CBS #1 Saturday in the U.S. ITV #1 in the UK. Seven #1 in AU.

CBS-Logo-1-350x231Unknown-1
‘It’s All About Screens.’ This is the Daily Diary of Screens. For Saturday, August 27, 2016.
CBS finished #1 broadcast network as ‘Pre-Season NFL Football‘ was the top broadcast program.
In the UK, ITV #1 network as ‘The X-Factor UK‘ season premiere top program.
In Australia, ‘Seven‘ narrowly finished #1 as ‘Seven News‘ was the #1 newscast and ABC’s ‘The Coroner‘ finished as the #1 program.
Suicide Squad‘ #1 at the U.S. box office again on the weekend 19-21 August 2016.
Secret Life of Pets‘ #1 at the International box office weekend 19-21 August 2016.
Sales of movie theater ads jumped 13.4% in 2015 as it reached $716 million in advertising sales. There are 3.734 Billion Unique Mobile 68% Social Ad Clicks Are Now Mobile. Users as of this quarter, account for a 51% worldwide penetration. Direct uploads of user videos to Facebook now exceed YouTube.

The latest social media stats include Facebook having 1.7 billion monthly users watching 8 billion videos each day. Instagram has 400 million users. 88% of Twitter users are on mobile. An average of 500 million tweets are sent every day with 320 million active users. The Google+1 button is hit 5 billion times per day. 80% of Internet users on Pinterest are female. Pinterest has 100 million active users. LinkedIn has 347 million registered members with 100 million active users. Tumblr has 555 million users and Weibo has 100 million daily users. Skype has 300 million active users and there are 1.000 billion users on Whatsapp. With 900 million active users on Facebook Messenger, 60 billion messages are sent via Facebook Messenger and WhatsApp every day. Netflix now has 75 million streaming subscribers. QQ has 853 million active users. WeChat has 697 million active users while QZone has 640 million. Baidu Tieba has 300 million active users while Viber has 249 million. Sina Weibo has 222 million active users while Line has 215 million. Snapchat has 200 million users and 150 million users are active each day, watching 10 billion videos each day. YY has 122 million active users; VKontakte has 100 million active users as does BBM and Telegram.

Cliptomize continues to grow as it has 88,679 users and 128,987 clipbooks with 644,477 visitors and 345,766 unique visitors with over 3.158 million pageviews. 5 minutes 4 seconds average time spent on spent on site since the beginning. In August, average time spent on site is 3 minutes 46 seconds. Cliptomize For Business Service Bureau during recent NDA client campaign including 20 sends delivered a remarkable open rate of 49.16% and a click-through rate of 48.72% ‪#‎clipit‬, ‪#‎clip4biz‬🖇 Double Your Open Rate & Click-Through Rate Now!: http://www.cliptomize.com/Clipbook/View/250922?secret=h42qm2ns5g The First step to engagement is click-through 🆕 SUNDAY AUSTRALIAN OVERNIGHT TV RATINGS (*SEE BELOW)

Today, traditional TV still accounts for the lion’s share of video viewing, but online and mobile are where the growth is. When managed together, TV/digital/mobile hold the potential to drive real impact for advertisers—enabling them to maximize the customers they reach and/or reinforce key messaging across screens. After all, ‘It’s all about screens’.

The Home Of #dailydiaryofscreens

For Saturday, August 27, 2016 (Posted on August 28, 2016)

CBS #1 Saturday as 'NFL Pre-Season Football'  featuring Tennessee Titans vs Oakland Raiders was the top program.

CBS #1 Saturday as ‘NFL Pre-Season Football’ featuring Tennessee Titans vs Oakland Raiders was the top program.


CBS
The Tiffany Network used pro football to capture the top spot for the second night in prime time in a row.

8P ‘NFL Pre-Season Football‘ featuring the Tennessee Titans vs Oakland Raiders finished #1 overall with an average 4.640 million viewers.
9P ‘NFL Pre-Season Football‘ finished with an average 4.237 million viewers.
10P ‘NFL Pre-Season Football‘ finished with an average 3.964 million viewers.

ABC
The Alphabet Network

8P ‘Last Man Standing‘ rerun finished with an average 2.513 million viewers.
830P ‘Dr. Ken‘ rerun finished with an average 2.115 million viewers.
9P ‘Boston EMS‘ finished with an average 2.449 million viewers.
10P ‘Boston EMS‘ finished with an average 2.585 million viewers.

FOX
The Animal Network of Broadcast had UFC all night long.

8P ‘UFC Fight Night:Demian Maia vs Carlos Condit‘ lasting 2 minutes finished with an average 2.184 million viewers.
9P ‘UFC Fight Night:Maia vs Condit‘ finished with an average 2.258 million viewers.

NBC
The Peacock Network

8P ‘America’s Got Talent‘ rerun finished with an average 2.832 million viewers.
9P ‘Aquarius‘ finished with an average 2.096 million viewers.
10P ‘Aquarius‘ finished with an average 1.596 million viewers.

For The Record

CBS finished #1 Saturday in prime time with an average 4.280 million viewers.
ABC finished with an average 3.221 million viewers.
FOX finished with an average 2.211 million viewers.
NBC finished with an average 2.175 million viewers.

Broadcast (English Speaking) Networks on Saturday in prime time finished with an estimated 11.887 million viewers.

Today In Communication History

On this date in 1996, the first episode of ‘The Jamie Fox Show’ aired.

So?

He said it first....'Television'.

He said it first….’Television’.


In 1900, the term ‘television‘ is coined by Constantin Perskyi at the International Electricity Congress, part of the 1900 Paris Exhibition.

Quote Of The Day
‘People will always try to stop you doing the right thing if it is unconventional’.
Warren Buffett,
Businessman, Investor and Philanthropist’

Social Media Research

Instagram Rolls Out Customer Service Button
Most brands already use Instagram as a social and marketing tool. But now, they’ve started using it for customer service, too. Instagram has rolled out a “contact” button for businesses, letting customers reach out with their queries directly on the platform. Several brands, including Nordstrom, Benefit, Delta and Denny’s, have already jumped on board. Customers with a question can tap the button, after which they are prompted to call, text or email the brand. “Instagram introducing the ‘contact’ button underscores the importance of social media as a customer service channel,” said Kevin Del Rosario, associate director of social media at Huge. “Social, after all, is a brand’s first line of defense, both for reputation management and customer service.”

It is already making life easier for some brands, by helping them streamline their communication and increase their response rates. Garnier U.S., for example, has already seen benefits in using the button. The brand uses it to connect users to its consumer care call center, whereas, previously, it would have to sift through the comments on its posts and manually type in its 1-800 number along with a rote message directing people there, Julia West, its social media assistant manager, said.

Both Benefit and Laura Geller Beauty said that they were getting a few questions a day, but that they expect to get a greater volume of inquiries during the holiday season and when they highlight and promote products on their Instagram posts. The contact button is a part of a suite of recent updates designed to make Instagram more ad and business-friendly, including an insights tool, a “promote” feature and the ability to filter comments. “With the holiday shopping season coming up, we expect to highlight this feature more in our Instagram captions and receive an increase in inquiries,” said Mila Mendez, executive director of global e-commerce at Laura Geller Beauty. “It is another way for customers to quickly get in contact with us about delivery times, exclusive and limited-edition items, shades and any special holiday deals such as Black Friday and Cyber Monday.”

The button makes it a smoother process for customers to get in touch by making sure everything is in one place and they don’t have to venture out of Instagram. But brands would do well to avoid automated responses, warned Elizabeth Gopaul, head of content and social media strategy at Wunderman. “It is important to make sure that there’s a live person responding to your email on the other end,” she said. “No one wants to talk to a bot and get an automated response.”

To that end, Instagram may also want to take a page out of Twitter’s playbook, said Gary Nix, senior social strategist with iCrossing. Twitter has been able to successfully promote its platform as a customer service channel for major brands, making it easy for them to extract value from every interaction. It allows customers to not only tweet at the brand directly but also for brands to initiate a direct message when private information is needed. Direct messages on Instagram, on the other hand, were forgotten territory, at least before Instagram Stories was launched. “It’ll be interesting to see if at any point, Instagram will make the contact button open up as a direct message,” said Nix. “That will ensure that brands can keep the personal and human touch alive.”


How Brands Can Use Empathy To Connect With Millennial Moms Today
Scott Madden, writing in AdAge, suggests millennial moms are a cross between ‘Leave it to Beaver’s’ June Cleaver and ‘Odd Mom Out’s’ Jill Kargman: They want to do the best for their families while embracing the imperfections of parenting (and life). They also represent the greatest lifetime monetary value of any consumer segment in the history of marketing.

Connelly Partners‘ Millennial Mom Project followed a group of millennial moms recently over an eight-week period. Although they share many of the maternal tendencies and traits of prior generations, there are very distinctive qualities and tendencies, and an opportunity for marketers to create messages with pure empathy to reach them.Here are some insights:
1. Millennial moms have it tough. The complexity of being a good mom has never been greater. Although previous generations of moms might have something to say about it, the millennial mom’s perception is her reality. She’s a cyber-security expert and secret service agent. Her “trust no outsider” mentality means keeping a smaller universe for her children to live in and interact with. This small universe gives mom a more manageable force-field to operate from and let her guard down more easily.

Empathic opportunity: By acknowledging millennial mom’s protective anxieties, marketers can reinforce that they’re part of a large universe of united moms who are determined to find a resemblance of true freedom and peace of mind.

2. Millennial moms feel overwhelmed by an endless sea of new studies and theories on diet, nutrition, education and physical fitness. “Don’t do this; “Do this;” “Be sure to eat plenty of that;” and “Remember what we said last week?”

“It’s different this week” has resulted in a fluidity in mothering principles. At the same time, it can manifest in exasperation, given the volume of information that cycles continuously through their devices.

According to the GfK MRI 2015 Doublebase study on millennial moms, nearly 60% always check the ingredients and nutritional content of food products before they put them in their shopping cart.

Empathic opportunity: Brands can win over millennial moms by recognizing the unprecedented challenge of dealing with the volume of information to digest and decipher. Brands need to tell moms that it’s okay to not sweat the small stuff and revel in the masterful job they’re already doing as a great mom.

3. “Like” me for me. The generation that brought self-publication and promotion to to our culture now shudders at the monster it’s become. More than two in five millennial moms feel pressure to make sure their life and family looks “put together” from the outside, and more than a quarter of millennial moms agree that they feel compelled to hide some of the “dirty truths” of being a mom.

That makes it easier to understand why platforms like Snapchat are preferred by millennials for their raw self-expression and forever-gone-in-an-instant posts. But realness can be boring compared to moodiness, sassiness or down-right ugliness. Millennial moms find novelty and comfort in others who not only share their imperfection, but revel in it. It is a point of liberation for these women who hold themselves otherwise to an unattainable standard, like the 68% of moms(not just millennnial moms) on social media who feel that their parenting decisions are always or sometimes judged by other moms.

Empathic opportunity: A brand that has the self confidence to admit it is far from perfect will convey the purest form of empathy. It’s not uncommon for a brand today to effectively celebrate realness, but to be truly empathetic with these moms, a brand needs to be transparent with its own imperfection — making light of its “uglies” with humility and a bit of self-deprecation that is powerfully human; that’s the secret to creating natural brand affinity with this group.

4. I am mommy. Hear me roar. Millennials spent their entire childhood and early adult years chasing the quest for individualism and originality. In fact, 88% of millennial moms rated “authenticity/being true to myself” as very important (MRI). The body art-obsessed generation has carried its “I’m not like anyone else” trait and the millennial mom’s attitude is, “No one is going to tell me how to be a good mother.” These moms are programmed to “walk their own walk” when it comes to the rules they abide by in raising their kids. They are contrarians to not only the practices of their own mothers but to socially embraced concepts and principles.

Empathic opportunity: Contrarians like to think of themselves as “trail blazers,” even when they’re not. But again, it’s about recognizing who they see in themselves and advocating for their perception. Brands that show a recognition for the unique and independent road that today’s mom thinks she walks will leverage empathy in a powerful manner. “Like” me.
There is still much to learn from this generation and how millennial moms will handle the growing pains of raising this next generation.

Television News

NBC Owes Somebody Something For Olympics TV Audience Short Fall
Through the first 13 nights of Rio 2016 Olympics, including the opening ceremony, NBC averaged 26.7 million total viewers, a 14 percent drop from the 2012 average of 31.1 million. And as the second week moved on from the popular swimming and gymnastics events to track and field, wrestling, and basketball, NBC’s final results looked to be further dampened, according to Adweek. Thursday, NBC’s Olympics coverage was a bit slow out of the blocks, averaging 21.7 million viewers, a slight rebound from Wednesday night. Still, Thursday was one of the lowest-rated nights of the Rio Games so far. On the upside, NBC’s Olympics coverage continues to outpace the broadcast competition, beating broadcast rivals CBS, Fox and ABC combined.

Deadline noted fast affiliate ratings for NBC’s 8–1030P Friday coverage drew a slumping 4.7/20 rating among adults 18-49 and just 18.14 million total viewers. That’s down a hard 25% in the key demo and 24% in viewership from the early results of Aug. 12 to hit lows in both categories for the 2016 Games. In fact, Friday night’s low was down a whole point from the previous demo low of Aug. 16.

THR/Live Feed noted with a 3.5 rating in adults 18 to 49 and 14.55 million total viewers, the Games drew in the lowest numbers of the 2016 Olympics on Saturday night, the final night of competition. It marked a 20% drop in the key demo and 20 percent decline in total viewers.

Variety added the peak of the 15-day frame came on Aug. 9, when NBC served up a blockbuster combination of swimmers Michael Phelps and Katie Ledecky capturing gold medals and gymnast sensation Simone Biles helping to lead the U.S. women’s team to victory. That night averaged 36.1 million viewers in the TAD measure, most of which came from NBC (33.4 million). Behind London and Rio, Beijing 2008 (27.2 million), Barcelona 1992 (26.4 million) and Seoul 1988 (25.8 million) round out the top five most-watched games.

NBC’s huge declines for the Olympics closing ceremony weren’t confined to the general market. That trend carried over to Hispanic viewers as well. The closing ceremony averaged 1.66 million total Hispanic viewers on Sunday, according to Nielsen, down 36% from 2.58 million for the closing ceremony of London 2012.

It wasn’t all negative for the Olympics among Latino viewers, however. For example, Tuesday night’s coverage averaged 2.06 million Hispanic viewers, No. 1 for the week on English-language TV. That was also up from 1.95 million on the same night in 2012. Also, Monday’s events averaged 2.02 million Latinos on NBC, up 10% from 1.84 million four years ago.

As was the case on English-language TV, Olympics ratings were generally down within the U.S. Hispanic market, but they still also dominated most of everything else that was on TV.

Cinema News

Sean Hanish's film 'Sister Cities' opens in Los Angeles  & New York Labor Day Weekend

Sean Hanish’s film ‘Sister Cities’ opens in Los Angeles & New York Labor Day Weekend


Sean Hanish’s film ‘Sister Cities’, starring Jacki Weaver, Stana Katic, Jess Weixler, Michelle Trachtenberg, and Troian Bellisario, will be premiering on the silverscreen in two major US cities. The Sean Hanish-directed film will open in Hollywood on 2 September at the Ahrya Fine Arts cinema. Tickets will be on sale starting 30 August at 7p. For more information, you can visit the movie page at LAEMMLE.

The film will also open in New York at the Cinema Village theatre on the same day. You can purchase tickets at the cinema’s official website.

Then finally, the television premiere will be on the Lifetime Network on 17 September at 8/7c. The rights of the film was acquired by the network a few weeks ago. ‘Sister Cities’ is a story of a mother and her four children, fathered by four different men, and named after four different cities. The four estranged sisters are reunited when they learned of their mother’s passing only to be threatened by past familial issues. It is directed by Sean Hanish and written by Colette Freedman, based on her internationally acclaimed play. The film also stars Alfred Molina, Amy Smart, Tom Everett Scott, and Kaia Gerber.

The film was first seen on 29 July at the Traverse City Film Festival in Michigan to a sold-out audience.
https://voiceoftv.com/sister-cities-los-angeles-and-new-york-premiere-dates-set#jrlMHl98j065uC3G.99
Sean Hanish’s film, ‘Sister Cities’ opens in Los Angeles at Laemmle Theaters September 2, 2016. Tickets go on sale @ http://www.laemmle.com/films/41106#get-tickets August 30, 2016 at 7P.

Sean Hanish’s film ‘Sister Cities’ opens in New York City at the Cinema Village, 22 East 12th street, New York, 10003 September 2, 2016, Labor Day Weekend (212) 924-3363 (Movies schedule)(212) 924-3364 (Box Office) info@cinemavillage.com @seanHanish Stana Katic @OfficialMolina @colletefreedman 🎬

Sean Hanish’s ‘Sister Cities’ To Debut On Lifetime

Sean Hanish's film 'Sister Cities' Set For Lifetime

Sean Hanish’s film ‘Sister Cities’ Set For Lifetime


According to Variety, Lifetime has picked up TV rights to Sean Hanish’s independent film, ‘Sister Cities‘, starring Jacki Weaver, Stana Katic, Jess Weixler, Michelle Trachtenberg and Troian Bellisario. The drama tells the story of four estranged sisters who are brought together by their mother’s death. It’s set to debut on the Lifetime Sept. 17, 2016. Amy Smart, Alfred Molina, Tom Everett Scott also star, and introduces Kaia Gerber.

The project comes from director-producer Sean Hanish and the same team that produced the Emmy-nominated ‘Return to Zero’, which aired on Lifetime in 2014. ‘Our goal with ‘Sister Cities’ has always been to get the film in front of as many people as possible, and Lifetime has proved to be the preeminent network to reach viewers who love films with strong female characters and performances’, said director-producer Sean Hanish. ‘After the overwhelming success of ‘Return to Zero’ on Lifetime, we’re thrilled to partner with the `Fempire’ a second time with ‘Sister Cities’.’
Colette Freedman wrote the script, which was based on her play. ‘Sister Cities’ hails from Hanish’s Cannonball Productions and was produced by Hanish, Paul Jaconi-Biery and Eleonore Dailly. Kelly Kahl and Molina are executive producers.


Box Office Weekend 19-21 August 2016 (Domestic)
#1 ‘Suicide Squad’ $ 20,710,000 in 3,924 locations 3rd week
#2 ‘Sausage Party’ $ 15,325,000 in 3,103 locations 2nd week
#3 ‘War Dogs’ $ 14,300,000 in 3,258 locations debut
#4 ‘Kubo & the Two Strings’ $ 12,610,000 in 3,260 locations debut
#5 ‘Ben Hur’ $ 11,350,000 in 3,084 locations debut
#6 ‘Pete’s Dragon’ $ 11,331,000 in 3,702 locations 2nd week
#7 ‘Bad Mom’s’ $ 8,068,000 in 2,811 locations 4th week
#8 ‘Jason Bourne’ $ 7,980,000 in 2,887 locations 4th week
#9 ‘The Secret Life of Pets’ $ 5,770,000 in 2,404 locations 7th week
#10 ‘Florence Foster Jennings’ $ 4,300,000 in 1,528 locations 2nd week

Box Office Weekend 19-21 August 2016 (International)

#1 ‘Secret Life of Pets’ $ 45,000,000 in 53 territories
#2 ‘Suicide Squad’ $ 38,000,000
#3 ‘Line Walker’ $ 16,500,000
#4T ‘Star Trek Beyond’ $ 11,300,000
#4T ‘Jason Bourne’ $ 11,300,000
#6 ‘Ben Hur’ $ 10,700,000

COMING SOON
Morgan‘ September 2, 2016

Doctor Strange‘ November 4, 2016

Rogue One:A Star Wars Story‘ December 16, 2016

small-world-279x300

Welcome to new viewers in all 50 States of the U.S., all of the Provinces in Canada, all of the States in Mexico, the UK, Iceland, Ireland, Guernsey, Jersey, France, Belgium, the Netherlands, Denmark, Norway, Sweden, Finland, Estonia, Lithuania, Latvia, the Russian Federation, Belarus, Ukraine, Republic of Moldova, Georgia, Poland, Germany, Austria, Czech Republic, Switzerland, Luxembourg, Portugal, Gibraltar, Spain, Monaco, Malta, Italy, Slovenia, Slovakia, Hungary, Romania, Bulgaria, Moldova, Croatia, Bosnia and Herzegovina, Serbia, Macedonia the former Yugoslave Republic, Albania, Montenegro, Greece, Cyprus, Turkey, Armenia, Azerbaijan, State of Palestine, Jordan, Lebanon, Israel, Saudi Arabia, Oman, Bahrain, United Arab Emirates, Qatar, Kuwait, Iraq, Uzbekistan, Pakistan, India, Bhutan, Nepal, Bangladesh, Sri Lanka, Kazakhstan, Mongolia, China, Hong Kong SAR China, Macao, Taiwan, Japan, Republic of Korea, the Philippines, Vietnam, Cambodia, Malaysia, Brunei Darussalam, Fiji, New Zealand, Australia, Indonesia, Singapore, Thailand, Mauritius, Zambia, United Republic of Tanzania, Kenya, Rwanda, Ethiopia, Egypt, Malta, Tunisia, Algeria, Libya, Morocco, Republic of Côte d’Ivoire, Mali, Gabon, Senegal, Benin, Nigeria, Cameroon, Ghana, Mozambique, Uganda, Namibia, Zimbabwe, Angola, South Africa, Argentina, Chile, Paraguay, Uruguay, Brazil, Bolivia, Peru, Ecuador, Colombia, Venezuela, Guyana, Suriname, Panama, Costa Rica, Guatemala, Honduras, El Salvadore, Belize, Curaçao, Aruba, St. Lucia, Grenada, Guadeloupe, Jamaica, Trinidad and Tobago, Dominica, Barbados, Haiti, the Dominican Republic, Martinique, U.S. Virgin Islands, British Virgin Islands, Bahamas, Cuba, Puerto Rico and Bermuda (153). We are thankful to all of you with more than 47,455 views. Top areas in the world viewing overtheshouldermedia on Sunday came from the United States, the United Kingdom, Australia, Canada, Iceland, France, Spain, Portugal, Norway, Germany, Austria, Estonia, Ukraine, Slovakia, Bulgaria, Italy, Albania, Greece, Israel, United Arab Emirates, Pakistan, India, Sri Lanka, Vietnam, New Zealand, Argentina, Paraguay, Brazil, Chile, Columbia, Belize, Mexico and Puerto Rico.

Across The Pond

ITV #1 Saturday in the UK as 'The X-Factor' returned for its season premiere.

ITV #1 Saturday in the UK as ‘The X-Factor’ returned for its season premiere.


ITV

8P ‘The X-Factor‘ season premiere finished with 6.8 million viewers and a 34.0% share of the available audience.

930P ‘The Bourne Ultimatum

BBC One
The Big One had a big feature for the 30th Anniversary of ‘Casual+y’.

8P ‘Casual+y‘ (‘Too Old For This Shift’) celebrated the beginning of its 30th season with a feature starring Derek Thompson and Amanda Mealing finished with an average 5.1 million viewers.

BBC Two

730P ‘Greece with Simon Reeve
830P ‘Dad’s Army‘ (‘Ring Dem Bells’)
9P ‘Edinburgh Nights
930P ‘The Truth Commissioner

Channel 4
The Big Four

8P ‘The Good Terrorist
9P ‘Last Vegas

Channel 5
The Viacom Five

8P ‘World’s Fastest Train
9P ‘Football on 5:The Championship

ITV 2
The Little Indy Two

930P ‘The Xtra Factor‘ finished with an average 809,000 viewers, 2nd largest digital channel viewership of the day behind only Hull v Manchester United on BT Sport.

Down Under

Seven #1 Saturday in Australia as 'The Coroner' season premiere finished #1 program.

Seven #1 Saturday in Australia as ABC’s ‘The Coroner’ season premiere finished #1 program.


Seven
The Second Commercial Network in Australia finished #1 Saturday in prime time with a 31.3% share of the available audience.

7P ‘Pirates Of The Caribbean: The Curse‘ finished with an average 275,000 viewers.

730P ‘AFL Premiership‘ featuring North Melbourne V GWS on HD finished with 309,000 viewers.

945P ‘Code Black‘ rerun (‘Pilot’) finished with an average 249,999 viewers.

Nine
The First Commercial network in Australia finished #2 with a 28.7% share.

7P ‘Transformers: Dark Of The Moon‘ finished with an average 328,000 viewers.

ABC
The Alphabet Network in Australia finished #3 with a 22.2% share.

730P ‘The Coroner‘ (‘Dirty Dancing’) finished #1 overall with an average 733,000 viewers.
820P ‘Inspector George Gently‘ rerun finished with an average 572,000 viewers.
951P ‘Poldark‘ did not finish in the Top 20 programs in prime time.

Ten
The Third Commercial Network in Australia finished with a 10.7% share.

6P ‘Rugby: Wallabies V New Zealand‘ finished with an average 336,000 viewers as the All Blacks retain the Bledisloe Cup for 2016 as they take the Wallabies down on home soil.
745P ‘Australian Survivor‘ rerun did not finish in the Top 20 programs in prime time.
925P ‘Australian Survivor‘ rerun did not finish in the Top 20 programs in prime time.

SBS
The Special Broadcast Service in Austraia on Saturday in prime time finished #5 with a 7.1% share.

730P ‘Million Dollar American Princesses‘ season premiere (‘Cash For Class’) did not finish in the Top 20 programs in prime time.
830P ‘Grand Tours Of The Scottish Islands‘ did not finish in the Top 20 programs in prime time.

9P ‘Football 2016-2017: Premier League Match:Tottenham V Liverpool‘ did not finish in the Top 20 programs in prime time.

Top Newscast In Australia Saturday

#1 SEVEN NEWS – SAT Seven 806,000 viewers #1 in Adelaide

#2 NINE NEWS SATURDAY Nine 765,000 viewers #1T Sydney, #1 in Melbourne & Brisbane
#3 ABC NEWS ABC 753,000 viewers #1T Sydney & #1 Perth
#4 NINE NEWS: FIRST @5P Nine 373,000 viewers Melbourne top market
#5 WEEKEND TODAY– SATURDAY Nine 312,000 viewers Sydney top market
#6 WEEKEND SUNRISE–LATE Seven 279,000 viewers Melbourne top market
#7 WEEKEND TODAY–SAT– LATE Nine 259,000 viewers Sydney top market
#8 WEEKEND SUNRISE – SAT Seven 255,000 viewers Sydney top market

SUNDAY AUSTRALIAN OVERNIGHT TV RATINGS
Sunday Australian Overnight TV Ratings
SUNDAY AUSTRALIAN OVERNIGHT TV RATINGS

Seven #1 Sunday in Australia as 'The Big Music Quiz' finished as the top program.

Seven #1 Sunday in Australia as ‘The Big Music Quiz’ finished as the top program.


Seven
The Second Commercial Network in Australia finished with a 32.6% share of the available audience.

7P ‘The Big Music Quiz‘ series premiere finished #1 overall in prime time Sunday with an average 1.211 million viewers.
8P ‘Sunday Night‘ finished with an average 832,000 viewers.
9P ‘Criminal Minds‘ (‘A Beautiful Disaster’) finished with an average 431,000 viewers.

Nine
The First Commercial Network in Australia finished with a 29.1% share.

7P ‘The Block’ finished with an average 1.151 million viewers.
831P ’60 Minutes’ finished with an average 879,000 viewers.
936P ‘Non-Stop’ did not finish in the Top 20 programs in prime time.

ABC
The Alphabet Network in Australia finished with an 18.5% share.

742P ‘Grand Designs New Zealand‘ finished with an average 653,000 viewers.
830P ‘Vera‘ (‘Changing Tides’) finished with an average 696,000 viewers.

Ten
The Third Commercial Network in Australia finished with a 15.4% share.

7P ‘Modern Family‘ finished with an average 388,000 viewers.
730P ‘Australian Survivor‘ finished with an average 662,000 viewers.
910P ‘The Maze Runner‘ finished with an average 286,000 viewers.

SBS
The Special Broadcast Service in Australia on Sunday in prime time finished with a 6.4% share of the available audience.

735P ‘The Real Noah’s Ark‘ finished with an average 291,000 viewers.
830P ‘Shakespeare’s Tomb‘ did not finish in the Top 20 programs in prime time.
930P ‘The Secret History of Isis‘ did not finish in the Top 20 programs in prime time.

Top Newscasts In Australia Sunday

#1 SEVEN NEWS – SUN Seven 1,372,000 viewers #1 everywhere except Sydney

#2 NINE NEWS SUNDAY Nine 1,229,000 viewers #1 in Sydney
#3 ABC NEWS SUNDAY- ABC 753,000 viewers Sydney top market
#4 WEEKEND TODAY – SUNDAY Nine 297,000 viewers Sydney top market
#5 WEEKEND SUNRISE – SUN Seven 284,000 viewers Sydney top market

For continual updates on all things ‘screens’, go to: https://www.facebook.com/pages/Dailydiaryofscreens

In this week’s Media Notes Canonical, go to: http://bit.ly/1JnoNS6 🆕💭📝📎 It’s FREE.

Media Notes Briefs: ‘Why Retailers & Brands Should Use Dynamic and Social Media Advertising in Tandem’ 🆕💡💭🌎💬 – http://eepurl.com/ccPX51 It’s Free!
women-are-more-social-when-it-comes-to-social-media

New This Week: Do Consumers Really Know What They Want? 💬 – http://sophis1234.tumblr.com
12-06-15-latinaPower-girl-st_400

Weekly Retail Media Notes. This week: ‘The Changing Manufacturer Evolution’ http://www.furninfo.com/Furniture%20Industry%20News/6425 🆕💡💭🌎💬
images

Why Don’t You Use Mobile Now? http://goo.gl/wlnJ8o
social-media-use

Today’s featured ‘Music To Read overtheshouldermedia By’ down at the bottom of the page

Jon Batiste ‘Blackbird’

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This entry was posted in Audience Analysis, Audience Behavior, Audience Management, Broadcast TV Ratings in Australia, Broadcast TV Ratings in the UK, Broadcast TV Ratings in US, Cable TV Ratings, Cinema, Daily Broadcast Ratings, Data, Digital, Direct, Hispanic TV Ratings, Late Night TV Ratings, Media, Media Analysis, Media Management, Mobile, Music To Read By, Music To Read overtheshouldermedia by, Saturday Night TV Ratings, Television Program Renewals, Television Ratings, Today In TV History, Uncategorized, Weekend Box Office and tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

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