Comedy, Soap and Reality were the top viewing habits of the English Language Television world on Monday.
The Daily Diary Of Screens #dailydiaryofscreens 🇺🇸🇬🇧🇦🇺💻📱📺🎬. For Monday, February 13, 2016, the 11th Day of the February Sweeps.
CBS #1 broadcast network as ‘Kevin Can Wait‘ was the top broadcast program.
UNI #1 Hispanic network Monday.
In the UK, ITV #1 broadcast network as ‘Coronation Street‘ was the top program.
In Australia, Nine #1 broadcast network as ‘My Kitchen Rules‘ was #1 program as ‘Seven News‘ top newscast.
‘The Lego Batman Movie‘ #1 at the U.S. box office weekend 10-12 February 2017.
‘Fifty Shades Darker’‘ #1 at the International box office weekend 10-12 February 2017.
This Weekend in 1942, ‘King’s Row‘ was directed by Sam Wood, starring Ann Sheridan, Robert Cummings, and Ronald Reagan and was #1 for the second straight week. The film grossed $2,350,000 in the US in its first theatrical run in 1942.
This weekend in 1942, ‘“Blues in the Night (My Mama Done Tol’ Me)”‘ with Woody Herman and His Orchestra with Woody Herman. ‘Blues in the Night’ is a popular blues song which has become a pop standard and is generally considered to be part of the Great American Songbook. The music was written by Harold Arlen, the lyrics by Johnny Mercer, for a 1941 film begun with the working title ‘Hot Nocturne‘, but finally released as ‘Blues in the Night’. The song is sung in the film by William Gillespie. The Woody Herman recording was released by Decca Records as catalog number 4030. The record first reached the Billboard magazine charts on January 2, 1942 and lasted 11 weeks on the chart, peaking at #1 this week, 75 years ago this week.
Movie ticket prices fell 2.5% in Q3 2016. Sales of movie theater ads jumped 13.4% in 2015 as it reached $716 million in advertising sales. There are 3.734 Billion Unique Mobile 68% Social Ad Clicks Are Now Mobile. Users as of this quarter, account for a 51% worldwide penetration. Direct uploads of user videos to Facebook now exceed YouTube.
The latest social media stats include this: Americans spend 25% of their time on social media. Facebook having 1.79 billion monthly users watching 8 billion videos each day. In addition, 81% of all shares come from Facebook. 41% of Millennials use Facebook every day. Instagram has 500 million users. 88% of Twitter users are on mobile. An average of 500 million tweets are sent every day with 320 million active users. The Google+1 button is hit 5 billion times per day. 80% of Internet users on Pinterest are female.
Pinterest has 110 million monthly active users. LinkedIn has 347 million registered members with 100 million active users. Tumblr has 555 million users and Weibo has 100 million daily users. Skype has 300 milllion active users and there are 1.000 billion users on Whatsapp. With 900 million active users on Facebook Messenger, 60 billion messages are sent via Facebook Messenger and WhatsApp every day. Netflix now has 75 million streaming subscribers. QQ has 853 million active users. WeChat has 697 million active users while QZone has 640 million. Baidu Tieba has 300 million active users while Viber has 249 million. Sina Weibo has 222 million active users while Line has 215 million. Snapchat has 200 million users and 150 million users are active each day, watching 10 billion videos each day. YY has 122 million active users; VKontakte has 100 million active users as does BBM and Telegram.
Remember, social media marketing isn’t always the tech. It’s the people.
TUESDAY AUSTRALIAN OVERNIGHT TV RATINGS (*SEE BELOW)
Today, traditional TV still accounts for the lion’s share of video viewing, but online and mobile are where the growth is. When managed together, TV/digital/mobile hold the potential to drive real impact for advertisers—enabling them to maximize the customers they reach and/or reinforce key messaging across screens. After all, ‘It’s all about screens’.
The Home Of #dailydiaryofscreens
For Monday, February 13, 2016 (Posted on February 14, 2016)
CBS #1 Monday as ‘Kevin Can Wait’ top program.
CBS
The Tiffany Network won their 9th evening in 11 nights of the February sweeps with comedy and some geniuses.
8P ‘Kevin Can Wait‘ finished #1 overall Monday with an average 7.900 million viewers and a 5.1/9.
830P ‘Man With A Plan‘ finished with an average 7.137 million viewers and a 4.6/3
9P ‘Superior Donuts‘ finished with an average 7.185 million viewers and a 4.6/7.
930P ‘2 Broke Girls‘ finished with an average 5.969 million viewers and a 3.9/6.
10P ‘Scorpion‘ finished with an average 7.157 million viewers and a 4.8/9.
ABC
The Alphabet Network had a guy chasing girls and a girl chasing guys.
8P ‘The Bachelor‘ finished with an average 7.556 million viewers and a 5.2/8.
9P ‘The Bachelor‘ finished with an average 7.434 million viewers and a 5.1/8.
10P ‘Quantico‘ finished with an average 2.542 million viewers and a 1.9/4.
FOX
The Animal Network of Broadcast had an evening of action which leaped past the Peacock.
8P ‘24:Legacy‘ finished with an average 5.070 million viewers and a 3.8/6.
9P ‘APB‘ finished with an average 4.534 million viewers and a 3.3/5.
NBC
The Peacock Network a mediocre evening.
8P ‘The Wall‘ finished with an average 3.838 million viewers and a 2.5/4.
9P ‘The New Celebrity Apprentice‘ series finale finished with an average 3.448 million viewers and a 2.5/4.
10P ‘Timeless‘ finished with an average 2.970 million viewers and a 2.2/4.
The CW
The Little Network That Couldn’t…had a girl who can fly and a girl who can try.
8P ‘Supergirl‘ finished with an average 2.498 million viewers and a 1.9/3.
9P ‘Jane The Virgin‘ finished with an average 1.107 million viewers and a 0.9/1.
For The Record
CBS finished #1 Monday in prime time with an average 7.084 million viewers and a 4.6/8.
ABC finished with an average 5.844 million viewers and a and a 4.1/7.
FOX finished with an average 4.802 million viewers and a 3.5/5.
NBC finished with an average 3.419 million viewers and a 2.4/4.
UNI finished with an average 2.100 million viewers and a 1.1/2.
The CW finished with an average 1.803 million viewers and a 1.3/2.
TEL finished with an average 1.767 million viewers and an 0.8/1.
Broadcast (English Language) Networks finished with an estimated average 22.952 million viewers.
Today In Communication History
On this date in 1962, a televised tour of the White House in Washington DC conducted by Jacqueline Kennedy was carried simultaneously on CBS and NBC networks, achieving an audience of 46.5 million viewers.
Quote Of The Day
‘What is sad for women of my generation is that they weren’t supposed to work if they had families. What were they going to do when the children are grown – watch the raindrops coming down the window pane?’
Jackie Kennedy
Social Media Research
2017 Marketing Budget Trends By Channel
Which channels are marketers going to be investing more and less in this year? A review of studies from Econsultancy and Gartner offers a window into marketers’ plans for this year. Hint: social media marketing appears to be ripe for further spending, and enthusiasm around content marketing remains healthy.
Global Marketers’ Digital Marketing Budget Plans
The latest Quarterly Intelligence Briefing produced by Econsultancy in association with Adobe asked almost 3,500 company marketers around the world how their spending on various digital marketing channels and disciplines would change this year. The areas of broadest agreement for spending hikes this year are social media marketing and content marketing, set for increases by 56% and 55% of respondents, respectively. These aren’t surprising given the recent levels of enthusiasm for these channels, but nevertheless the results indicate that such enthusiasm doesn’t seem to be waning. In fact, content marketing and social media engagement emerged as the top digital-related priorities for respondents’ organizations this year.
Close behind, at least half of respondents will increase their spending on personalization (51%), video advertising (50%) and lead generation (50%). Personalization has become a top priority for enterprise organizations as they seek to respond to customers’ changing needs, while video advertising is set for annual increases of almost 20%/. As for lead generation, spending increases in this area are likely going to be made with improved lead quality rather than quantity in mind.
There also seems to be an appetite for spending increases on marketing analytics (49%), per the Econsultancy and Adobe report. There seems to be room for improvement on this end in the US, where CMOs estimate making only around one-third of decisions using analytics. Not too surprisingly given the uptick in digital marketing spending over the past few years, no channel identified was slated for more decreases than increases. In fact, only 3 of the 16 areas measured are planned for a decrease in spend by more than 1 in 10 respondents. Those are:
▪️ Paid search – set for a spending decline by 13%, but on the rise for 32%;
▪️ Display advertising – slated for a budget drop by 13%, but expected to rise for 34%; and
▪️ Webinars / virtual events – with 11% seeing a decline versus 40% projecting an increase.
As one might expect, these were in the lower tier of expected increases, joined by sales enablement and affiliate marketing in the bottom 5.
Enterprise CMOs’ Channel Plans
An earlier Gartner study took a look at the spending plans of 377 CMOs in the US (56% share), UK (30% share) and Canada (14% share), 70% of whom come from organizations with at least $1 billion in annual revenue. The results of that survey indicate that digital advertising has a bright year ahead: a leading 23% of respondents projected a “significant” increase in digital ad spend this year, with another 42% expecting a “slight” increase. All told, then, almost two-thirds expect an increase in digital ad spend, against just 7% decreasing it. (It’s worth noting that digital advertising spend in the US slowed at the end of last year as some large advertisers didn’t see the returns they were expecting. This coincided with some big spenders returning to TV.) Meanwhile, although social marketing didn’t gain quite as much spending consensus as digital advertising, fully 1 in 5 respondents said they would increase their budgets for social “significantly”. That trailed only digital advertising in terms of “significant” spending hikes, and was still supplemented by another 36% expecting a “slight” increase.
Along with digital advertising and social marketing, CMOs pointed to marketing analytics and digital commerce as areas in which they have high hopes for budget hikes, with mobile marketing, customer intelligence, and content creation & management also in the mix.
As with the Econsultancy and Adobe study, budget outlooks are overall quite buoyant among CMOs, with no single channel seeing a net-negative result. Even offline advertising has far more of a positive (43%) than negative (12%) spending outlook this year. Of the 14 categories of marketing spending tracked in the Gartner survey, only 4 are slated for decreases in spending by more than 1 in 10 CMOs. Those are:
▪️ Websites – 11% decreasing (potentially as spending shifts to mobile apps and social), against 52% increasing;
▪️ Email marketing – with 11% cutting budgets but 45% increase them;
▪️ Offline advertising – as aforementioned; and
▪️ Out-of-home media – with 11% seeing a decline but 37% expecting an increase.
Looking back on their 2016 budgets, CMOs estimated allocating the largest share of their marketing spending on websites (8.6%), digital commerce (8.5%) and digital advertising (8.1%), with marketing analytics (7.8%) and mobile marketing (7.5%) rounding out the top 5. The smallest shares were allocated to content creation and management (5.9%) and out-of-home media (5.2%), which may be a reflection of the composition of the sample.
Overall, some 57% of CMOs expect their marketing expenses in fiscal year 2017 to increase either slightly (44%) or significantly (13%). Although just 14% are projecting a drop in spending, that’s the largest proportion going back at least as far as 2012.
About the Data: The Econsultancy and Adobe survey was carried out online in November and December 2016 among 14,163 marketing, digital and e-commerce professionals, of whom 64% are marketing professionals from the client-side and 36% from the supply-side (including agency marketers, consultants and vendors). More than one-third (35%) of respondents are from Europe, with 28% from North America, 17% in Asia, 13% from Australia/New Zealand, and 7% from other regions. Some 34% are B2C-focused, while 30% are B2B-focused and the remaining 36% equally focused on B2B and B2C. The technology (12%) and financial services and insurance (11%) industries were the most heavily represented.
Gartner describes its methodology in part as follows:
“The research was conducted using a mixed methodology of online and CATI from July through August 2016. Of the 377 respondents, 56% were in the U.S., 14% were in Canada and 30% were in the U.K. Seventy percent of the respondents came from organizations with $1 billion or more in annual revenue. The respondents came from a variety of industries: financial services (65 respondents), high tech (80 respondents), manufacturing (43 respondents), consumer products (47 respondents), media (33 respondents), retail (63 respondents), transportation and hospitality (38 respondents), and other industries (8 respondents). The survey was developed collaboratively by a team of Gartner analysts who follow marketing and was reviewed, tested and administered by Gartner’s Research Data Analytics team.”
Canadian TV Ratings Week of 23 January-29 January 2017
#1 NCIS CTV Global 2.386 million viewers
#2 BULL Global Total 1.939 million viewers
#3 Grey’s Anatomy CTV Total 1.608 million viewers
#4 This Is Us CTV Total 1.602 million viewers
#5 Lucifer CTV Total 1.499 million viewers
#6 Chicago Fire Global Total 1.453 million viewers
#7 Murdoch’s Mysteries CBS Total 1.412 million viewers
#8 Cardinal CTV Total 1.387 million viewers.
#9 The Big Bang Theory CTV Total 1.376 million viewers.
#10 The Flash CTV Total 1.347 million viewers.
Mexico TV Ratings Wednesday 8 February 2017
#1 ‘El Bienamado’ Las Estrellas 13,7R 48S
#2 ‘La candidate’ Las Estrellas 11,2R 38S
#3 ‘Noticias 10’ Las Estrellas 9,8R 33S
#4 ‘Hechos noche’ Azteca 13 6,4R 22S
#5 ‘Celia’ Azteca 13 5,8R 20S
#6 ‘La fiscal de hierro’ Azteca 13 5,8R 19S
#7 ‘1000 maneras’ Canal 5 5,6R 19S
#8 ‘The Walking Dead’ Canal 5 5R 17S
#9 ‘Hawaii Five-0’ Azteca 7 4,3R 15S
#10 ‘Los Simpsons’ Azteca 6 3,8R 13S
Colombia TV Ratings Monday 13 February 2017
#1 ‘Yo me Llamo’ debut Caracol 13,7R 41,1S
#2 ‘Polvo carnavales’ Caracol 9,7R 29,1S
#3 ‘La ley del corazón’ RCN 8,3R 25S
#4 ‘Alias JJ’ Caracol 8,2R 31S
#5 ‘Francisco el Matemático’ RCN 6R 17,9S
#6 ‘Francisco el Matemático’R RCN 4,1R 15,4S
Argentina TV Ratings Monday 13 February 2017
#1 ‘Josué y la Tierra Prometida’ Telefe 15,6R 41,17S
#2 ‘Amar después de amar’ Telefe 14,3R 40,29S
#3 ‘Quiero vivir a tu lado’ El Trace 12,2R 32,48S
#4 ‘Televe noticias’ Telefe 11,4R 37,48S
#5 ‘Telenoche 13’ El Trece 10,6R 33,01S
#6 ‘Despedida de solteros’ Telefe 10R 37,34S
#6 ‘Medcezir’ El Trece 9R 31,89S
Chile TV Ratings Monday 12 February 2017
#1 ‘Sres. Papis’ Mega 23,6R 37S
#2 ‘Doble Tentación’ Mega 18,7R 34,8S
#3 ‘Ahora noticias’ Mega 15,3R 25,6S
#4 ‘Ambar’ Mega 13,1R 24,7S
#5 ‘El camionero’ TVN 11,5R 22S
#6 ’24 horas central’ TVN 10,7R 17,8S
#7 ‘CHV noticias central’ CHV 10,5R 17,1S
#8 ‘Teletrece’ Canal 13 9,9R 16,1S
India Top Hindi Television Programs Week 5 2017
#1 ‘Naggin’ season premiere Colors 7.416 million impressions
#2 ‘Big Boss’ Colors 6.183 million impressions
#3 ‘Shaki-Astitva Ke Ehsaas Ki’ Colors 5.987 million impressions
#4 ‘Kumkum Bhagya’ Zee TV 5.937 million impressions
#5 ‘The Kapil Sharma Show’ SONY TV 5.842 million impressions
#6 ‘3 T20 India v England’ Cricket DD National 5.771 million impressions
#7 ‘Saath Nibhaana Saathiya’ STAR Plus 5.734 million impressions
#8 ‘Yeh Rishta Kya Kehlata Hai’ STAR Plus 5.643 million impressions
#9 ‘2 T20 India v England’ Cricket DD National 5.525 million impressions
#10 ‘Ye Hai Mohabbatein’ STAR Plus 5.510 million impressions
Television Premiere Dates
Tuesday, Feb. 14
The Mindy Project (Hulu)
Wednesday, Feb. 15
10P: Doubt (CBS)
Thursday, Feb. 16
SuperMansion (Crackle)
Saturday, Feb. 18
Britney Ever After (Lifetime)
Sunday, Feb. 19
8P: The Good Fight (CBS)
9P: Big Little Lies (HBO)
10P: Billions (Showtime)
10:30P: Crashing (HBO)
Monday, Feb. 20
9P: The Breaks (VH1)
10P: Bates Motel (A&E)
Tuesday, Feb. 21
10P: The Detour (TBS)
Wednesday, Feb. 22
9P: Major Crimes (TNT)
Thursday, Feb. 23
10P: The Blacklist: Redemption (NBC), Sun Records (CMT)
Friday, Feb. 24
Ultimate Beastmaster (Netflix)
Monday, Feb. 27
8P: The Voice (NBC)
9P: When We Rise (ABC)
10P: Taken (NBC)
Wednesday, March 1
National Treasure (Hulu)
10P: Chicago Justice (NBC)
Sunday, March 5
8P: Little Big Shots (NBC), Once Upon a Time (ABC, spring premiere)
8:30P: Making History (Fox)
9P: Chicago Justice (NBC), Time After Time (ABC)
9:30P: Last Man on Earth (Fox, spring premiere)
10P: Shades of Blue (NBC), Feud: Bette and Joan (FX), The Arrangement (E!)
Tuesday, March 7
9:30P: Trial & Error (NBC)
10P: The Americans (FX)
Wednesday, March 8
8P: Survivor (CBS)
10P: Underground (WGNA), Designated Survivor (ABC, spring premiere)
Thursday, March 9
9P: Kicking & Screaming (Fox)
10P: The Catch (ABC)
Friday, March 10
8P: The Vampire Diaries (The CW, series finale)
Sunday, March 12
10P: American Crime (ABC)
Monday, March 13
8P: Young & Hungry (Freeform)
8:30P: Baby Daddy (Freeform)
Wednesday, March 15
8P: Lethal Weapon (Fox, season finale)
9P: Star (Fox, season finale)
10P: Hap and Leonard: Mucho Mojo (SundanceTV), Greenleaf (OWN)
Thursday, March 16
Snatch (Crackle)
Friday, March 17
Marvel’s Iron Fist (Netflix)
8P: The Originals (The CW)
Sunday, March 19
10P: Into the Badlands (AMC)
Monday, March 20
9P: The Twins: Happily Ever After? (Freeform)
Wednesday, March 22
8P: Shots Fired (Fox)
9P: Empire (Fox, spring premiere)
Tuesday, March 28
9P: DC’s Legends of Tomorrow (The CW, season finale)
Wednesday, March 29
Harlots (Hulu)
8:30P: Imaginary Mary (ABC)
Sunday, April 2
8P: Call the Midwife (PBS)
9P: The Kennedys-After Camelot
Tuesday, April 4
8P: iZombie (The CW)
9P: Prison Break (Fox)
9:30P: Imaginary Mary (ABC, time slot premiere)
Wednesday, April 5
10P: Archer (FXX)
Saturday, April 8
9P: The Son (AMC)
Monday, April 10
10P: Better Call Saul (AMC)
Tuesday, April 11
8P: Brooklyn Nine-Nine (Fox, spring premiere)
9P: iZombie (The CW, time slot premiere)
Sunday, April 16
9P: Guerrilla (Showtime)
Tuesday, April 18
8P: Pretty Little Liars (Freeform)
9P: Famous in Love (Freeform)
Thursday, April 20
10P: The Blacklist (NBC, spring premiere)
Friday, April 21
8P: The Amazing Race (CBS)
Sunday, April 23
10P: Mary Kills People (Lifetime)
Tuesday, April 25
9P: Great News (NBC)
Wednesday, April 26
The Handmaid’s Tale (Hulu)
10P: Gomorrah (SundanceTV)
Friday, May 5
Sense8 (Netflix)
Friday, May 12
I Love Dick (Amazon)
Sunday, May 21
9P: Dark Angel (PBS), Twin Peaks (Showtime)
Tuesday, May 23
Casual (Hulu)
Wednesday, May 24
8P: Dirty Dancing (ABC)
Tuesday, May 30
House of Cards (Netflix)
Wednesday, May 31
8P: Kingdom (Audience Network)
Al Jarreau Retires And Then Move On To The Big Show
Al Jarreau moves along to his next big gig. He was 76.
59th Grammy Awards 2017 Winners
Album Of The Year
25 — Adele (WINNER)
Record Of The Year
“Hello” — Adele (WINNER)
Song Of The Year
“Hello” — Adele Adkins & Greg Kurstin, songwriters (Adele) (WINNER)
Best New Artist
Chance The Rapper (WINNER)
POP FIELD
Best Pop Vocal Album
25 — Adele (WINNER)
Best Pop Solo Performance
“Hello” — Adele (WINNER)
Best Pop Duo/Group Performance
“Stressed Out” — Twenty One Pilots (WINNER)
Best Traditional Pop Vocal Album
Summertime: Willie Nelson Sings Gershwin—Willie Nelson (WINNER)
DANCE/ELECTRONIC MUSIC FIELD
Best Dance Recording
“Don’t Let Me Down” — The Chainsmokers Featuring Daya (WINNER)
Best Dance/Electronic Album
Skin — Flume (WINNER)
CONTEMPORARY INSTRUMENTAL MUSIC FIELD
Best Contemporary Instrumental Album
Culcha Vulcha — Snarky Puppy (WINNER)
ROCK FIELD
Best Rock Performance
“Blackstar” — David Bowie (WINNER)
Best Metal Performance
“Dystopia” — Megadeth (WINNER)
Best Rock Song
“Blackstar” — David Bowie, songwriter (David Bowie) (WINNER)
Best Rock Album
Tell Me I’m Pretty — Cage The Elephant (WINNER)
ALTERNATIVE FIELD
Best Alternative Music Album
Blackstar — David Bowie (WINNER)
R&B FIELD
Best R&B Performance
“Cranes in the Sky” — Solange (WINNER)
Best Traditional R&B Performance
“Angel” — Lalah Hathaway (WINNER)
Best R&B Song
“Lake By the Ocean” — Hod David & Musze, songwriters (Maxwell) (WINNER)
Best Urban Contemporary Album
Lemonade — Beyoncé (WINNER)
Best R&B Album
Lalah Hathaway Live — Lalah Hathaway (WINNER)
RAP FIELD
Best Rap Performance
“No Problem” — Chance The Rapper Featuring Lil Wayne & 2 Chainz (WINNER)
Best Rap/Sung Performance
“Hotline Bling” — Drake (WINNER)
Best Rap Song
“Hotline Bling” — Aubrey Graham & Paul Jefferies, songwriters (Drake) (WINNER)
Best Rap Album
Coloring Book — Chance The Rapper (WINNER)
COUNTRY FIELD
Best Country Solo Performance
“My Church” — Maren Morris (WINNER)
Best Country Duo/Group Performance
“Jolene” — Pentatonix Featuring Dolly Parton (WINNER)
Best Country Song
“Humble and Kind” — Lori McKenna, songwriter (Tim McGraw) (WINNER)
Best Country Album
A Sailor’s Guide To Earth — Sturgill Simpson (WINNER)
NEW AGE FIELD
Best New Age Album
White Sun II — White Sun (WINNER)
JAZZ FIELD
Best Improvised Jazz Solo
“I’m So Lonesome I Could Cry” — John Scofield, soloist (WINNER)
Best Jazz Vocal Album
Take Me To The Alley — Gregory Porter (WINNER)
Best Jazz Instrumental Album
Country For Old Men — John Scofield (WINNER)
Best Large Jazz Ensemble Album
Presidential Suite: Eight Variations On Freedom — Ted Nash Big Band (WINNER)
Best Latin Jazz Album
Tribute To Irakere: Live In Marciac — Chucho Valdés (WINNER)
GOSPEL/CONTEMPORARY CHRISTIAN MUSIC FIELD
Best Gospel Performance/Song
“God Provides” — Tamela Mann; Kirk Franklin, songwriter (WINNER)
Best Contemporary Christian Music Performance/Song
“Thy Will” — Hillary Scott & The Scott Family; Bernie Herms, Hillary Scott & Emily Weisband, songwriters Track from: Love Remains”Trust In You” — Lauren Daigle; Lauren Daigle, Michael Farren & Paul Mabury, songwriters (WINNER)
Best Gospel Album
Losing My Religion — Kirk Franklin (WINNER)
Best Contemporary Christian Music Album
Love Remains — Hillary Scott & The Scott Family (WINNER)
Best Roots Gospel Album
Hymns — Joey+Rory (WINNER)
LATIN FIELD
Best Latin Pop Album
Un Besito Mas — Jesse & Joy (WINNER)
Best Latin Rock, Urban or Alternative Album
iLevitable — ile (WINNER)
Best Regional Mexican Music Album (Including Tejano)
Un Azteca En El Azteca, Vol. 1 (En Vivo) — Vicente Fernández (WINNER)
Best Tropical Latin Album
Donde Están? — Jose Lugo & Guasábara Combo (WINNER)
AMERICAN ROOTS MUSIC FIELD
Best American Roots Performance
“House Of Mercy” — Sarah Jarosz (WINNER)
Best American Roots Song
“Kid Sister” — Vince Gill, songwriter (The Time Jumpers) (WINNER)
Best Americana Album
This Is Where I Live — William Bell (WINNER)
Best Bluegrass Album
Coming Home — O’Connor Band With Mark O’Connor (WINNER)
Best Traditional Blues Album
Porcupine Meat — Bobby Rush (WINNER)
Best Contemporary Blues Album
The Last Days Of Oakland — Fantastic Negrito (WINNER)
Best Folk Album
Undercurrent — Sarah Jarosz (WINNER)
Best Regional Roots Music Album
E Walea — Kalani Pe’a (WINNER)
REGGAE FIELD
Best Reggae Album
Ziggy Marley — Ziggy Marley (WINNER)
WORLD MUSIC FIELD
Best World Music Album
Sing Me Home — Yo-Yo Ma & The Silk Road Ensemble (WINNER)
CHILDREN’S FIELD
Best Children’s Album
Infinity Plus One — Secret Agent 23 Skidoo (WINNER)
SPOKEN WORD FIELD
Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)
In Such Good Company: Eleven Years Of Laughter, Mayhem, And Fun In The Sandbox — Carol Burnett (WINNER)
COMEDY FIELD
Best Comedy Album
Talking For Clapping — Patton Oswalt (WINNER)
MUSICAL THEATER
Best Musical Theater Album
The Color Purple — Cynthia Erivo & Jennifer Hudson, principal soloists; Stephen Bray, Van Dean, Frank Filipetti, Roy Furman, Scott Sanders & Jhett Tolentino, producers (Stephen Bray, Brenda Russell & Allee Willis, composers/lyricists) (New Broadway Cast) (WINNER)
MUSIC FOR VISUAL MEDIA FIELD
Best Compilation Soundtrack For Visual Media
Miles Ahead — Miles Davis & Various Artists) (WINNER)
Best Score Soundtrack For Visual Media
Star Wars: The Force Awakens — John Williams, composer (WINNER)
Best Song Written For Visual Media
“Can’t Stop The Feeling!” — Max Martin, Shellback & Justin Timberlake, songwriters (Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden, Zooey Deschanel, Walt Dohrn, Ron Funches, Caroline Hjelt, Aino Jawo, Christopher Mintz-Plasse & Kunal Nayyar), Track from: Trolls (WINNER)
COMPOSING/ARRANGING FIELD
Best Instrumental Composition
“Spoken At Midnight” — Ted Nash, composer (Ted Nash Big Band) (WINNER)
Best Arrangement, Instrumental or A Cappella
“You And I” — Jacob Collier, arranger (Jacob Collier) (WINNER)
Best Arrangement, Instruments and Vocals
“Flintstones” — Jacob Collier, arranger (Jacob Collier) (WINNER)
PACKAGE FIELD
Best Recording Package
Blackstar — Jonathan Barnbrook, art director (David Bowie) (WINNER)
Best Boxed Or Special Limited Edition Package
Edith Piaf 1915-2015 — Gérard Lo Monaco, art director (Edith Piaf) (WINNER)
NOTES FIELD
Best Album Notes
Sissle And Blake Sing Shuffle Along — Ken Bloom & Richard Carlin, album notes writers (Eubie Blake & Noble Sissle) (WINNER)
HISTORICAL FIELD
Best Historical Album
The Cutting Edge 1965-1966: The Bootleg Series, Vol. 12 (Collector’s Edition) — Steve Berkowitz & Jeff Rosen, compilation producers; Mark Wilder, mastering engineer (Bob Dylan) (WINNER)
PRODUCTION, NON-CLASSICAL FIELD
Best Engineered Album, Non-Classical
Blackstar — David Bowie, Tom Elmhirst, Kevin Killen & Tony (WINNER)
Producer Of The Year, Non-Classical
Greg Kurstin (WINNER)
Best Remixed Recording
“Tearing Me Up (RAC Remix)” — André Allen Anjos, remixer (Bob Moses) (WINNER)
SURROUND SOUND FIELD
Best Surround Sound Album
Dutilleux: Sur La Mêe Accord; Les Citations; Mystère De L’Instant & Timbres, Espace, Mouvement — Alexander Lipay & Dmitriy Lipay, surround mix engineers; Dmitriy Lipay, surround mastering engineer; Dmitriy Lipay, surround producer (Ludovic Morlot & Seattle Symphony) (WINNER)
PRODUCTION, CLASSICAL FIELD
Best Engineered Album, Classical
Corigliano: The Ghosts Of Versailles — Mark Donahue & Fred Vogler, engineers (James Conlon, Guanqun Yu, Joshua Guerrero, Patricia Racette, Christopher Maltman, Lucy Schaufer, Lucas Meachem, LA Opera Chorus & Orchestra) (WINNER)
Producer of the Year, Classical
David Frost (WINNER)
CLASSICAL FIELD
Best Orchestral Field
Shostakovich: Under Stalin’s Shadow – Symphonies Nos. 5, 8 & 9 — Andris Nelsons, conductor (Boston Symphony Orchestra) (WINNER)
Best Opera Recording
Corigliano: The Ghosts Of Versailles — James Conlon, conductor; Joshua Guerrero, Christopher Maltman, Lucas Meachem, Patricia Racette, Lucy Schaufer & Guanqun Yu; Blanton Alspaugh, producer (LA Opera Orchestra; LA Opera Chorus) (WINNER)
Best Choral Performance
Penderecki Conducts Penderecki, Volume 1 — Krzystof Penderecki, conductor; Henryk Wojnarowski, choir director (Nikolay Didenko, Agnieszka Rehlis & Johanna Rusanen; Warsaw Philharmonic Orchestra; Warsaw Philharmonic Choir) (WINNER)
Best Chamber Music/Small Ensemble Performance
Steve Reich — Third Coast Percussion (WINNER)
Best Classical Instrumental Solo
Daugherty: Tales Of Hemingway — Zuill Bailey; Giancarlo Guerrero, conductor (Nashville Symphony) (WINNER)
Best Classical Solo Vocal Album
Shakespeare Songs — Ian Bostridge; Antonio Pappano, accompanist (Michael Collins, Elizabeth Kenny, Lawrence Power & Adam Walker) (WINNER)
Best Classical Compendium
Daugherty: Tales Of Hemingway; American Gothic; Once Upon A Castle — Giancarlo Guerrero, conductor; Tim Handley, producer (WINNER)
Best Contemporary Classical Composition
Daugherty: Tales Of Hemingway — Michael Daugherty, composer (Zuill Bailey, Giancarlo Guerrero & Nashville Symphony) (WINNER)
MUSIC VIDEO/FILM FIELD
Best Music Video
“Formation” — Beyoncé (WINNER)
Best Music Film
The Beatles: Eight Days A Week The Touring Years — (The Beatles) (WINNER)
70th BAFTA Awards 2017
The awards were equally popular between male and female Tweeters, with 52% of the 33,154 Unique Authors being women and 48% being men. However the awards proved a hit among slightly older Tweeters with 55.1% of Authors being aged over 35.
Overall, this year’s BAFTAS saw 106,172 Tweets sent during our 24/7 tracking for Sunday, which accounted for a 26.4% share of all Social TV activity for the entire day.
Best Film
‘Arrival’
‘I, Daniel Blake’
‘La La Land’
‘Manchester By The Sea’
‘Moonlight’
Outstanding British Film
‘American Honey’
‘Denial’
‘Fantastic Beasts And Where To Find Them’
‘I, Daniel Blake’
‘Notes On Blindness’
‘Under The Shadow’
Best Director
Denis Villeneuve – ‘Arrival’
Ken Loach – ‘I, Daniel Blake’
Damien Chazelle – ‘La La Land’
Kenneth Lonergan – ‘Manchester by the Sea’
Tom Ford – ‘Nocturnal Animals’
Leading Actress
Amy Adams – ‘Arrival’
Emily Blunt – ‘The Girl on the Train’
Emma Stone – ‘La La Land’
Meryl Streep – ‘Florence Foster Jenkins’
Natalie Portman – ‘Jackie’
Leading Actor
Andrew Garfield – ‘Hacksaw Ridge’
Casey Affleck – ‘Manchester by the Sea’
Jake Gyllenhaal – ‘Nocturnal Animals’
Ryan Gosling – ‘La La Land’
Viggo Mortensen – ‘Captain Fantastic’
Supporting Actress
Hayley Squires – ‘I, Daniel Blake’
Michelle Williams – ‘Manchester by the Sea’
Naomie Harris – ‘Moonlight’
Nicole Kidman – ‘Lion’
Viola Davis – ‘Fences’
Supporting Actor
Aaron Taylor-Johnson – ‘Nocturnal Animals’
Dev Patel – ‘Lion’
Jeff Bridges – ‘Hell or High Water’
Hugh Grant – ‘Florence Foster Jones’
Mahershala Ali – ‘Moonlight’
EE Rising Star
Anya Taylor-Joy
Laia Costa
Lucas Hedges
Tom Holland
Ruth Negga
Adapted Screenplay
‘Arrival’
‘Hacksaw Ridge’
‘Hidden Figures’
‘Lion’
‘Nocturnal Animals’
Original Screenplay
‘Hell or High Water’
‘I, Daniel Blake’
‘La La Land’
‘Manchester by the Sea’
‘Moonlight’
Outstanding Debut
Mike Carey (Writer), Camille Gatin (Producer) – ‘The Girl With All The Gifts’
George Amponsah (Writer/Director/Producer), Dionne Walker (Writer/Producer) – ‘The Hard Stop’
Pete Middleton (Writer/Director/Producer), James Spinney (Writer/Director), Jo-Jo Ellison (Producer) – ‘Notes on Blindness’
John Donnelly (Writer), Ben Williams (Director) – ‘The Pass’
Babak Anvari (Writer/Director), Emily Leo, Oliver Roskill, Lucan Toh (Producers) – ‘Under the Shadow’
Film Not In The English Language
‘Dheepan’
‘Julieta’
‘Mustang’
‘Son of Saul’
‘Toni Erdmann’
Documentary
’13th’
‘The Beatles: Eight Days A Week – The Touring Years’
‘The Eagle Huntress’
‘Notes On Blindness’
‘Weiner’
Animated Film
‘Finding Dory’
‘Kubo And The Two Strings’
‘Moana’
‘Zootropolis’
Cinematography
‘Arrival’
‘Hell Or High Water’
‘La La Land’
‘Lion’
‘Nocturnal Animals’
Editing
‘Arrival’
‘Hacksaw Ridge’
‘La La Land’
‘Nocturnal Animals’
‘Manchester by the Sea’
Make-Up and Hair
‘Florence Foster Jenkins’
‘Doctor Strange’
‘Hacksaw Ridge’
‘Nocturnal Animals’
‘Rogue One: A Star Wars Story’
Costume Design
‘Allied’
‘Fantastic Beasts and Where to Find Them’
‘Florence Foster Jenkins’
‘Jackie’
‘La La Land’
Production Design
‘Doctor Strange’
‘Fantastic Beasts and Where to Find Them’
‘Hail Caesar!’
‘La La Land’
‘Nocturnal Animals’
Special Visual Effects
‘Arrival’
‘Doctor Strange’
‘Fantastic Beasts and Where to Find Them’
‘The Jungle Book’
‘Rogue One: A Star Wars Story’
Original Music
‘Arrival’
‘Jackie’
‘La La Land’
‘Lion’
‘Nocturnal Animals’
Sound
‘Arrival’
‘Deepwater Horizon’
‘Fantastic Beasts And Where To Find Them’
‘Hacksaw Ridge’
‘La La Land’
British Short Film
‘Consumed’
‘Home’
‘Mouth of Hell’
‘The Party’
‘Standby’
British Short Animation
‘The Alan Dimension’
‘A Love Story’
‘Tough’
Cinema News
Box Office Weekend 10-12 February 2017 (Domestic)
#1 ‘The Logo Batman Movie’ $55,600,000
#2 ‘Fifty Shades Darker’ $46,800,000
#3 ‘John Wick 2’ $30,000,000
#4 ‘Split’ $ 9,300,000
#5 ‘Hidden Figures’ $ 8,000,000
#6 ‘A Dog’s Purpose’ $ 7,265,000
#7 ‘Rings’ $ 5,820,000
#9 ‘La La Land’ $ 5,000,000 in 3,236 theaters (See review https://www.facebook.com/cinemacritique/)
#9 ‘Lion’ $ 4,083,000
#10 ‘Sing’ $ 1,631,000
Box Office Weekend 10-12 February 2017 (International)
#1 ‘Fifty Shades Darker’ $100,100,000 in 58 territories
#2 ‘xXx:Returne Xander Cage’ $ 69,600,000 in 62 territories
#3 ‘The Logo Batman Movie’ $ 37,000,000 in 61 territories
#4 ‘Kung Fu Yoga’ $ 16,025,000 in 12 territories
#5 ‘Cook Up A Storm’ $ 12,120,000 in 4 territories
#6 ‘Duckweed’ $ 11,780,000 in 4 territories
#7 ‘La La Land’ $ 11,500,000 in 74 territories (See review https://www.facebook.com/cinemacritique/)
#8 ‘John Wick Chapter 2’ $ 10,600,000 in 42 territories
#9 ‘Jolly LLB 2′ $ 10,465,000 in 10 territories
#10’Rings’ $ 9,600,000 in 45 territories
‘La La Land‘ (See review https://www.facebook.com/cinemacritique/)
Coming Soon
John Wick:Chapter 2 February 10, 2017
Valerian and the City of A Thousand Planets July 2017
Blade Runner 2049
Dunkirk
The Mummy
Welcome to new viewers in all 50 States of the U.S., all of the Provinces in Canada, all of the States in Mexico, the UK, Iceland, Ireland, Guernsey, Jersey, France, Belgium, the Netherlands, Denmark, Norway, Sweden, Finland, Estonia, Lithuania, Latvia, Estonia, the Russian Federation, Belarus, Ukraine, Republic of Moldova, Poland, Germany, Austria, Czech Republic, Switzerland, Luxembourg, Portugal, Gibraltar, Spain, Monaco, Malta, Italy, Slovenia, Slovakia, Hungary, Romania, Bulgaria, Moldova, Croatia, Bosnia and Herzegovina, Serbia, Macedonia the former Yugoslave Republic, Albania, Montenegro, Greece, Cyprus, Georgia, Turkey, Uzbekistan, Armenia, Azerbaijan, State of Palestine, Jordan, Lebanon, Israel, Saudi Arabia, Oman, Bahrain, United Arab Emirates, Qatar, Kuwait, Iraq, Uzbekistan, Pakistan, India, Sri Lanka, Bhutan, Nepal, Bangladesh, Kazakhstan, Mongolia, China, Hong Kong SAR China, Macao, Taiwan, Japan, Republic of Korea, the Philippines, Vietnam, Cambodia, Malaysia, Brunei Darussalam, Fiji, Solomon Islands, New Zealand, Australia, Indonesia, Singapore, Thailand, Mauritius, Zambia, United Republic of Tanzania, Ethiopia, Kenya, Rwanda, Ethiopia, Egypt, Malta, Tunisia, Algeria, Libya, Morocco, Republic of Côte d’Ivoire, Mali, Burkina Faso, Gabon, Senegal, Benin, Nigeria, Cameroon, Ghana, Mozambique, Uganda, Namibia, Zimbabwe, Angola, Botswana, South Africa, Argentina, Chile, Paraguay, Uruguay, Brazil, Bolivia, Peru, Ecuador, Colombia, Venezuela, Guyana, Suriname, Panama, Costa Rica, Nicaraqua, Guatemala, Honduras, El Salvadore, Belize, Curaçao, Aruba, St. Lucia, Grenada, Guadeloupe, Jamaica, Trinidad and Tobago, Dominica, Barbados, Haiti, the Dominican Republic, Martinique, U.S. Virgin Islands, British Virgin Islands, Bahamas, Cuba, Puerto Rico and Bermuda (160). We are thankful to all of you with more than 61,043 views. Top areas in the world viewing overtheshouldermedia on Tuesday came from the United States, the United Kingdom, Australia, Canada, Ireland, France, Portugal, Spain, Italy, Netherlands, Germany, Poland, Norway, Sweden, Estonia, Croatia, Russia, Bulgaria, Romania, Serbia, Greece, Slovakia, Turkey, Israel, United Arab Emirates Thailand, Japan, Hong Kong SAR China, South Korea, New Zealand, Algeria, Egypt, Ethiopia, Burkina Faso, Argentina, Brazil, Chile, Ecuador, Colombia, Mexico, Trinidad and Tobago and Puerto Rico.
Across The Pond
ITV #1 Monday in the UK as ‘Coronation Street’ top program.
ITV
The Independent One
8P ‘The Martin Lewis Money Show‘
830P ‘Coronation Street‘
9P ‘The Halcyon‘
BBC One
The Big One
8P ‘EastEnders‘
830P ‘Panorama‘ (‘Behind Bars:Prison Undercover’)
9P ‘New Tricks‘ (‘Blue Flower’)
BBC Two
The Little Two
8P ‘University Challenge‘
830P ‘An Island Parish‘
9P ‘SAS:Rogue Warriors‘
Channel 4
The Big Four
8P ‘Dispatches‘
830P ‘Food Unwrapped‘
9P ‘First Dates‘ (‘Valentine’s Special’)
Channel 5
The Viacom Five
8P ‘Winter Road Rescue‘ season premiere
9P ‘The Railways That Built Britain with Chris Tarrant‘ (‘Boom Bust Blood’) season premiere
DOWN UNDER
NOTE: While Australian considers Prime Time 6P-Midnight, we use the US prime time system to measure television effectiveness in Australia. Thus 7P-10P is the standard from which this rating is based. Newscasts are considered only as newscasts and not television programs inside or outside of this period except in special periods. The % share is based on the Australian Prime Time 6P-Midnight period.
Nine #1 Monday in Australia as Seven’s ‘My Kitchen Rules’ top program.
Nine
The First Commercial Network in Australia finished with an average 925,500 viewers and a 28.6% share.
7P ‘A Current Affair‘ finished with an average 748,000 viewers.
730P ‘Married At First Sight‘ finished with an average 1.107 million viewers.
911P ‘House Husbands‘ finished with an average 669,000 viewers.
Seven
The Second Commercial Network in Australia finished with an average 916,333 viewers and a 31.2% share.
7P ‘Home and Away‘ finished with an average 776,000 viewers.
730P ‘My Kitchen Rules‘ finished #1 Monday in Australia with an average 1.150 million viewers.
9P ‘Bride & Prejudice-The Forbidden Wedding‘ finished with an average 636,000 viewers.
Ten
The Third Commercial Network in Australia finished with a 16.1% share.
7P ‘The Project‘ finished with an average 588,000 viewers.
730P ‘I’m A Celebrity…Get Me Out Of Here!‘ finished with an average 685,000 viewers.
9P ‘Whose Line Is It Anyway Australia‘ did not finish in the top 20 programs.
940P ‘Life In Pieces‘ did not finish in the top 20 programs.
ABC
The Alphabet Network in Australia finished with a 18.9% share.
730P ‘7.30‘ finished with an average 647,000 viewers.
802P ‘Australian Story‘ finished with an average 605,000 viewers.
833P ‘Four Corners‘ finished with an average 648,000 viewers.
920P ‘Media Watch‘ finished with an average 654,000 viewers.
937P ‘Q&A‘ finished with an average 544,000 viewers.
SBS
The Special Broadcast Service finished #5 in Australia on Monday with a 5.2% share.
730P ‘Michael Mosley: Trust Me, I’m A Doctor‘ did not finish in the top 20 programs.
830P ‘Simon Reeve’s Sacred Rivers‘ did not finish in the top 20 programs.
930P ‘Undressed‘ did not finish in the top 20 programs.
Top Newscasts In Australia Monday
#1 SEVEN NEWS Seven 1,068,000 viewers #1 in Adelaide & Perth
#2 SEVEN News/TodayTonight Seven 1,030,000 viewers Melbourne top in market
#3 NINE NEWS Nine 1,017,000 viewers #1 in Melbourne
#4 NINE NEWS 6:30 Nine 997,000 viewers #1 in Sydney & Brisbane
#5 ABC NEWS-EV ABC 801,000 viewers Melbourne top in market
*TUESDAY AUSTRALIAN OVERNIGHT TV RATINGS
*Tuesday Australian Overnight TV Ratings
*TUESDAY AUSTRALIAN OVERNIGHT TV RATINGS
DOWN UNDER
NOTE: While Australian considers Prime Time 6P-Midnight, we use the US prime time system to measure television effectiveness in Australia. Thus 7P-10P is the standard from which this rating is based. Newscasts are considered only as newscasts and not television programs inside or outside of this period except in special periods. The % share is based on the Australian Prime Time 6P-Midnight period.
Nine #1 Tuesday in Australia as ‘Married At First Sight’ top program.
Nine
The First Commercial Network in Australia finished with an average 884,944 viewers and a 30.0% share.
7P ‘A Current Affair‘ finished with an average 813,000 viewers.
730P ‘Married At First Sight‘ finished with an average 1.024 million viewers.
912P ‘Travel Guides‘ finished with an average 650,000 viewers.
Second
The Second Commercial Network in Australia finished with an average 847,500 viewers and a 30.4% share.
7P ‘Home and Away‘ finished with an average 722,000 viewers.
730P ‘My Kitchen Rules‘ finished with an average 1.023 million viewers.
9P ‘800 Words‘ finished with an average 647,000 viewers.
Ten
The Third Commercial Network in Australia finished with with an average 584,000 viewers and a 18.6% share.
7P ‘The Project‘ finished with an average 552,000 viewers.
730P ‘I’m A Celebrity…Get Me Out Of Here!‘ finished with an average 756,000 viewers.
830P ‘NCIS‘ (‘Being Bad’) finished with an average 428,000 viewers.
930P ‘NCIS:Los Angeles‘ did not finish in the top 20 programs.
ABC
The Alphabet Network in Australia finished with a 14.8% share.
730P ‘7.30‘ finished with an average 514,000 viewers.
801P ‘Outback ER‘ finished with an average 384,000 viewers.
831P ‘Ice Wars‘ finished with an average 399,000 viewers.
929P ‘Human Universe With Brian Cox‘ did not finish in the top 20 programs.
SBS
The Special Broadcast Service in Australia finished #5 with a 6.1% share.
730P ‘Paul Merton’s Secret Stations‘ did not finish in the top 20 programs.
830P ‘Insight‘ did not finish in the top 20 programs.
930P ‘Dateline‘ did not finish in the top 20 programs.
Top Newscasts In Australia Tuesday
#1 SEVEN NEWS Seven 1,000,000 viewers Brisbane, Adelaide & Perth #1 market
#2 SEVEN News/TodayTonight Seven 984,000 viewers Melbourne top market
#3 NINE NEWS Nine 956,000 viewers Melbourne #1 market
#4 NINE NEWS 6:30 Nine 939,000 viewers Sydney 31 market
#5 ABC NEWS-EV ABC 727,000 viewers Sydney top market
#6 EYEWITNESS NEWS 1st @5P Ten 455,000 viewers Melbourne top market
For continual updates on all things ‘screens’, go to: https://www.facebook.com/pages/Dailydiaryofscreens
In this week’s Media Notes Canonical, go to: http://bit.ly/1JnoNS6 🆕💭📝📎 It’s FREE.
Media Notes Briefs:Retailers Worried About ‘Hidden Value-Added Tax’ http://bit.ly/Hxoqv7 🆕💡💭🌎💬 Its free.
New This Week: Do Consumers Really Know What They Want? 💬 – http://sophis1234.tumblr.com
Weekly Retail Media Notes. This week: ‘The Changing Manufacturer Evolution’ http://www.furninfo.com/Furniture%20Industry%20News/6425 🆕💡💭🌎💬
Why Don’t You Use Mobile Now? http://goo.gl/wlnJ8o
Today’s featured ‘Music To Read overtheshouldermedia By’ down at the bottom of the page
59th Grammy Awards Winner Best Improvised Jazz Solo
John Scofield “I’m So Lonesome I Could Cry”
OVERTHESHOULDERMEDIA 