor‘ finished with an average 1.899 million viewers and a 1.0/2.
10P ‘El color de la pasión‘ finished #1 Hispanic program Tuesday with an average 1.997 million viewers and a 1.1/2.
TEL
The Peacock’s Hispanic Network in America
8P ‘La Fan‘ finished with an average 1.001 million viewers and a 0.6/1.
9P ‘La Doña‘ finished with an average 1.349 million viewers and an 0.8/1.
10P ‘El Chema’ finished with an average 1.795 million viewers and a 1.0/2.
The CW
The Little Network That Couldn’t…
8P ‘Tough Murder:The Trouble Within‘ finished with an average 770,000 viewers and a 0.5/1.
9P ‘The Flash‘ rerun finished with an average 709,000 viewers and a 0.5/1.
Late Night
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1135P CBS' 'The Late Show with Stephen Colbert‘ finished #1 with a 2.8/8.
1135P NBC’s ‘The Tonight Show Starring Jimmy Fallon‘ finished with a 2.2/6.
1135P ABC’s ‘Jimmy Kimmel Live‘ finished with a 1.5/4.
1235A CBS’ ‘The Late Late Show with James Corden‘ finished #1 with a 1.3/5.
1235A NBC’s ‘Late Night with Seth Meyers‘ finished with a 1.1/4.
1235A ABC’s ‘Nightline‘ finished with a 1.1/4.
For The Record
CBS finished #1 overall Tuesday in prime time with an average 11.941 million viewers and a 7.5/13.
NBC finished with an average 7.134 million viewers and a 4.7/7.
ABC finished with an average 3.733 million viewers and a 2.4/4.
FNC finished with an average 3.048 million viewers.
FOX finished with an average 2.640 million viewers and a 1.8/3.
MSNBC finished with an average 2.100 million viewers.
UNI finished with an average 1.889 million viewers.
CNN finished with an average 1.577 million viewers.
TEL finished with an average 1.382 million viewers.
The CW finished with an average 739,500 viewers and a 0.4/1.
Broadcast (English Language) Networks on Tuesday in prime time finished with an estimated average 26.188 million viewers.
Today In Communication History
On this date in 1946, ENIAC computer is formally accepted from the University of Pennsylvania by the US Army Ordnance Corps. Its principal use is to be in ballistics calculations.
On this date in 1962, CBS agrees to pay the National Collegiate Athletic Association a record $10.2m for exclusive television rights to college football games.
Quote Of The Day
‘Man is still the most extraordinary computer of all.’
John F. Kennedy
Social Media Research
2017 Marketing Budget Trends By Channel
Which channels are marketers going to be investing more and less in this year? A review of studies from Econsultancy and Gartner offers a window into marketers’ plans for this year. Hint: social media marketing appears to be ripe for further spending, and enthusiasm around content marketing remains healthy.
Global Marketers’ Digital Marketing Budget Plans
The latest Quarterly Intelligence Briefing produced by Econsultancy in association with Adobe asked almost 3,500 company marketers around the world how their spending on various digital marketing channels and disciplines would change this year. The areas of broadest agreement for spending hikes this year are social media marketing and content marketing, set for increases by 56% and 55% of respondents, respectively. These aren’t surprising given the recent levels of enthusiasm for these channels, but nevertheless the results indicate that such enthusiasm doesn’t seem to be waning. In fact, content marketing and social media engagement emerged as the top digital-related priorities for respondents’ organizations this year.
Close behind, at least half of respondents will increase their spending on personalization (51%), video advertising (50%) and lead generation (50%). Personalization has become a top priority for enterprise organizations as they seek to respond to customers’ changing needs, while video advertising is set for annual increases of almost 20%/. As for lead generation, spending increases in this area are likely going to be made with improved lead quality rather than quantity in mind.
There also seems to be an appetite for spending increases on marketing analytics (49%), per the Econsultancy and Adobe report. There seems to be room for improvement on this end in the US, where CMOs estimate making only around one-third of decisions using analytics. Not too surprisingly given the uptick in digital marketing spending over the past few years, no channel identified was slated for more decreases than increases. In fact, only 3 of the 16 areas measured are planned for a decrease in spend by more than 1 in 10 respondents. Those are:
▪️ Paid search – set for a spending decline by 13%, but on the rise for 32%;
▪️ Display advertising – slated for a budget drop by 13%, but expected to rise for 34%; and
▪️ Webinars / virtual events – with 11% seeing a decline versus 40% projecting an increase.
As one might expect, these were in the lower tier of expected increases, joined by sales enablement and affiliate marketing in the bottom 5.
Enterprise CMOs’ Channel Plans
An earlier Gartner study took a look at the spending plans of 377 CMOs in the US (56% share), UK (30% share) and Canada (14% share), 70% of whom come from organizations with at least $1 billion in annual revenue. The results of that survey indicate that digital advertising has a bright year ahead: a leading 23% of respondents projected a “significant” increase in digital ad spend this year, with another 42% expecting a “slight” increase. All told, then, almost two-thirds expect an increase in digital ad spend, against just 7% decreasing it. (It’s worth noting that digital advertising spend in the US slowed at the end of last year as some large advertisers didn’t see the returns they were expecting. This coincided with some big spenders returning to TV.) Meanwhile, although social marketing didn’t gain quite as much spending consensus as digital advertising, fully 1 in 5 respondents said they would increase their budgets for social “significantly”. That trailed only digital advertising in terms of “significant” spending hikes, and was still supplemented by another 36% expecting a “slight” increase.
Along with digital advertising and social marketing, CMOs pointed to marketing analytics and digital commerce as areas in which they have high hopes for budget hikes, with mobile marketing, customer intelligence, and content creation & management also in the mix.
As with the Econsultancy and Adobe study, budget outlooks are overall quite buoyant among CMOs, with no single channel seeing a net-negative result. Even offline advertising has far more of a positive (43%) than negative (12%) spending outlook this year. Of the 14 categories of marketing spending tracked in the Gartner survey, only 4 are slated for decreases in spending by more than 1 in 10 CMOs. Those are:
▪️ Websites – 11% decreasing (potentially as spending shifts to mobile apps and social), against 52% increasing;
▪️ Email marketing – with 11% cutting budgets but 45% increase them;
▪️ Offline advertising – as aforementioned; and
▪️ Out-of-home media – with 11% seeing a decline but 37% expecting an increase.
Looking back on their 2016 budgets, CMOs estimated allocating the largest share of their marketing spending on websites (8.6%), digital commerce (8.5%) and digital advertising (8.1%), with marketing analytics (7.8%) and mobile marketing (7.5%) rounding out the top 5. The smallest shares were allocated to content creation and management (5.9%) and out-of-home media (5.2%), which may be a reflection of the composition of the sample.
Overall, some 57% of CMOs expect their marketing expenses in fiscal year 2017 to increase either slightly (44%) or significantly (13%). Although just 14% are projecting a drop in spending, that’s the largest proportion going back at least as far as 2012.
About the Data: The Econsultancy and Adobe survey was carried out online in November and December 2016 among 14,163 marketing, digital and e-commerce professionals, of whom 64% are marketing professionals from the client-side and 36% from the supply-side (including agency marketers, consultants and vendors). More than one-third (35%) of respondents are from Europe, with 28% from North America, 17% in Asia, 13% from Australia/New Zealand, and 7% from other regions. Some 34% are B2C-focused, while 30% are B2B-focused and the remaining 36% equally focused on B2B and B2C. The technology (12%) and financial services and insurance (11%) industries were the most heavily represented.
Gartner describes its methodology in part as follows:
“The research was conducted using a mixed methodology of online and CATI from July through August 2016. Of the 377 respondents, 56% were in the U.S., 14% were in Canada and 30% were in the U.K. Seventy percent of the respondents came from organizations with $1 billion or more in annual revenue. The respondents came from a variety of industries: financial services (65 respondents), high tech (80 respondents), manufacturing (43 respondents), consumer products (47 respondents), media (33 respondents), retail (63 respondents), transportation and hospitality (38 respondents), and other industries (8 respondents). The survey was developed collaboratively by a team of Gartner analysts who follow marketing and was reviewed, tested and administered by Gartner’s Research Data Analytics team.”
Canadian TV Ratings Week of 23 January-29 January 2017
#1 NCIS CTV Global 2.386 million viewers
#2 BULL Global Total 1.939 million viewers
#3 Grey’s Anatomy CTV Total 1.608 million viewers
#4 This Is Us CTV Total 1.602 million viewers
#5 Lucifer CTV Total 1.499 million viewers
#6 Chicago Fire Global Total 1.453 million viewers
#7 Murdoch’s Mysteries CBS Total 1.412 million viewers
#8 Cardinal CTV Total 1.387 million viewers.
#9 The Big Bang Theory CTV Total 1.376 million viewers.
#10 The Flash CTV Total 1.347 million viewers.
Mexico TV Ratings Tuesday 14 February 2017
#1 ‘La boble vida’ Las Estrellas 2.200 million viewers
#2 ‘El Bienamado’ Las Estrellas 2.100 million viewers
#3 ‘La fiscal de hierro’ Azteca 13 1.900 million viewers
#4 ‘Celia’ Azteca 13 1.700 million viewers
#5 ‘Hechos noche’ Azteca 13 1.450 million viewers
#6 ’10 en punto’ Las Estrellas 1.400 million viewers
#7 ‘1000 maneras’ Canal 5 1.100 million viewers
#8 ‘NCIS:Los Angeles’ Azteca 7 970,800 viewers
#9 ‘The Walking Dead’ Canal 5 897,000 viewers
#10 ‘American Ninja’ Azteca 7 832,200 viewers
Colombia TV Ratings Tuesday 14 February 2017
#1 ‘Yo me Llamo’ Caracol 14,5R 43,4S
#2 ‘Polvo carnavales’ Caracol 9,8R 28,4S
#3 ‘La ley del corazón’ RCN 8,4R 24,3S
#4 ‘Alias JJ’ Caracol 7,9R 30,8S
#5 ‘Francisco el Matemático’ RCN 6,7R 17,1S
#6 ‘El comandante’ RCN 4,1R 15,9S
Argentina TV Ratings Tuesday 14 February 2017
#1 ‘Josué y la Tierra Prometida’ Telefe 14,7R 42,53S
#2 ‘Amar después de amar’ Telefe 12,7R 40,07S
#3 ‘Televe noticias’ Telefe 10,2R 39,96S
#4 ‘Quiero vivir a tu lado’ El Trace 10,2R 29,74S
#5 ‘Telefe noticias’ Telefe 10,2R 39,96S
#6 ‘Despedida de solteros’ Telefe 8,9R 35,73S
#7 ‘Telenoche 13’ El Trece 8,7R 31,28S
Chile TV Ratings Monday 13 February 2017
#1 ‘Sres. Papis’ Mega 23,6R 37S
#2 ‘Doble Tentación’ Mega 18,7R 34,8S
#3 ‘Ahora noticias’ Mega 15,3R 25,6S
#4 ‘Ambar’ Mega 13,1R 24,7S
#5 ‘El camionero’ TVN 11,5R 22S
#6 ’24 horas central’ TVN 10,7R 17,8S
#7 ‘CHV noticias central’ CHV 10,5R 17,1S
#8 ‘Teletrece’ Canal 13 9,9R 16,1S
Peru TV Ratings Tuesday 14 February 2017
#1 ‘Esto es Guerra’ América TV 885,000 viewers
#2 ‘VBQ’ América TV 836,000 viewers
#3 ‘Solo una madre’ América TV 814,000 viewers
#4 ‘Moises’ Latina 586,000 viewers
#5 ‘Una parte de mi’ Latina 568,000 viewers
#6 ‘Se robo me vida’ Latina 451,000 viewers
#7 ‘Combate comando’ ATV 392,000 viewers
#8 ‘Verdades secretas’ ATV 289,000 viewers
#9 ’24 horas’ PanAmericana 239,000 viewers
#10 ‘Documentales’ PanAmericana 115,000 viewers
India Top Hindi Television Programs Week 5 2017
#1 ‘Naggin’ season premiere Colors 7.416 million impressions
#2 ‘Big Boss’ Colors 6.183 million impressions
#3 ‘Shaki-Astitva Ke Ehsaas Ki’ Colors 5.987 million impressions
#4 ‘Kumkum Bhagya’ Zee TV 5.937 million impressions
#5 ‘The Kapil Sharma Show’ SONY TV 5.842 million impressions
#6 ‘3 T20 India v England’ Cricket DD National 5.771 million impressions
#7 ‘Saath Nibhaana Saathiya’ STAR Plus 5.734 million impressions
#8 ‘Yeh Rishta Kya Kehlata Hai’ STAR Plus 5.643 million impressions
#9 ‘2 T20 India v England’ Cricket DD National 5.525 million impressions
#10 ‘Ye Hai Mohabbatein’ STAR Plus 5.510 million impressions
Television Premiere Dates
Tonight, Wednesday, Feb. 15
10P: Doubt (CBS)
Thursday, Feb. 16
SuperMansion (Crackle)
Saturday, Feb. 18
Britney Ever After (Lifetime)
Sunday, Feb. 19
8P: The Good Fight (CBS)
9P: Big Little Lies (HBO)
10P: Billions (Showtime)
10:30P: Crashing (HBO)
Monday, Feb. 20
9P: The Breaks (VH1)
10P: Bates Motel (A&E)
Tuesday, Feb. 21
10P: The Detour (TBS)
Wednesday, Feb. 22
9P: Major Crimes (TNT)
Thursday, Feb. 23
10P: The Blacklist: Redemption (NBC), Sun Records (CMT)
Friday, Feb. 24
Ultimate Beastmaster (Netflix)
Monday, Feb. 27
8P: The Voice (NBC)
9P: When We Rise (ABC)
10P: Taken (NBC)
Wednesday, March 1
National Treasure (Hulu)
10P: Chicago Justice (NBC)
Sunday, March 5
8P: Little Big Shots (NBC), Once Upon a Time (ABC, spring premiere)
8:30P: Making History (Fox)
9P: Chicago Justice (NBC), Time After Time (ABC)
9:30P: Last Man on Earth (Fox, spring premiere)
10P: Shades of Blue (NBC), Feud: Bette and Joan (FX), The Arrangement (E!)
Tuesday, March 7
9:30P: Trial & Error (NBC)
10P: The Americans (FX)
Wednesday, March 8
8P: Survivor (CBS)
10P: Underground (WGNA), Designated Survivor (ABC, spring premiere)
Thursday, March 9
9P: Kicking & Screaming (Fox)
10P: The Catch (ABC)
Friday, March 10
8P: The Vampire Diaries (The CW, series finale)
Sunday, March 12
10P: American Crime (ABC)
Monday, March 13
8P: Young & Hungry (Freeform)
8:30P: Baby Daddy (Freeform)
Wednesday, March 15
8P: Lethal Weapon (Fox, season finale)
9P: Star (Fox, season finale)
10P: Hap and Leonard: Mucho Mojo (SundanceTV), Greenleaf (OWN)
Thursday, March 16
Snatch (Crackle)
Friday, March 17
Marvel’s Iron Fist (Netflix)
8P: The Originals (The CW)
Sunday, March 19
10P: Into the Badlands (AMC)
Monday, March 20
9P: The Twins: Happily Ever After? (Freeform)
Wednesday, March 22
8P: Shots Fired (Fox)
9P: Empire (Fox, spring premiere)
Tuesday, March 28
9P: DC’s Legends of Tomorrow (The CW, season finale)
Wednesday, March 29
Harlots (Hulu)
8:30P: Imaginary Mary (ABC)
Sunday, April 2
8P: Call the Midwife (PBS)
9P: The Kennedys-After Camelot
Tuesday, April 4
8P: iZombie (The CW)
9P: Prison Break (Fox)
9:30P: Imaginary Mary (ABC, time slot premiere)
Wednesday, April 5
10P: Archer (FXX)
Saturday, April 8
9P: The Son (AMC)
Monday, April 10
10P: Better Call Saul (AMC)
Tuesday, April 11
8P: Brooklyn Nine-Nine (Fox, spring premiere)
9P: iZombie (The CW, time slot premiere)
Sunday, April 16
9P: Guerrilla (Showtime)
Tuesday, April 18
8P: Pretty Little Liars (Freeform)
9P: Famous in Love (Freeform)
Thursday, April 20
10P: The Blacklist (NBC, spring premiere)
Friday, April 21
8P: The Amazing Race (CBS)
Sunday, April 23
10P: Mary Kills People (Lifetime)
Tuesday, April 25
9P: Great News (NBC)
Wednesday, April 26
The Handmaid’s Tale (Hulu)
10P: Gomorrah (SundanceTV)
Friday, May 5
Sense8 (Netflix)
Friday, May 12
I Love Dick (Amazon)
Sunday, May 21
9P: Dark Angel (PBS), Twin Peaks (Showtime)
Tuesday, May 23
Casual (Hulu)
Wednesday, May 24
8P: Dirty Dancing (ABC)
Tuesday, May 30
House of Cards (Netflix)
Wednesday, May 31
8P: Kingdom (Audience Network)
Al Jarreau Retires And Then Move On To The Big Show
Al Jarreau moves along to his next big gig. He was 76.
59th Grammy Awards 2017 Winners
Album Of The Year
25 — Adele (WINNER)
Record Of The Year
“Hello” — Adele (WINNER)
Song Of The Year
“Hello” — Adele Adkins & Greg Kurstin, songwriters (Adele) (WINNER)
Best New Artist
Chance The Rapper (WINNER)
POP FIELD
Best Pop Vocal Album
25 — Adele (WINNER)
Best Pop Solo Performance
“Hello” — Adele (WINNER)
Best Pop Duo/Group Performance
“Stressed Out” — Twenty One Pilots (WINNER)
Best Traditional Pop Vocal Album
Summertime: Willie Nelson Sings Gershwin—Willie Nelson (WINNER)
DANCE/ELECTRONIC MUSIC FIELD
Best Dance Recording
“Don’t Let Me Down” — The Chainsmokers Featuring Daya (WINNER)
Best Dance/Electronic Album
Skin — Flume (WINNER)
CONTEMPORARY INSTRUMENTAL MUSIC FIELD
Best Contemporary Instrumental Album
Culcha Vulcha — Snarky Puppy (WINNER)
ROCK FIELD
Best Rock Performance
“Blackstar” — David Bowie (WINNER)
Best Metal Performance
“Dystopia” — Megadeth (WINNER)
Best Rock Song
“Blackstar” — David Bowie, songwriter (David Bowie) (WINNER)
Best Rock Album
Tell Me I’m Pretty — Cage The Elephant (WINNER)
ALTERNATIVE FIELD
Best Alternative Music Album
Blackstar — David Bowie (WINNER)
R&B FIELD
Best R&B Performance
“Cranes in the Sky” — Solange (WINNER)
Best Traditional R&B Performance
“Angel” — Lalah Hathaway (WINNER)
Best R&B Song
“Lake By the Ocean” — Hod David & Musze, songwriters (Maxwell) (WINNER)
Best Urban Contemporary Album
Lemonade — Beyoncé (WINNER)
Best R&B Album
Lalah Hathaway Live — Lalah Hathaway (WINNER)
RAP FIELD
Best Rap Performance
“No Problem” — Chance The Rapper Featuring Lil Wayne & 2 Chainz (WINNER)
Best Rap/Sung Performance
“Hotline Bling” — Drake (WINNER)
Best Rap Song
“Hotline Bling” — Aubrey Graham & Paul Jefferies, songwriters (Drake) (WINNER)
Best Rap Album
Coloring Book — Chance The Rapper (WINNER)
COUNTRY FIELD
Best Country Solo Performance
“My Church” — Maren Morris (WINNER)
Best Country Duo/Group Performance
“Jolene” — Pentatonix Featuring Dolly Parton (WINNER)
Best Country Song
“Humble and Kind” — Lori McKenna, songwriter (Tim McGraw) (WINNER)
Best Country Album
A Sailor’s Guide To Earth — Sturgill Simpson (WINNER)
NEW AGE FIELD
Best New Age Album
White Sun II — White Sun (WINNER)
JAZZ FIELD
Best Improvised Jazz Solo
“I’m So Lonesome I Could Cry” — John Scofield, soloist (WINNER)
Best Jazz Vocal Album
Take Me To The Alley — Gregory Porter (WINNER)
Best Jazz Instrumental Album
Country For Old Men — John Scofield (WINNER)
Best Large Jazz Ensemble Album
Presidential Suite: Eight Variations On Freedom — Ted Nash Big Band (WINNER)
Best Latin Jazz Album
Tribute To Irakere: Live In Marciac — Chucho Valdés (WINNER)
GOSPEL/CONTEMPORARY CHRISTIAN MUSIC FIELD
Best Gospel Performance/Song
“God Provides” — Tamela Mann; Kirk Franklin, songwriter (WINNER)
Best Contemporary Christian Music Performance/Song
“Thy Will” — Hillary Scott & The Scott Family; Bernie Herms, Hillary Scott & Emily Weisband, songwriters Track from: Love Remains”Trust In You” — Lauren Daigle; Lauren Daigle, Michael Farren & Paul Mabury, songwriters (WINNER)
Best Gospel Album
Losing My Religion — Kirk Franklin (WINNER)
Best Contemporary Christian Music Album
Love Remains — Hillary Scott & The Scott Family (WINNER)
Best Roots Gospel Album
Hymns — Joey+Rory (WINNER)
LATIN FIELD
Best Latin Pop Album
Un Besito Mas — Jesse & Joy (WINNER)
Best Latin Rock, Urban or Alternative Album
iLevitable — ile (WINNER)
Best Regional Mexican Music Album (Including Tejano)
Un Azteca En El Azteca, Vol. 1 (En Vivo) — Vicente Fernández (WINNER)
Best Tropical Latin Album
Donde Están? — Jose Lugo & Guasábara Combo (WINNER)
AMERICAN ROOTS MUSIC FIELD
Best American Roots Performance
“House Of Mercy” — Sarah Jarosz (WINNER)
Best American Roots Song
“Kid Sister” — Vince Gill, songwriter (The Time Jumpers) (WINNER)
Best Americana Album
This Is Where I Live — William Bell (WINNER)
Best Bluegrass Album
Coming Home — O’Connor Band With Mark O’Connor (WINNER)
Best Traditional Blues Album
Porcupine Meat — Bobby Rush (WINNER)
Best Contemporary Blues Album
The Last Days Of Oakland — Fantastic Negrito (WINNER)
Best Folk Album
Undercurrent — Sarah Jarosz (WINNER)
Best Regional Roots Music Album
E Walea — Kalani Pe’a (WINNER)
REGGAE FIELD
Best Reggae Album
Ziggy Marley — Ziggy Marley (WINNER)
WORLD MUSIC FIELD
Best World Music Album
Sing Me Home — Yo-Yo Ma & The Silk Road Ensemble (WINNER)
CHILDREN’S FIELD
Best Children’s Album
Infinity Plus One — Secret Agent 23 Skidoo (WINNER)
SPOKEN WORD FIELD
Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)
In Such Good Company: Eleven Years Of Laughter, Mayhem, And Fun In The Sandbox — Carol Burnett (WINNER)
COMEDY FIELD
Best Comedy Album
Talking For Clapping — Patton Oswalt (WINNER)
MUSICAL THEATER
Best Musical Theater Album
The Color Purple — Cynthia Erivo & Jennifer Hudson, principal soloists; Stephen Bray, Van Dean, Frank Filipetti, Roy Furman, Scott Sanders & Jhett Tolentino, producers (Stephen Bray, Brenda Russell & Allee Willis, composers/lyricists) (New Broadway Cast) (WINNER)
MUSIC FOR VISUAL MEDIA FIELD
Best Compilation Soundtrack For Visual Media
Miles Ahead — Miles Davis & Various Artists) (WINNER)
Best Score Soundtrack For Visual Media
Star Wars: The Force Awakens — John Williams, composer (WINNER)
Best Song Written For Visual Media
“Can’t Stop The Feeling!” — Max Martin, Shellback & Justin Timberlake, songwriters (Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden, Zooey Deschanel, Walt Dohrn, Ron Funches, Caroline Hjelt, Aino Jawo, Christopher Mintz-Plasse & Kunal Nayyar), Track from: Trolls (WINNER)
COMPOSING/ARRANGING FIELD
Best Instrumental Composition
“Spoken At Midnight” — Ted Nash, composer (Ted Nash Big Band) (WINNER)
Best Arrangement, Instrumental or A Cappella
“You And I” — Jacob Collier, arranger (Jacob Collier) (WINNER)
Best Arrangement, Instruments and Vocals
“Flintstones” — Jacob Collier, arranger (Jacob Collier) (WINNER)
PACKAGE FIELD
Best Recording Package
Blackstar — Jonathan Barnbrook, art director (David Bowie) (WINNER)
Best Boxed Or Special Limited Edition Package
Edith Piaf 1915-2015 — Gérard Lo Monaco, art director (Edith Piaf) (WINNER)
NOTES FIELD
Best Album Notes
Sissle And Blake Sing Shuffle Along — Ken Bloom & Richard Carlin, album notes writers (Eubie Blake & Noble Sissle) (WINNER)
HISTORICAL FIELD
Best Historical Album
The Cutting Edge 1965-1966: The Bootleg Series, Vol. 12 (Collector’s Edition) — Steve Berkowitz & Jeff Rosen, compilation producers; Mark Wilder, mastering engineer (Bob Dylan) (WINNER)
PRODUCTION, NON-CLASSICAL FIELD
Best Engineered Album, Non-Classical
Blackstar — David Bowie, Tom Elmhirst, Kevin Killen & Tony (WINNER)
Producer Of The Year, Non-Classical
Greg Kurstin (WINNER)
Best Remixed Recording
“Tearing Me Up (RAC Remix)” — André Allen Anjos, remixer (Bob Moses) (WINNER)
SURROUND SOUND FIELD
Best Surround Sound Album
Dutilleux: Sur La Mêe Accord; Les Citations; Mystère De L’Instant & Timbres, Espace, Mouvement — Alexander Lipay & Dmitriy Lipay, surround mix engineers; Dmitriy Lipay, surround mastering engineer; Dmitriy Lipay, surround producer (Ludovic Morlot & Seattle Symphony) (WINNER)
PRODUCTION, CLASSICAL FIELD
Best Engineered Album, Classical
Corigliano: The Ghosts Of Versailles — Mark Donahue & Fred Vogler, engineers (James Conlon, Guanqun Yu, Joshua Guerrero, Patricia Racette, Christopher Maltman, Lucy Schaufer, Lucas Meachem, LA Opera Chorus & Orchestra) (WINNER)
Producer of the Year, Classical
David Frost (WINNER)
CLASSICAL FIELD
Best Orchestral Field
Shostakovich: Under Stalin’s Shadow – Symphonies Nos. 5, 8 & 9 — Andris Nelsons, conductor (Boston Symphony Orchestra) (WINNER)
Best Opera Recording
Corigliano: The Ghosts Of Versailles — James Conlon, conductor; Joshua Guerrero, Christopher Maltman, Lucas Meachem, Patricia Racette, Lucy Schaufer & Guanqun Yu; Blanton Alspaugh, producer (LA Opera Orchestra; LA Opera Chorus) (WINNER)
Best Choral Performance
Penderecki Conducts Penderecki, Volume 1 — Krzystof Penderecki, conductor; Henryk Wojnarowski, choir director (Nikolay Didenko, Agnieszka Rehlis & Johanna Rusanen; Warsaw Philharmonic Orchestra; Warsaw Philharmonic Choir) (WINNER)
Best Chamber Music/Small Ensemble Performance
Steve Reich — Third Coast Percussion (WINNER)
Best Classical Instrumental Solo
Daugherty: Tales Of Hemingway — Zuill Bailey; Giancarlo Guerrero, conductor (Nashville Symphony) (WINNER)
Best Classical Solo Vocal Album
Shakespeare Songs — Ian Bostridge; Antonio Pappano, accompanist (Michael Collins, Elizabeth Kenny, Lawrence Power & Adam Walker) (WINNER)
Best Classical Compendium
Daugherty: Tales Of Hemingway; American Gothic; Once Upon A Castle — Giancarlo Guerrero, conductor; Tim Handley, producer (WINNER)
Best Contemporary Classical Composition
Daugherty: Tales Of Hemingway — Michael Daugherty, composer (Zuill Bailey, Giancarlo Guerrero & Nashville Symphony) (WINNER)
MUSIC VIDEO/FILM FIELD
Best Music Video
“Formation” — Beyoncé (WINNER)
Best Music Film
The Beatles: Eight Days A Week The Touring Years — (The Beatles) (WINNER)
70th BAFTA Awards 2017
The awards were equally popular between male and female Tweeters, with 52% of the 33,154 Unique Authors being women and 48% being men. However the awards proved a hit among slightly older Tweeters with 55.1% of Authors being aged over 35.
Overall, this year’s BAFTAS saw 106,172 Tweets sent during our 24/7 tracking for Sunday, which accounted for a 26.4% share of all Social TV activity for the entire day.
Best Film
‘La La Land’
Outstanding British Film
‘I, Daniel Blake’
Best Director
Damien Chazelle – ‘La La Land’
Leading Actress
Emma Stone – ‘La La Land’
Leading Actor
Casey Affleck – ‘Manchester by the Sea’
Supporting Actress
Viola Davis – ‘Fences’
Supporting Actor
Dev Patel – ‘Lion’
EE Rising Star
Tom Holland
Adapted Screenplay
‘Lion’
Original Screenplay
‘Manchester by the Sea’
Outstanding Debut
Babak Anvari (Writer/Director), Emily Leo, Oliver Roskill, Lucan Toh (Producers) – ‘Under the Shadow’
Film Not In The English Language
‘Son of Saul’
Documentary
’13th’
Animated Film
‘Kubo And The Two Strings’
Cinematography
‘La La Land’
Editing
‘Hacksaw Ridge’
Make-Up and Hair
‘Florence Foster Jenkins’
Costume Design
‘Jackie’
Production Design
‘Fantastic Beasts and Where to Find Them’
Special Visual Effects
‘The Jungle Book’
Original Music
‘La La Land’
Sound
‘Arrival’
British Short Film
‘Home’
British Short Animation
‘A Love Story’
Cinema News
Box Office Weekend 10-12 February 2017 (Domestic)
#1 ‘The Logo Batman Movie’ $55,600,000
#2 ‘Fifty Shades Darker’ $46,800,000
#3 ‘John Wick 2’ $30,000,000
#4 ‘Split’ $ 9,300,000
#5 ‘Hidden Figures’ $ 8,000,000
#6 ‘A Dog’s Purpose’ $ 7,265,000
#7 ‘Rings’ $ 5,820,000
#9 ‘La La Land’ $ 5,000,000 in 3,236 theaters (See review https://www.facebook.com/cinemacritique/)
#9 ‘Lion’ $ 4,083,000
#10 ‘Sing’ $ 1,631,000
Box Office Weekend 10-12 February 2017 (International)
#1 ‘Fifty Shades Darker’ $100,100,000 in 58 territories
#2 ‘xXx:Returne Xander Cage’ $ 69,600,000 in 62 territories
#3 ‘The Logo Batman Movie’ $ 37,000,000 in 61 territories
#4 ‘Kung Fu Yoga’ $ 16,025,000 in 12 territories
#5 ‘Cook Up A Storm’ $ 12,120,000 in 4 territories
#6 ‘Duckweed’ $ 11,780,000 in 4 territories
#7 ‘La La Land’ $ 11,500,000 in 74 territories (See review https://www.facebook.com/cinemacritique/)
#8 ‘John Wick Chapter 2’ $ 10,600,000 in 42 territories
#9 ‘Jolly LLB 2′ $ 10,465,000 in 10 territories
#10’Rings’ $ 9,600,000 in 45 territories
‘La La Land‘ (See review https://www.facebook.com/cinemacritique/)
Coming Soon
John Wick:Chapter 2 February 10, 2017
Valerian and the City of A Thousand Planets July 2017
Blade Runner 2049
Dunkirk
The Mummy
Welcome to new viewers in all 50 States of the U.S., all of the Provinces in Canada, all of the States in Mexico, the UK, Iceland, Ireland, Guernsey, Jersey, France, Belgium, the Netherlands, Denmark, Norway, Sweden, Finland, Estonia, Lithuania, Latvia, Estonia, the Russian Federation, Belarus, Ukraine, Republic of Moldova, Poland, Germany, Austria, Czech Republic, Switzerland, Luxembourg, Portugal, Gibraltar, Spain, Monaco, Malta, Italy, Slovenia, Slovakia, Hungary, Romania, Bulgaria, Moldova, Croatia, Bosnia and Herzegovina, Serbia, Macedonia the former Yugoslave Republic, Albania, Montenegro, Greece, Cyprus, Georgia, Turkey, Uzbekistan, Armenia, Azerbaijan, State of Palestine, Jordan, Lebanon, Israel, Saudi Arabia, Oman, Bahrain, United Arab Emirates, Qatar, Kuwait, Iraq, Uzbekistan, Pakistan, India, Sri Lanka, Bhutan, Nepal, Bangladesh, Kazakhstan, Mongolia, China, Hong Kong SAR China, Macao, Taiwan, Japan, Republic of Korea, the Philippines, Vietnam, Cambodia, Malaysia, Brunei Darussalam, Fiji, Solomon Islands, New Zealand, Australia, Indonesia, Singapore, Thailand, Mauritius, Zambia, United Republic of Tanzania, Ethiopia, Kenya, Rwanda, Ethiopia, Egypt, Malta, Tunisia, Algeria, Libya, Morocco, Republic of Côte d’Ivoire, Mali, Burkina Faso, Gabon, Senegal, Benin, Nigeria, Cameroon, Ghana, Mozambique, Uganda, Namibia, Zimbabwe, Angola, Botswana, South Africa, Argentina, Chile, Paraguay, Uruguay, Brazil, Bolivia, Peru, Ecuador, Colombia, Venezuela, Guyana, Suriname, Panama, Costa Rica, Nicaraqua, Guatemala, Honduras, El Salvadore, Belize, Curaçao, Aruba, St. Lucia, Grenada, Guadeloupe, Jamaica, Trinidad and Tobago, Dominica, Barbados, Haiti, the Dominican Republic, Martinique, U.S. Virgin Islands, British Virgin Islands, Bahamas, Cuba, Puerto Rico and Bermuda (160). We are thankful to all of you with more than 62,183 views. Top areas in the world viewing overtheshouldermedia on Tuesday came from the United States, the United Kingdom, Australia, Canada, Ireland, France, Portugal, Spain, Italy, Netherlands, Germany, Poland, Norway, Sweden, Estonia, Croatia, Russia, Bulgaria, Romania, Serbia, Greece, Slovakia, Turkey, Israel, United Arab Emirates, Sri Lanka, Thailand, Japan, Hong Kong SAR China, South Korea, Malaysia, New Zealand, Algeria, Egypt, Ethiopia, Burkina Faso, Argentina, Brazil, Chile, Ecuador, Colombia, Mexico, Trinidad and Tobago and Puerto Rico.
Across The Pond
BBC One #1 in the UK Tuesday as ‘The Moorside’ top program.
BBC One
The Big One
8P ‘Holby City‘ (‘Four Letter Word’)
9P ‘The Moorside‘ finale finished #1 overall in the UK with an average 7.2 million viewers and a 33.7% share.
BBC Two
The Little Two
8P ‘Back In Time For Dinner:1930s‘
9P ‘Andres Marr:My Brain and Me‘
ITV
The Independent One
8P ‘Tales From The Coast with Robson Green‘
9P ‘Secret Life Of Dogs‘
Channel 4
The Big Four
8P ‘Super Slimmers:Did They Really Keep The Weight Off?‘ finished with an average 1.4 million viewers and a 6.6% share.
9P ‘24 Hours In A&E‘
Channel 5
The Viacom Five
8P ‘Inside Windsor Castle 1992-2016‘ finished with an average 1.4 million viewers and a 6.7% share.
9P ‘Secrets Of The National Trust with Alan Titchmarsh‘
DOWN UNDER
NOTE: While Australian considers Prime Time 6P-Midnight, we use the US prime time system to measure television effectiveness in Australia. Thus 7P-10P is the standard from which this rating is based. Newscasts are considered only as newscasts and not television programs inside or outside of this period except in special periods. The % share is based on the Australian Prime Time 6P-Midnight period.
Nine #1 Tuesday in Australia as ‘Married At First Sight’ top program.
Nine
The First Commercial Network in Australia finished with an average 884,944 viewers and a 30.0% share.
7P ‘A Current Affair‘ finished with an average 813,000 viewers.
730P ‘Married At First Sight‘ finished with an average 1.024 million viewers.
912P ‘Travel Guides‘ finished with an average 650,000 viewers.
Second
The Second Commercial Network in Australia finished with an average 847,500 viewers and a 30.4% share.
7P ‘Home and Away‘ finished with an average 722,000 viewers.
730P ‘My Kitchen Rules‘ finished with an average 1.023 million viewers.
9P ‘800 Words‘ finished with an average 647,000 viewers.
Ten
The Third Commercial Network in Australia finished with with an average 584,000 viewers and a 18.6% share.
7P ‘The Project‘ finished with an average 552,000 viewers.
730P ‘I’m A Celebrity…Get Me Out Of Here!‘ finished with an average 756,000 viewers.
830P ‘NCIS‘ (‘Being Bad’) finished with an average 428,000 viewers.
930P ‘NCIS:Los Angeles‘ did not finish in the top 20 programs.
ABC
The Alphabet Network in Australia finished with a 14.8% share.
730P ‘7.30‘ finished with an average 514,000 viewers.
801P ‘Outback ER‘ finished with an average 384,000 viewers.
831P ‘Ice Wars‘ finished with an average 399,000 viewers.
929P ‘Human Universe With Brian Cox‘ did not finish in the top 20 programs.
SBS
The Special Broadcast Service in Australia finished #5 with a 6.1% share.
730P ‘Paul Merton’s Secret Stations‘ did not finish in the top 20 programs.
830P ‘Insight‘ did not finish in the top 20 programs.
930P ‘Dateline‘ did not finish in the top 20 programs.
Top Newscasts In Australia Tuesday
#1 SEVEN NEWS Seven 1,000,000 viewers Brisbane, Adelaide & Perth #1 market
#2 SEVEN News/TodayTonight Seven 984,000 viewers Melbourne top market
#3 NINE NEWS Nine 956,000 viewers Melbourne #1 market
#4 NINE NEWS 6:30 Nine 939,000 viewers Sydney 31 market
#5 ABC NEWS-EV ABC 727,000 viewers Sydney top market
#6 EYEWITNESS NEWS 1st @5P Ten 455,000 viewers Melbourne top market
*WEDNESDAY AUSTRALIAN OVERNIGHT TV RATINGS
*Wednesday Australian Overnight TV Ratings
*WEDNESDAY AUSTRALIAN OVERNIGHT TV RATINGS
DOWN UNDER
NOTE: While Australian considers Prime Time 6P-Midnight, we use the US prime time system to measure television effectiveness in Australia. Thus 7P-10P is the standard from which this rating is based. Newscasts are considered only as newscasts and not television programs inside or outside of this period except in special periods. The % share is based on the Australian Prime Time 6P-Midnight period.
Seven #1 Wednesday in Australia as ‘My Kitchen Rules’ top program.
Seven
The Second Commercial Network in Australia finished with a 31.7% share.
7P ‘Home and Away‘ finished with an average 750,000 viewers.
730P ‘My Kitchen Rules‘ finished #1 overall Wednesday with an average 1.078 million viewers.
9P ‘Murder Uncovered‘ finished with an average 577,000 viewers.
Nine
The First Commercial Network in Australia finished with a 26.3% share.
7P ‘A Current Affair‘ finished with an average 770,000 viewers.
732P ‘Planet Earth II’ finished with an average 734,000 viewers.
843P ‘Murder Calls’ finished with an average 570,000 viewers.
Ten
The Third Commercial Network in Australia finished with a 17.9% share.
7P ‘The Project‘ finished with an average 526,000 viewers.
730P ‘I’m A Celebrity…Get Me Out Of Here!’ finished with an average 834,000 viewers.
830P ‘This Is Us‘ finished with an average 544,000 viewers.
930P ‘Madam Secretary‘ did not finish in the top 20 programs.
ABC
The Alphabet Network in Australia finished with a 18.1% share.
730P ‘7.30‘ finished with an average 595,000 viewers.
801P ‘Julia Zemiro’s Home Delivery‘ finished with an average 584,000 viewers.
832P ‘The Weekly With Charlie Pickering‘ finished with an average 580,000 viewers.
901P ‘Stop Laughing… This Is Serious’ finished with an average 571,000 viewers.
SBS
The Special Broadcast Service finished #5 Wednesday with a 6.0% share.
730P ‘Tony Robinson Down Under‘ did not finish in the top 20 programs.
835P ‘The Eighties‘ did not finish in the top 20 programs.
930P ‘Vikings‘ did not finish in the top 20 programs.
Top Newscasts In Australia Wednesday
#1 SEVEN NEWS Seven 1,013,000 viewers #1 in Adelaide & Perth
#2 SEVEN News/TodayTonight Seven 1,008,000 viewers #1 in Sydney & #1T in Melbourne
#3 NINE NEWS Nine 908,000 viewers #1T in Melbourne & Brisbane.
#4 NINE NEWS 6:30 Nine 874,000 viewers Melbourne top market
#5 ABC NEWS-EV ABC 720,000 viewers Melbourne top market
#6 EYEWITNESS NEWS 1st @5P Ten 511,000 viewers Melbourne top market
For continual updates on all things ‘screens’, go to: https://www.facebook.com/pages/Dailydiaryofscreens
In this week’s Media Notes Canonical, go to: http://bit.ly/1JnoNS6 🆕💭📝📎 It’s FREE.
Media Notes Briefs:Retailers Worried About ‘Hidden Value-Added Tax’ http://bit.ly/Hxoqv7 🆕💡💭🌎💬 Its free.
New This Week: Do Consumers Really Know What They Want? 💬 – http://sophis1234.tumblr.com
Weekly Retail Media Notes. This week: ‘The Changing Manufacturer Evolution’ http://www.furninfo.com/Furniture%20Industry%20News/6425 🆕💡💭🌎💬
Why Don’t You Use Mobile Now? http://goo.gl/wlnJ8o
Today’s featured ‘Music To Read overtheshouldermedia By’ down at the bottom of the page
59th Grammy Awards 2017 Nominee Best Improvised Jazz Solo
Fred Hersch ‘We See’
OVERTHESHOULDERMEDIA 